Clone of Knucklehead.
This is a clone of KnuckleheadДумаете, этот шрифт слишком широкий? Мне, работая на мониторе формата 21:9 так не кажется. Это очень удобный и функциональный формат, но многие сайты с адаптирующимся дизайном выглядят на нём плохо. Давно пора думать о ультра- и бесконечно- широких мониторах, а не только о 16:9 (не говоря о Virtual Reality).
Think this font is too wide? Working on a 21: 9 monitor does not seem so to me. It is a very convenient and functional format, but many websites with responsive designs look bad on it. It's high time to think about ultra- and infinity-wide monitors, not just 16: 9 (not to mention Virtual Reality). Lowercase have more common, monospaced, less futuristic look.
Se more:
https://fontstruct.com/fontstructions/show/229492/mechion
https://www.fontstruct.com/fontstructions/show/1320297/bb-snowzing
https://fontstruct.com/fontstructions/show/391413/harvestman
Version 1.5
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Experimental slab-serif. The added height from the serifs is quantized so that the serifs, rather than the normal lines, determine a glyph's geometry.
It reminds me of the Wild West and the old cartoon "The Jetsons" at the same time. It uses two kinds of serifs: normal slabs and "hangover" serifs. The hangovers are the ones that look like overhangs. Is there another name for them? I don't know.
This font is set to appear in several games at once! I'm not the developer of any of them! WOO
Despite what you may have heard, a "hoedown" is just a party.
After so many years, thanks to the amazing nudge feature it's been finally possible for me to recreate Mionta, my 2010 SportsComp entry, the way it should be. No awkward faux-Bézier this time around! It was very fun and a bit challenging to arrange all the bricks together so that they form 16 times smaller versions of the original characters. I did alter some letters and characters however. The ampersand was especially ugly in the original version. I also changed the look of the period (as well as the dots in colon and semicolon respectively). The positioning of left and right quotation marks was my conscious choice, it's a bit more aesthetically appealing to me that way. Double quotation marks are also sort of more ornamental and can serve a purely decorative purpose (this is also why "<" and ">" look the way they look - similar idea). And the percent sign, I love it so much that I think I'm going to marry it. Due to FontStruct's limitations, diagonal lines in K and N couldn't be preserved. Also, tracking isn't as tight, because we can't go below -1, but I think it's a good thing in this case. Just like before - make sure to try out fake italics! More fonts to come in very near future. Changelog: - minor corrections - & was still a little bit off - bar in lowercase t is now a bit raised ^and that renders the sample picture outdated, fantastic.
This is a clone of Miontaedit 4/6/24 - made the 0 (zero) same width as the rest of the numbers
This is a clone of Mojangles Wide