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OZ Connekt's letters are meant to fit together like jigsaw peices. I used the same base for all letters and only had to break it for a few letters. I had some trouble spacing it, but once i got all of that cleared up, it went well! I hope you do enjoy!
Megaten 20XX is a monospaced sans-serif pixel font recreation based on the original typeface appearing in the Super Famicom video game Shin Megami Tensei II, developed and released by Atlus in 1994.
The character set of this font was notably expanded with many additional special characters, diacritic variants, unique glyphs, and the like, each one of them designed to match the spirit and style of the original font design. Also included is the full original set of Japanese characters.
To recreate the original in-game appearance of this font, I recommend to choose font sizes that are multiples of 7pt and avoid any anti-aliasing or other font smoothing methods.
~ Megaten 20XX by Caveras - a pixel font recreation based on an original font from the SNES video game Shin Megami Tensei II ~
Please contact me if you wish to license this font for commercial purposes!
© Copyright & created by Caveras.
Relive your retro pixelated font dreams with Retro Pixelon! Ready to use for Russian, English, Polish, French, Spanish, German and many more!
Contains sets: Basic Latin (fully), More Latin (almost fully), Extended Latin A (fully), Cyrillic (for Russian).
A monospace font with a regular, oblique, and italic set of variants.
This is a clone of Bodge ItalicThis is an enhanced version of the retro font you see on old games. Still WIP. The squares are just placeholders and will be removed shortly. I hope to make this have more characters than any other fonts in the future (this might take a while). This font can be used in retro-style games, computer graphics, or anything else you can imagine. This font is pixelated, meaning it is lightweight and easy to port to many devices.
This is a clone of Ndless Default FontPAPERS, PLEASE has a very nice Title logo! I decided to re-create it, expand it, and make it 2D. Latin Extended only when someone wants it.
I made some useless thinner lowercase characters, but they don't really match up, rather an experiment.
AN 8×8 PIXEL FONT.
THIS FONT CONTAINS THE LATIN, GREEK, CYRILLIC, ARABIC, AND HEBREW ALPHABETS.
CHANGELOG
• 2018:02:10 — FIRST RELEASE WITH SIX HUNDRED AND NINETY-FIVE CHARACTERS.
This is a clone of PARALLAX-SYSTEM-FONT-1(Complete basic latin set). First iteration of a font meant to be used as a substitution cypher in a videogame set in a very far future. Letters are, with a few exceptions, inspired by their corresponding latin glyph. Numbers look a bit like cells dividing in a petri dish. Punctuation and symbols are designed for easy recognition.
Updated version: https://fontstruct.com/fontstructions/show/2100999/far-future-1
Update: New regular weight companion font available here -> Future Terminal Nova Regular
As seen on SiivaGunner's Jet Set Radio Evolution event! Credit isn't required, but is always appreciated!
04 JULY 2022
Added U+FFFC (OBJECT REPLACEMENT CHARACTER)
Added U+E000 (.notdef)
Fixed U+FFFD (REPLACEMENT CHARACTER)
Imagine the world 2000 years later and the language and writing culture had much evolved to the format of simplicity, futuristic, and rigidity. This font was inspired by many sci-fi movies that set on super-human civilization with its own advance in language and cultural symbolism.
Monospaced version of CheddarSans by Fußmatte (aka Fussmatte, Doormat). As of now, the character set is limited compared to the original font (~400 glyphs vs. ~1000). Released under CC-BY-SA 3.0. Current version: 20.11.23.0
Думаете, этот шрифт слишком широкий? Мне, работая на мониторе формата 21:9 так не кажется. Это очень удобный и функциональный формат, но многие сайты с адаптирующимся дизайном выглядят на нём плохо. Давно пора думать о ультра- и бесконечно- широких мониторах, а не только о 16:9 (не говоря о Virtual Reality).
Think this font is too wide? Working on a 21: 9 monitor does not seem so to me. It is a very convenient and functional format, but many websites with responsive designs look bad on it. It's high time to think about ultra- and infinity-wide monitors, not just 16: 9 (not to mention Virtual Reality). Lowercase have more common, monospaced, less futuristic look.
Se more:
https://fontstruct.com/fontstructions/show/229492/mechion
https://www.fontstruct.com/fontstructions/show/1320297/bb-snowzing
https://fontstruct.com/fontstructions/show/391413/harvestman