This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.

A | B | C | D | E | F

This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.

A | B | C | D | E | F

This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.

A | B | C | D | E | F

This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.

A | B | C | D | E | F

This is a digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.

A | B | C | D | E | F

A digitalization and slight extension of the square block sign painting typeface used in the 1935 Manual on Uniform Traffic Control Devices and most road signs in the United States before Highway Gothic became the standard in 1948.

A | B | C | D | E | F

Kerning is a WIP that may or may not get finished.

This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I also designed these letters to look like bubbles on the surface of water, hence the name 'Analogue Fizz'. I focused on the old method of transport in Bristol: boats.

 This typeface is based on the hand-painted names seen on the side of canal boats. The inconsistent, grainy texture of each letter is meant to represent the irregularities in using paint, for example the general wear and tear from the elements like chipped or peeling edges. This was my approach to the idea of “analogue” and a brief set to explore what that means. To me, in the context of the brief, analogue could be defined as possessing a nostalgic or "old school" quality- something replicated in an unauthentic manner in order to create a look-alike imitation of a time gone by. I focused on the old method of transport in Bristol: boats.

Śmieć (transcribed as Sjmiecj when using only the characters available in the font) is a font designed to be easily readable, both up close and from far away. The name of the font means "a small piece of trash" in Polish because I will be using it on my new trashcan stickers. This font is meant to be 3D printed as individual letters, so you can reüse punctuation as diacritics when assembling words from these letters.

When to Use Upper/Lower Cases

The font is meant to have an effect when the vowels are just taller lowercases. Start words from a capital letter, so that the sentence "This is a garbage truck" becomes "This Is A Garbage Truck". This is important when a word begins in a vowel. When a vowel letter (or a Y) acts as a consonant, use uppercase, so that the sentence "The royal queenie girl is practicing ventriloquism" becomes "The RoYal QUeenie Girl Is Practicing VentriloqUism". Silent vowel letters that separate two letters from influencing each other's pronunciations are upper cased, like the Spanish name "Miguel" becomes MigUel because the U separates the G from the E so that it's not "Mikhel". On the other hand, silent vowel letters of a different purpose stay lowercase, so that the English word "cane" is simply "Cane". Digraphs containing both vowels and consonants, like the "ti" digraph in "nation" and the "ar" digraph in "cart", use uppercase vowel letters when the digraph makes a consonant sound, but use lowercase vowel letters when the digraph makes a vowel sound: "NatIon", but "Cart".

This font is a free download, but some use is prohibited without contacting me first. Please abide by the readme which is included in the download! Thanks.

The Works Progress Administration (W.P.A.) was the largest agency of FDR's "New Deal", employing millions of people. Over 2,000 posters were produced by the W.P.A. to raise awareness and support the arts.

I have a lot of admiration for these posters and a style of sign painters' lettering (sometimes called “gas-pipe”) that was common in the U.S. during the 1930s-'40s. WPA Gothic gets much of its inspiration from this poster in particular. This FontStruction stays true to the sample’s simple letterforms, but the FontStruct grid does present a few limitations. For more refined typefaces in this style check out DDC Hardware, Futura Display, FF Golden Gate Gothic, Refrigerator, and MVB Solano Gothic by some of my favorite type designers, two of which (Parkinson and Van Bronkhorst) are East Bay natives.

WPA Gothic has a few alternate glyphs hanging out in the Extended Latin slots with more to come.

To get a look at the typeface outside the confines of the FontStruct sampler, here's a sample poster.

May 25, 2008: Released a variation with low-waisted "deco" caps.

2019: 10 year anniversary update! 
– Loosened the spacing a tad more.
– Added a few punctuation marks, including dashes, bullets, and inverted question/exclamation marks.
– Tightened ‘f’ spacing.
– Lengthened the quotes and apostrophes. They were so wee!
– And I fixed that Å! It’s not pretty, but it’s a ring.