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Copyright 2013 to 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work/), aka Symbiotic Design (https://SymbioticDesign.com/), all rights (including artistic & creative rights) are reserved worldwide.
Released as a freeware font under the condition that if you use the font the authoring font designer will be attributed at least once (on a website, blog or in social media) with an active hyperlink back to the font homepage, the designer's profile, or any one of his websites. No derivatives are allowed. See the included "license.txt" text documentation within the distribution archive for license specifics. If this font was not distributed with a "license.txt" that specifically describes a "FonStruct License", it is an incomplete and unauthorized version.
Get the original version (development version) of this font at:
https://fontstruct.com/fontstructions/show/853961/broadbill
If the development version here is being actively worked on, it may contain a few errors. You can get the last officially released version of Broadbill from:
https://www.font-journal.com/fonts/13107/broadbill.php
or use the short link:
https://w3n.us/broadbill
Designer's FontStruct profile:
https://fonstruct.com/fonstructors/595075/symbioticdesign
or use the short link:
https://w3n.us/sdfonts
Any hyperlink in this description is authorized as a back link. -DP
https://SymbioticDesign.com
https://www.Doug-Peters.com
https://Dougs.Work
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
What began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.
The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction.
More intriguing is the 1-bit “anti-aliasing” scheme I found myself progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.
At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.
Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).
Basic accented charaters and numerals are being added as I churn through the extended character set...
This font was inspired by a local food from Lamongan, Indonesia. It's called 'tahu campur'. I made the uppercase much bigger than the lower case because the uppercase symbolize the tofu (tahu kuning. it's a big tofu, with a rectangle shape, and the color is yellow) that was used as the main ingridient of tahu campur.
This particular font was basically just an oversimplified version of Gryphon Serif. I called it "Tick" because it looked like a typewriter font to me, and typewriters make a ticking sound whenever you use them.
Cybersquare was designed to be a display font. The flat serifs and square counters give the essence of something old that is merging with new technologies. The name Cybersquare comes from the influence of Courier in code and the square nature of the letterforms. It is a typeface created using old ideas to look into the possible future. Cybersquare is meant to be used large on products such as posters and book covers.
Me trying to make a Serif font.
NOTE: Click "TrueType Font" when downloading!