60722
Published: 7th October, 2014
Last edited: 7th October, 2014
Created: 7th October, 2014
Clone of Negative and positive dot.This is a clone of Negative and positive dot
110721
Published: 24th September, 2014
Last edited: 7th October, 2014
Created: 23rd September, 2014
This was design for my Modular Letterforms project, It inspired by Wim Crouwel and Bauhaus.
1411541
Published: 18th September, 2014
Last edited: 14th September, 2014
Created: 13th September, 2014
Creato nel 2014 da Salvatore Piscopo. 900 Stencil è un font sans serif dalle forme geometriche, ispirato ai caratteri noveceteschi di scuola tedesca (Bauhaus di Walter Gropius), in particolar modo allo Stencil di Joseph Albers (realizzato tra il 1926/31). Il 900 Stencil si distingue da quest’ultimo per la presenza delle aste oblique e la linea di separazione verticale (tipica dei font stencil) presete in ogni glifo, inoltre, seppur chiudendo un angolo di 90°, i vertici arrotondati di alcune lettere non si intersecano con l’intera larghezza delle aste verticali, donando al font, sopratutto nelle lettere maiuscole, un apetto piuttosto squadrato, che ne rende complessa la lettura, ma che si presta perfettamente alla comunicazione visiva.This is a clone
50412
Published: 3rd July, 2014
Last edited: 3rd July, 2014
Created: 3rd July, 2014
Based upon a De Stijl design by Theo van Doesburg (1883–1931) from 1919.
This typeface seems to use a 5×5 pixel grid at first look, but letters ‘B’, ‘D’ and ‘V’ require 10×10 pixels. Doesburg made some choices that you don’t find in modern pixel fonts.
Only uppercase characters and digits, some variants at lowercase letter positions.
Please note that this has been fontstructed before, but in slightly different ways: http://fontstruct.com/fontstructions/show/architypixel_doesburg_5x5
http://fontstruct.com/fontstructions/show/architypixel_doesburg_25x25
http://fontstruct.com/fontstructions/show/276556
1601455
Published: 25th March, 2014
Last edited: 26th March, 2014
Created: 25th March, 2014
A font based on Boris Bilinsky's poster for the 1927 film Metropolis' French release.
241914
Published: 21st February, 2012
Last edited: 19th February, 2014
Created: 17th February, 2012
Little Tittle's uppercase
The overall design was inspired by Josef Albers Kombinationschrift alphabet. A modular typeface built using a limited number of basic shapes.
This is a clone of Little Tittle
20152124
Published: 23rd July, 2013
Last edited: 25th July, 2013
Created: 23rd July, 2013
The slab brother of Hieronimus, more decorative and with ascenders and descenders.This is a clone of Hieronimus
195984
Published: 18th June, 2013
Last edited: 19th June, 2013
Created: 14th June, 2013
I first thought about this font when doing the lowercase of Blackfoot. A couple weeks later, it gets its own font!
3631785
Published: 17th May, 2013
Last edited: 17th May, 2013
Created: 17th May, 2013
Blackfoot is a fusion of Art Deco and Bauhaus. Boldly type with Blackfoot!
Blackfoot est une fusion de l'Art déco et Bauhaus. Entrez hardiment avec Blackfoot!
Blackfoot ist eine Fusion von Art Deco und Bauhaus. Mutig mit Blackfoot geben!
Blackfoot es una fusión de Art Deco y Bauhaus. Valentía escribir con Blackfoot!
245854
Published: 27th October, 2012
Last edited: 20th April, 2013
Created: 27th October, 2012
FontStruction based off one of the concept FontStruct Logos.
134671
Published: 19th December, 2012
Last edited: 20th December, 2012
Created: 19th December, 2012
My first idea for this font was to create a Bauhaus-Futura-looking FontStruction on a small grid. But later, i let that "Bauhaus-Futura-Idea" go away. So i created my own style: WLM Future Round is an unusual, decorative, fun typeface that is good for all things with circles. So, do you make a logo with circles? Use Future Round! :D
Oh yeah: this isn't very good, because i used a 4 by 2 grid :D
80991
Published: 23rd October, 2012
Last edited: 25th November, 2012
Created: 21st August, 2012
A fonte popots foi inicialmente inspirada na fonte bauhaus e em seus traços extremamente
geométricos, pois torna a fonte um pouco feminina e simétrica, após algumas pesquisas de
referências optei por seguir com os traços arredondados trabalhando com círculos perfeitos
produzindo então uma fonte cheia de sinuosas curvas.
120302
Published: 29th October, 2012
Last edited: 29th October, 2012
Created: 17th October, 2012
Inspired by the geometric mazes created by nuclear power circuits, this typeface has been designed so each character works not only in its conventional place but with the space around it also. The aim was to reduce complexity to achieve a unique effective typfeace.
1131213626
Published: 21st May, 2012
Last edited: 4th June, 2012
Created: 25th January, 2011
Lowercase only font loosely based on Herbert Bayer's famous "Universal".This is a clone of Sansybar Wide
230494
Published: 20th February, 2011
Last edited: 20th February, 2011
Created: 20th February, 2011
unfinished Clone of Spacerock Firstline (originally by LexKominek)This is a clone
50017313
Published: 16th September, 2010
Last edited: 13th November, 2010
Created: 9th September, 2010
Minimalist geometric font with hard angles, it's as much about the negative space as the positive. Inspired by the theory of cutting metal. Designed by John Alexander http://www.amanindesign.com/
286392
Published: 20th September, 2008
Last edited: 27th August, 2010
Created: 20th September, 2008
A basic Bauhaus inspired geometric font 2 units high by 2 wide.
4216416
Published: 10th June, 2010
Last edited: 10th June, 2010
Created: 10th June, 2010
Based on a design I created for a video game package many years ago, but with some improvements. Use this with Spacerock Secondline for chromatic effects.This is a clone of Spacerock Biline