i legit did this in an hour ( filler upload )
update: added all english (uppercase and lowercase) letters
normal letters: ACEFGHIJLOPSUZabcdefghijlnopqrstuyz
compromised letters: KMVWXkmvwx
uppercase letters that look like lowercase: BDNQRTY
The standard font sets of the HD44780A00 and UA02 combined, using only the 5x8 characters, and preferring the UA02 ones where there are differences between the two sets (the cent sign for instance). Characters with dual or triple purposes are filling all of their potential slots.
Note that the following 'basic ASCII' characters differ between the -A00 and UA02 masks of the HD44780: 'A', 'S', 'g', 'i', 'm', 'w', '[', and 'ェ'. As of the update on 20201127, all of these in this font are using the UA02 version.
20231122: Now that FontStruct supports characters outside the Unicode BMP, I added the "Bell" character. I also added the Cyrillic Capital Yu, which I'd somehow overlooked. Thanks, ewpa, for pointing it out.
This is is the most accurate HD44780 font you can find on FontStruct, because it has pixel-perfect representations of all 190 original characters (not including 0x00-0x0F, which are impossible on FontStruct)
0x00-0x0F are mapped to 0x100-0x10F since I can't add characters before 0x20.
Alternate take on Nirvanite, this time with bullseyes rather than solid circles as the large segments.
This one is a lot more organic than its predecessor, but also a lot more confusing. Looks like clusters of alien tadpole eggs to me!
This is a clone of NirvaniteA 117-segment display made to have a more "mosaic" look. Try using this one at odd sizes, especially with antialiasing off! The resulting distortions occur in a consistent way which leads to many new uses for the font.
Original size: 38pt
Base ASCII plane from the character generator ROM of the ST7036 LCD controller, built as a fixed pitch font. This is missing the characters mapped on 0x00 through 0x1f, the first half of which could be user-defined characters loaded in RAM at run time, and hence really difficult to define in a font. I've also left off the katakana characters mapped from 0x80 to 0xFF, as I don't need them for my current requirement.
All charcters are 5x7 dots in a 6x8 dot character cell. All 6x8 dots are implemented on the panel, and the panels typically provide blank columns and rows between character cells, so I'm not entierly sure why the standard ROM image doesn't ever use the 6th column or 8th row. To mark the cell boundaries, I've included tick marks in each corner where that pixel is blank. If no extra leading or tracking is applied, those ticks will abut.
I've defined all of the obvious space characters to be blank, and also defined the Unicode NOT SIGN (U+00AC) as a blank to make it easier to draw screen images.
This font displays each character as a seven segment representation of the binary value of the character according to the GSM 7-bit alphabet. The commercial at (@) has been swapped with the space as I don't know how I could have a blank character that isn't space. I put the escape character in place of the reverse solidus (\), and I put the carriage return and line feed characters in the place of the left and right square brackets respectively, as these characters are not represented in fonts.
This is a cloneExperimental 24-segment display or massive monochrome Mondrian matrix. Pixel compatible!
The thinking behind this one was that with incongruously sized segments arranged in the proper way, I would create a design which was effectively 5x5, but which accomodated more glyphs than 5x5 usually does. Negative space is incorporated into the structure of many glyphs, though not enough to classify this as an IVO design.
"Qualtron" is the name of an imaginary entity that a friend believed in - a being meant to represent the result of "a mathematical equation that can rule the universe". I didn't inquire further about it... :D
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Design Rules:
1. Segments can have interior length/width of 2 or 5.
2. The central 2x2 square must always remain open.
3. Square bricks and 90-degree angles only.
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Original size: 20.75pt (use multiples of this value for pixel perfection)
Attempt to render the Cyrillic alphabet using the 14-segment LCD screen. Really highlights how impractical the 14-seg is for Cyrillic text. All letters I couldn't "solve" are rendered as all-on. Most of the letters are taken from here https://helperbyte.com/questions/341983/display-the-cyrillic-alphabet-on-14-segment-display
The standard font sets of the HD44780A00 and UA02 combined, using only the 5x8 characters, and preferring the A00 ones where there are differences between the two sets (the cent sign for instance). Characters with dual or triple purposes are filling all of their potential slots.
Note that the following 'basic ASCII' characters differ between the -A00 and -UA02 masks of the HD44780: 'A', 'S', 'g', 'i', 'm', 'w', '[', and 'ェ'. All of these charaters are using the A00 version here.
20231115: Corrections to a few characters with errors ('7', '[', 'ェ')
20231122: Now that FontStruct supports characters outside the Unicode BMP, I added the "Bell" character. I also added the Cyrillic Capital Yu, which I'd somehow overlooked. Thanks, ewpa, for pointing it out.
Experimental mosaic... or maybe a new mineral species?
This one started as a doodle. I began placing circles to see what kinds of complex shapes I could make, and this was the result.
It achieves a new visual effect at almost every size up to the original. Also try slowly moving the zoom slider for some interesting animations!
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This font is now nearly 1MB in size! I guess it has to do with the intrinsic complexity of circles.
Inspired by radios' displays.
05 JULY 2022:
Fixed: Q, q, 6
Added: Æ, æ, £, <, >, (, )
This is a clone of Digital Radio Display 14 SegVersion 2.6
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Inspired by a comment by jonrgrover.
I built diamonds sized according to the Fibonacci series, then made a segmented display out of them. The design was then carved away to make the glyphs you see here. I used the members 1, 2, 3, 5, and 8. These sizes proved most feasible to work with in this sort of arrangement.
I gave the terminals a flared appearance which I think makes the glyphs look slightly Celtic. The design also makes me think of beach sand and things found on the beach - shells, pretty rocks, and so on.