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This font was made for street food vendor which we call PKL. My team got tahu campur which means mixed tofu. Inspired by the tofu, I made the font literally square like a tofu (lol). Tahu campur has bold taste which result in also a bold font. Shadow made by request. Hope you like the font! Please leave some comments for a better changes so we all can improve. Thanks~
This is a clone of Like a TofuA typeface inspired from Indonesian food called "gado-gado"(salad with peanut sauce). Its texture is soft because of peanut sauce. Rice cakes and potatoes add some blocks texture. So, i made this blocky and soft typeface.
Narrow and heavy, ultra bold Piano key designs once required fractional brick scaling to generate their distinctive slit-like counter forms while working with maximum curves. Composite stacks provide a more elegant and versatile solution to this old problem. In this way, they can be seen as an important milestone on the road toward individually scalable bricks...
Letterspacing is kept tight in this fontstruction, but still needs a great deal of manual kerning especially around all the character lacking serifs on one or both sides.
72+ initial downloads done during testing and troubleshooting. More characters to come. Enjoy, and please vote kindly. : )
This is a cloneThe ultra-low resolution of this grid may be difficult to grasp without cloning. Fontstruct’s logo has a nominal x-height of 3 bricks, by comparison.
The level of detail, control, and finesse possible in a given fonstruction depended mostly on resolution prior to the recent advent of stackable composites. Did you want it better? Make it bigger!
Brute force, now meet Elegance.
Instead of building individual glyphs hundreds of bricks tall, stackable composites allow us to design rich modular schemata hundreds of bricks deep. Using curved bricks at their largest scale, linear and curvilinear elements dynamically harmonize and oppose. As well, screen fonts can be effectively hinted (aside from notable lack of kerning controls) without sacrificing the integrity of joins and intersections. And the trapping possibilities, Oh the sweet sweet trapping possibilities...
Please, vote kindly and stay tuned for more :)
This is a cloneInspired from well-known pleasant-tasting food in Surabaya (the capital of province East Java), Indonesia, Tahu Tek. If you are a peanut or tofu-lover (or even both) you'll probably love tahu tek. The crunchy-taste of kerupuk be united with delectable half-cooked fried tofu, soft-texture of lontong, frech fries (yes, there is), a little bit of bean sprouts, garnish with pickles and tasty peanut sauce spread all over the half-cooked fried tofu.
I put several element of green soybean pod in my glyphs. Soybean is the main ingredient of tofu also known as bean curd. Let me know if you have some thoughts and critics by giving comments :) I would really appreciate it. ^^
Please enjoy a private clone to see how I dealt with contrast, curves, bracketing, variable letter width and the difficult-to-achieve emboldening of the capitals’ vertical strokes within a minimal fontstruct matrix (and If you like what you see, please download for personal usage and vote kindly! :)
Intaglio’s amazing recent work makes similar strides (see the excellent rounds, for example), offering a solution before me to several of these long-standing impasses of the medium.
More characters to come... :)
This is a cloneCacoethes: A font meticulously built to have only true curves and one diagonal angle. Unkerned and under development. Thoughts, suggestions, and clones welcome!
See also: Cacoethes Regular
This is a clone