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My first ever font. I feel pretty proud of it. Ignore what the liscensing says, you can use this for free, commercially even. I just accidentally set it to the wrong liscense. As long as you reference me, it's open game.
This is a clonea little something I had in my head for quite a while already, finally decided to try and make it in Fontstruct.
No kerning done right now, but maybe some time later I'll do it. though even without the kerning it looks nice in my opinion.
Feel free to clone and see how it was done. (some glyphs like { are quite messy though)
also may redo some glyphs in the future.
UPDATE: cyrillic done
Collection of linear-interpolated circle attempts, or simply faux-Bezier circles and other curvature related materials.
This toolset basically is collection of pre-made fake circles and curves in numerous different sizes to make ones workflow easier. It could also simply serve as a educative tool that demonstrates the basic FontStruct technique used for making fake curves and circles.
Initially I intended this to be much more complete, but it is simply too much work, and would take forever to get published at once.
Please don't expect this to be perfect, a lot gets fairly close to the "real-deal".
But keep in mind that they remain raw approximations of their true Bezier counterparts. I will try to improve whatever is needed as time progresses, as well as most likely add more stuff.
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I hope you like it so far,
Feel free to copy, re-use, improve or even destroy!
enjoy!
Because sometimes you need a thick scribble font.
This is a clone of FrugalFantasyMonoMonospace, single-case display font based on simple geometric rules. Starting with a square, alphanumeric characters are created only by rounding corners, adding a center hole, or adding vertical or horizontal slots, with few exceptions.
Expanded from a logotype designed for a portfolio piece- interesting for titles, headings, and other decorative use but too stylized to be legible in larger blocks (try it out though!)
Alternate glyphs are included in the "uppercase" set.
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35