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A continuation in the style of Genera and Genera Deux
WIP
Rezkii chotkii shrift.
See more:
https://www.fontstruct.com/fontstructions/show/1537870/amd-revived
https://www.fontstruct.com/fontstructions/show/744986/razorblade_4
https://fontstruct.com/fontstructions/show/252135/shine_10
https://fontstruct.com/fontstructions/show/370890/edge_31
https://fontstruct.com/fontstructions/show/836597/vermin_vibes_dystopia
https://fontstruct.com/fontstructions/show/38623/next_level
https://fontstruct.com/fontstructions/show/19330/e_keet_beans
Pluranon
https://fontstruct.com/fontstructions/show/115164/sharp_progress
Kreased
https://fontstruct.com/fontstructions/show/857936/nt3_01
https://fontstruct.com/fontstructions/show/1179720/yg_rounded_redo
https://fontstruct.com/fontstructions/show/778404/ace_adventure
This is a clone of Femme fatale(WIP)
An attempt at an angular, futuristic Fraktur design. It's also inspired by ancient Greek stonecarvings, or at least, the way such carvings are depicted in comics and cartoons. It has a lot of intentional asymmetry to make it look quirky and slightly comical. (I tried making everything symmetrical with composites, but it looked boring!)
I welcome any suggestions for this one. I've never tried to make a "normal" Fraktur, only avantgarde ones, so I'm not very knowledgeable about the style.
A clinical font, an attempt at trying to work curves in a non-curved setting. I believe this works stronger as a text font, and I've given it the usual Euro specials, as well as Google font support if you are such way inclined.
Also added some Russian support because why not? It looks like it'd fit. Also Greek, too.
See more:
https://fontstruct.com/fontstructions/show/1450250/treetops
https://fontstruct.com/fontstructions/show/1294710/mx-hbs-alt
https://www.fontstruct.com/fontstructions/show/473688/shishoid
https://fontstruct.com/fontstructions/show/1593059/codework-1
https://www.myfonts.com/fonts/justanotherfoundry/mashine/
https://fontstruct.com/fontstructions/show/773915/drum_and_bass_ldr
https://fontstruct.com/fontstructions/show/87805/pyramid_1
https://fontstruct.com/fontstructions/show/203704/tagliana
https://fontstruct.com/fontstructions/show/178834/octastruct
https://fontstruct.com/fontstructions/show/1576255/f77-blockie
https://fontstruct.com/fontstructions/show/619723/the_45_alt_01
https://fontstruct.com/fontstructions/show/217312/track_filled
https://fontstruct.com/fontstructions/show/249112/ncd_phusion_bold
https://fontstruct.com/fontstructions/show/207773/comitto
https://www.fontstruct.com/fontstructions/show/1572485/f77-handwrite-1
https://fontstruct.com/fontstructions/show/229356/thm_thin
This is a clone of DigitalisA continuation of ideas present in Technokratz, with some imagination added for good measure!
This creates new ambigrams and ambiguous words. Here are a few that I found:
AND = ROD
FACE = FREE
FONT = FROM
FOX = HOT
FREE = TREE
INTO = TOMB
LAY = EAT
PHYSICS = EXISTES
SOLD = SAID
TECH = MECH/MEEK/NECK
THE = AXE
TOXIC = MOXIE
VICTORINOX = LAWSUIT (hah, just kidding)
WATER = TAMER
YEATS = TEAMS
Since I like this ambiguity so much, I will keep working to make letters resemble other letters even more! The real trick is finding these synergies while still preserving enough variability in forms that things can still be read flawlessly.
Embellished/pattern-filled Technokratz:
"A futuristic attempt at 'insular' English. The main design rule was 'make it bend where it shouldn't'. This could symbolize some cyber-dystopia-lord-dude's desire to stop at nothing, or something."
This design inserts a dot into every empty grid square. Off-grid empty squares don't count - there must be an utterly empty space of 1 square's size ON the grid. The dotting further imparts a unique identity to every letter.
Shall I continue this one? Let me know. :D
This is a clone of TechnokratzInspired by the Undertale Character that never was, I present to you Semi UT.
Grandpa Semi was originally planned to be a font skeleton and a relative of Sans and Papyrus. In the newest update to Undertale, if you perform a specific action in a fight with Temmie, you'll get to hear his originally planned theme and a little joke that may allude to his actual personality. This theme eventually became Metal Crusher, one of Mettaton's themes.
Please, feel free to use and distribute this font however you like!
Thanks!
--DisposableScissors
Some people may think I'm carving a niche for this kind of font style. Some people may say "Oni, m'colleague, why don't you branch out and challenge yourself?"
I'm lazy, and I like this font style. So here's another one.
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)I updated and improved my previously published third recap in the series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer".
As extra I added a period plus comma.
I hope you like it.
Recap of the lettering from Dutch hardware store-chain "GAMMA".
I have absolutely zero clue on who originally designed it.
(If someone here knows more about the origins please let me know, thanks)
Nonetheless it's a pretty cool futuristic looking design as well as a tribute to its predecessors that set the tone for the genre at the start of the last century.
As usual the alphabet is completed and some punctuations is added.
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"