This is a rendition of one of A. V. Hershey's dot fonts from his 1967 paper "Calligraphy for Computers", the "Cartographic" (sans-serif) font, plus a number of glyphs imported from the "Mathematical" font, as well as many additional glyphs drawn in the same/similar style to the original glyphs. This font actually dates to at least as early as June 1963, as it is featured on some diagrams in Hershey's "The Plotting of Maps on a CRT Printer" paper.

This font is based off the "ABC Sunday Night Movie" title from the 1970's, as well as WPIX-TV New York's movie titles from the 1970's.

While suffering some serious fonter's block, here's another "wonky" experiment: this time, based on my "21st Century Dot Matrix" font.  Random numbers were used to determine each dot's nudged position for the vertical (–½ / –¼ / 0 / +¼ / +½), and another set of random numbers for the horizontal.  Each position had an equal 20% chance of placement.

On the previous "wonky" font ("Wonky Pins"), I adjusted some dots manually to be more visually pleasing, but I refrained from doing that here.  Because so many dots were nudged to extreme positions (–½ & +½ vertically and horizontally) WITHOUT further adjustment, the printed text is still legible but definitely not as refined at "Wonky Pins"...

This typeface was also based on 2 sets of dots this time: one randomized set for an even number of dots across a row (6 or 8), and the other set for an odd number of dots (7).  Sometimes, even dots and odd dots are used together on the same row in order to match the placement in the original design.  These blocks are present in the "À" position.  A slightly larger generic block in position "Á" is only present to prevent word processors from 'cutting off' dots nudged too far vertically up or down; initial test printings resulted in ½ dots being printed at those extremes.

Perhaps another "wonky" experiment will place the extreme ends at a lower chance of occurance (perhaps 10%) while the other three (–¼ / 0 / +¼) more at likely at 26.67% each.  Or perhaps an even higher chance that the dot is not even nudged at all, with lower likelihoods as you move outwards to the extremes.  This might alleviate the need for any manual adjustments, yet still get the point across that something... something has gone wonky with the printer...

Inspired by a technique used by 12Me21 in 3D Shading.

Hand drawn anti-aliased dot patterns.

Who says Christmas only comes once a year? Here's a second style of Ugly Sweater, this time just like Grandma used to make! Please respect the license - if you would like to use this font for commercial projects, please contact Alexander@Kominek.ca

A new take on my font home/sweet/home, expanded with some fun holiday dingbats. Just in time to use in your Christmas Cards! Please respect the license - if you would like to use this font for commercial projects, please contact Alexander@Kominek.ca

Another dot matrix typeface for a printer that never existed...