A VCR font of my own, inspired by other VCR fonts. Very compact; everything stays within a 16x10 grid.

Inspired by the typefaces used by typewriters, but if the typewriter was really inky and weird

digital sleep - a font that shows a digital clock, with distorted vision, representing waking up in the morning to a blur of beeping.

This font draws inspiration from the energy, focus and strength of the gym. It's bold, solid forms reflect power, stability, and endurance. Each letter feels built, not drawn. Designed to express confidence and determination, it embodies the toughness, discipline, and resilience found in both physical training and mental performance.

Elegant, mystical, and shiny. Starlight carries a cosmic motif through its counters and character details. I was inspired by the retrofuturism movement and its focus on outer space and technological advancements, while preserving the refined glamour of 1950s design.

Font inspired and constructed with the blocks from NES Tetris. Had to take some liberties with some characters, such as X and the punctuation.

My inspiration comes from geometric patterns, like Zuzana Licko‘s pattern work on fabrics, and Arabic patterns. The letters are in square tiles inspired by Arabic art. My font also plays on the idea of legibility and futurism, as the letters are skewed making it harder to read, almost like an ‘alien’ code.

When creating this font, I took inspiration from London's tube map. Finding resemblances of letters within the map before overlapping them with the Johnston typeface for sizing and scale. By combining the two, I aimed to make a visually appealing yet confusing font that resembled the TFL tube map.

My font has a formulated and precise composition, it may look simple now but I hope to show it's versatility and inspiration of the through it's use.

This font is based on the old machine programming technique of punched tape. The hole punched tape is fed through a computer which reads the positions of the holes and performs actions accordingly. This design is not legible without a 5-bit code alphabet, unlike my other font.

This font is based on the old machine programming technique of punched tape. The hole punched tape is fed through a computer which reads the positions of the holes and performs actions accordingly. This analogue and old technique inspired my design not just because of its interesting look, but also its potential in the next brief.

Stixel is a pixel-based font inspired by the forms of stencil typography.

I also took inspirations from Zuzana Licko's Lo-Res series of fonts and Argent PX by the Connary Fagen type studio.

VOID.PX .This pixelated typeface draws inspiration from space, blending retro digital aesthetics with cosmic wonder. Star-like dots evoke assemblage , creating a lofi pixalated feel. Merging nostalgia and futurism, the design communicates mystery, exploration, and the vastness of the galaxy—inviting viewers to read as if gazing into the stars.

STATIC* communicates the essence of analogue through its imperfect, nostalgic design inspired by the visual noise of old VHS and TV static. The glitched style reflects the beauty of imperfection, evoking a sense of connection to the raw, pre-digital era.

The inspiration for this font comes from the 90's, where it was more comoon to to see design work that was developed through analogue means. Logos from Japan, and typography that originated from 90's dance/disco heavily inspired this font. However, it also mimics the use of stencils in typography, whihc helps to lnk it back to the theme of the brief.

inky

This font was inspired by traditional Iranian motifs and strong geometric patterns. My goal was to mix cultural heritage with a modern and creative style. The sharp and clean shapes give it a bold identity. It can be used for posters, branding, and digital projects that need a unique and powerful look.

‘Brutalist Bold’ is inspired by Brutalist Architecture, a style characterised by geometric patterns and strong concrete exteriors. The traditional characters of the alphabet have here been systematically partitioned to reflect the notable angles and shapes of brutalist architecture, creating a unique and strong look across the font.

Signal Sans is inspired by analogue sound waves, and each letter features crossbars (or natural curves) which move up and down like waveforms.

Digital signals are binary and predictable, while analogue are continuous, imperfect and human.

This typeface shows how an expressive, fluctuating waveform can exist within a digital grid.

SKWINT - a distorted typeface inspired by doodles expresisng a deteriorating ability to recognise faces and forms.

The font I’ve created is in response to the brief ‘analogue or lofi’. 
I chose to look into the theme of analogue, influenced by stone carving and black letter. Black letter is a style of font you only really see done in capitals hence my decision to create a lower case one. 

This is one I've been wanting to make. It's basically just a little remake of the original VCR OSD Mono made by Riciery Santos Leal (mrmanet) that also has more characters than the original. Do whatever you want with this. Enjoy. :>

Decided to overhaul it. Mainly changed the x-height to be the same as the original.

Alternate for my original Iuwave font.

Multi-Language & Cyrillic compatible.

I made a new "Hit Space"! Credit to The Font Penguin for the original.

This font is inspired by retro, old school tech and has a nostalgic feel to it. Its pixellated feel and angular letters really highlight this, and Ziggy is simple yet effective. Its simplicity is its biggest strength as it makes this font versatile, and easy to read. 

A blocky font inspired by the keys on keypads in old school phone booths. Basic sans seriff letters with an outer box- mirroring the texture of a worn and used phonebooth keypad. i wanted the letters to appear that they had been selected so many times that the paint has been worn down. 

I wanted to create a typeface based on the theme analogue. I chose to look into records and wanted to explore how they look if you smashed one and tried to piece together a letter with the shards and remaining sections.

I took inspiration from retro futurism and digital clocks, a staple in both functional and decorative interfaces. 

My font is based on the scratch texture you see on a vinyl record. I used real vinyl scratches to create the letters from an album called "Running All The Red Lights," hence the name of the font.

I designed this typeface with the theme 'Analogue' and 'Lo-fi' given in my UWE Graphic Design course. I decided on a simple design that takes from a blend of sharp and flowy sewing tools such as threads, ribbons, tape measures and needles, scissors, seam rippers. I liked the juxtaposition of the sharp & flowy products, and the way they blend together so well despite being so opposing.

I made this typeface with the set theme 'Analogue' and 'Lo-fi' given in my graphics design course. I decided on a huamn vs computer style in reference to the analogue theme (as if a computer had attempted to make a hand-drawn font) and its imperfections in reference to the Lo-fi theme (where a computer would fall short of being about to recreate natural human touch). Only the upper case letters have this effect, I made a simple sans serif font to pair with the main upper case letters.