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WIP
See more:
https://www.fontstruct.com/fontstructions/show/1704181/systems-pure
https://www.fontstruct.com/fontstructions/show/1679386/derty-1-1
https://fontstruct.com/fontstructions/show/988227/de_stijl_11
https://fontstruct.com/fontstructions/show/1531237/stf-de-stijl
https://www.fontstruct.com/fontstructions/show/1656605/minimal-fraktur
https://fontstruct.com/fontstructions/show/1389996/lines-38
http://letterhead.store/generoso
https://rentafont.ru/fonts/dublon/regular
https://fontstruct.com/fontstructions/show/487001/squarific_stencilicious
https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia
https://fontstruct.com/fontstructions/show/298451/impossible_2
fs GALAXUS
===============================================
You know when you get sudden motivation in the middle of the night? This font came from that motivation, which almost never comes during the day.
Some of the letters need editing, and some need to be scrapped and re drawn.
- WIP
a square typeface intened to be used for single words, small phrases or for brand names and logos. However i feel it does have a nice textural look when used for large bodies of text. My first published type of Fontstruct. Any feedback would be very much appreciated.
About name: https://en.wikipedia.org/wiki/Belka_and_Strelka. Also Belka means Squirrel in Russian.
See more:
https://fontstruct.com/fontstructions/show/1248281/blackbox-1
https://fontstruct.com/fontstructions/show/479504/pistolera
https://fontsinuse.com/typefaces/41253/strelka-ultra
https://fontstruct.com/fontstructions/show/2138573/destinova
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)A font I initially created for an album cover but later expanded into a full typeface. Thanks to J.R.'s sci-fi font for the inspiration.
Inspired by the consistency and taking up the same amount of horizontal space as the monospace font, I combined my typeface with the eagerness of youth but still know how to keep within the framework so as not to affect others.
Made for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.
ASCII + Cyrillic.