fs Stainless Square
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Basically just fs Stainless but more geometric and sharp
I use composited bricks to closely fit with the connects since there are no sharp wedges for the connects
fs Stainless
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My first font using the Connect Bricks
This is just a test font to experiment with new bricks, nothing more
Sorry if some of the letters and numbers look alike, K and H look the same, A and R look the same, and 1 and 7 can be mixed up
I figured out how to make an animation in FS! It isn't much, and I'm certainly no professional animator, but I had some time on my hands and I enjoyed spending the majority of the day working on it (took way longer than I thought haha).
To see the animation for yourself, clone this font, click on expert mode, turn on Unicode letter sets in the advanced tab in the menu, and go to the "Private Use Area 1 (E000-EFFF)" letter set. Then just hold down the right arrow key and enjoy!
Press the G key to turn off gridlines for best experience!
This is a cloneGrulla's letters –built on a 2x3 square grid– have (tri)angular counters & square terminals. Counterspace=letterspace, letter /f/ is kerned onto "rounded" letters (fc,fd,fe,fo,fs). Diacritics support spanish (hello from Argentina!)
Unleash the power of the... SLAPPERDAPPER! For the whole family!
a typeface inspired by the music of this artist, billboard lettering and brutalism
a monospace font inspired by inktraps, reverse contrast typefaces and the works of bagerich type foundry
i tried to make a typeface just like brutal clones
By popular demand, I'm very proud to present you this recreation/digitization of Maxim Zhukov's Meander (an experimental modular type design from 1972, which was used in cover artworks for Stereolab's Dots and Loops album and Miss Modular EP).
Now supports Cyrillic characters and includes other custom-made glyphs, like numerals and punctuation marks.
References: Type Journal: "Towards an open layout: A letter to Volodya Yefimov", "Искусство шрифта. Работы московских художников книги. 1959–1974" (The Lettering Art. Works by Moscow book designers 1959–1974), pg. 35
This is something I've doodled on for a while. I'd like to incorporate shapes other than triangles and rectangles into this but I'm just too busy with other projects. Feel free to continue it, make it better, or whatever.
I had help from BWM for suggestions to improve a lot of the glyphs. Thanks, man!