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ETC Vieux Canard is whimsical, geometric sans-serif font based on V. Sarela's "Res Cogitans" and Christian Munk's "Insular Typewriter".
Some letters are oddly kerned, but that is due to FontStruct's +/- 10 unit limit on kerning.
This a typeface designed to echo the shapes and patterns found across manholes which cover our network of systems across the UK. Manhole covers have been beautifully decorated with patterns but also act as indicators and safety features. Both patterns and the shaping of letterforms are inspired by manhole covers I have found. Designed to be a display typeface at large scales!
Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)Another tribute to the great Dutch graphical designer/pioneer "Jurriaan Schrofer".
This time I didn't do a straight foreward recap of a specific work from the great man, but rather had myself inspired by a number of his sketches and combined those ideas all into this type! (Nonetheless ofcourse still heavily inspired by..)
Here are a few of the original works I drawn inspiration from:
"A.S.C. COMMUNICATIONS, SEMINOTICS, SIGNAGE SYSTEM PTT 1975 (Dutch Post Office) , BEURS VAN BERLAGE, UNREADABLE ALPHABET"
This is a clone of STF_JS-SANS SEVERE (MULTILINE)MILITIA - A bold geometric typeface inspired by the military.
It comes in 2 style variations (solid/stencil) and features uppercase plus small uppercase letters!
Enjoy!
This is a clone of STF_MILITIA (STENCIL)Vyaz —
http://rbardalzo.narod.ru/4/viaz.html
2 years of development.
See more:
https://fontstruct.com/fontstructions/show/265441/lokrd_labrik
http://russianfonts.ru/fonts/dobrozrachniy/dobrozrachniy-typeface.html
https://vk.com/vi_ktor
https://www.fontstruct.com/fontstructions/show/1384605/remix-of-vyaz-sychoff
https://fontstruct.com/fontstructions/show/1158598/kalinkamalinka
https://www.fontstruct.com/fontstructions/show/1587122/enisey-1
https://www.fontstruct.com/fontstructions/show/1326772/one-twenty-nine
Wip. Hashtag No Filters.
The font with great attention to numbers, from which its creation began and they set the style for the rest of the font. The result was an art deco style font with not the most balanced (A so wide), but strictly geometric proportions, as was done on posters of that era.
The name is in honor of Kazimir Malevich, the famous Ukrainian artist with Polish origin. Malevich works: https://arthive.com/kazimirmalevich/works?_lang=EN
Another recap in the ever growing series of attempts to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer"(15 april 1926 – 1 juli 1990).
This time I revisited the letters taken from one of his sketches called "Alphabet for cutout letters-c. 1985" and completed it with numerals and some additional punctuations!
The only real differences compared to the original sketch are heavier stroke weight and some letter parts/shapes that were drawn in the original were left out from the recap since they are of no use in a typeface!
As usual I completed the alphabet with numerals and some additional punctuations.
Lowercase characters only!!
Working under the theme of 'Rebirth', I have focused my first font on the idea of post-war architecture, or otherwise commonly known as modernist/brutalist architecture. Buildings constructed following the Second World War were built using new technologies of construction. These types of designs were known for their use of modern materials such as concrete and steel as well as their interesting geometrical forms. I was heavily influenced by the architecture featured in Owen Hopkins' book 'Lost Futures' which looks at the disappearing architecture of post-war Britain and how changing external contexts played a role in the subsequent destruction of these buildings.
In this typeface I have tried to represent a noise without using soundwaves.
Based on the word Thunderous, this font represents a storm. The pointy edges of the letters and their disformed shape are supposed to represent the loud and violent noise made by thunder. As there are three diffrent phases in a storm, loud, light and calm, I tried to represent those three states by combining diffrent letterforms to make it looks even more like a storm.
The font is designed for attention grabbing headers.
There are 3 other versions of this font: Thunderstorm, ThunderStorm Inverse and ThunderStorm Black.
With the given theme of Protection, I looked into the human immune system and the biological human features. Researching further into antibodies, I created a type face of the antibody structure which resembles the shape of a capital Y. Following symmetrical shapes and doubled lines, I created an alphabet that mimics the original structure of antibodies, with similar joints and angles.
This should have been a minimum font, but minimum can't do color.
The idea was to simulate transparency. After trying out multiple color hatch patterns, it was apparent that it is not going to work. The earlier attempts are left in the font for you to judge yourself their efficacy.
The file is pretty heavy because of having so many anchor points (times 8 layers). Scrolling will be slow. Because the next letter overlapping the previous hides part of the black outline, just outline glyphs are there to stack two layers (colored below, outline above) to get the correct effect.
Is there some trick to make the downloaded font to work in color? The version I downloaded comes as *-svg.ttf. Aren't the color svg fonts in .otf format? Thus, no sample.
In this typeface I have tried to represent a noise without using soundwaves.
Based on the word Thunderous, this font represents a storm. The pointy edges of the letters and their disformed shape are supposed to represent the loud and violent noise made by thunder. This Version of ThunderStorm represents the periods of calm during the storm. The font is designed for attention grabbing headers. You can find 3 other versions of the font: ThunderStorm Mix, ThunderStorm, and ThunderStom Inverse.