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This is the second version of my font "Znipped" which also happens to be my first TP.
Building on @erictom333's suggestion of adding lower case letters, lower case is now included!
The height of uppercase and lowercase letters are the same... intentionally
Enjoy!
As always, Open to comments and suggestions!
This is a clone of ZnippedWhat would futuristic type design be without ridiculously wide letters?
Also looks great at narrower widths down to 50%.
(2nd entry to #FutureComp)
This is a cloneA continuation in the style of Genera and Genera Deux
Inspired by a type identification request over at Typography.guru.
During developement, the tool has taken over, also helped by the scarcity of letters available in the original, making the design more sans than serif, and with strong MICR vibes in some places.
The name means "shoe shop" (also shoe repair or shoe making) in Italian.
At the moment the language coverage is limited to Western Europe.
Experimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
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Design Rules:
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
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Original size: 20.75pt (use multiples of this value for pixel perfection)
Fourth recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer".
I hope you like it.
This is a clone of STF_JS-SANS SQUARE (OUTLINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
CAPITAL LETTERS HAVE A WHITE STRIKETHROUGH. LOWERCASE LETTERS ARE COMPLETE.
TO GET THE PARALLAX LOGO (MY WEBSITE), TYPE “%.”
ALSO SEE THE TWO-DIMENSIONAL VERSION OF THIS FONT, “PARADOXICAL-VORTEX-FLATTENED.”
CHANGELOG
• 2017:11:30 — PUT THE STRIKETHROUGH ON THE CAPITAL ACCENTED CHARACTERS. ALSO FIXED A SPACING ERROR WITH THE “$” SYMBOL.
• 2017:12:01 — DUE TO POPULAR DEMAND, I HAVE ADDED A HUNDRED AND FIFTY NEW AND ACCENTED CHARACTERS.
• 2017:12:02 — ADDED EIGHTY-SIX MORE CHARACTERS, BRINGING THE TOTAL AMOUNT OF CHARACTERS TO THREE HUNDRED AND FORTY-ONE. ALSO UPDATED THE “¥” SYMBOL AND THE SINGLE ACCENTS.
Couldn't decide which version to go with, so I published both.
This is a clone of Ambasciano A