See more:
https://www.fontstruct.com/fontstructions/show/1690797/subtract-2
https://www.fontstruct.com/fontstructions/show/1501515/dx-minima
https://www.fontstruct.com/fontstructions/show/539435/mnml_round_1
https://www.fontstruct.com/fontstructions/show/1420509/flexunda
https://fontstruct.com/fontstructions/show/458391/xe_cirpint
https://fontstruct.com/fontstructions/show/458383/xe_future_minimalist_bold
https://fontstruct.com/fontstructions/show/490446/xe_inktrap
https://www.fontstruct.com/fontstructions/show/425351/gibberish_12
https://www.fontstruct.com/fontstructions/show/495721/fs_plus_h
https://www.fontstruct.com/fontstructions/show/769007/teka_1
https://www.fontstruct.com/fontstructions/show/680450/discolyde
https://www.fontstruct.com/fontstructions/show/1165292/teka_exact
https://www.fontstruct.com/fontstructions/show/1554713/adobo
https://www.fontstruct.com/fontstructions/show/521305/orbis_1
https://www.fontstruct.com/fontstructions/show/1577865/stf-sigma
https://www.fontstruct.com/fontstructions/show/1463535/high-6
https://www.fontstruct.com/fontstructions/show/1592227/spacerock-classic-ii-caps-numbers
https://fontstruct.com/fontstructions/show/717136/hypetron
https://fontstruct.com/fontstructions/show/2209405/funky-socks
WIP
See more:
https://www.fontstruct.com/fontstructions/show/1723835/circularities-14-1-1-1
Version 1.1: Improved several letters and numerals.
*
Structurally, this is sort of like a fusion of Ghost Town & Lasagna Cowboy.
A design that combines decolike asymmetry with a double line concept. It also incorporates some experimental methods to unify the wider glyphs (mw@#™, etc.) with the others, by allowing the middle sections of these letters to have both the single and double lines. This results in a look that is at times architectural and at other times almost like loopy cursive.
A font which uses some custom macaroni bricks. This one has the same kind of structural asymmetry as Phenomenologist. Angles and corners on the left are almost always sharper than those on the right, which gives glyphs a structural asymmetry as well as a sense of rightward momentum. This technique also imparts variation to some otherwise very similar letterforms (bdpq, mw, sz).
This is named for a species of android from Doctor Who.
*
Other design decisions:
- Make the ascender height shorter than the uppercase
- Use squares for dots/diaresis and circles for punctuation, so that they are more quickly distinguished
- Allow the sharp curve and gentle curve to swap positions when it's beneficial to the glyph (BX8&)
- Incorporate angled lines into several glyphs so that none of the glyphs which have them seem out of place (SZsz012569*~$)
- Ignore the other design decisions for glyphs which need a standardized look due to their use in programming and other syntax-based forms of writing (most symbols & punctuation)
Iteration 4: Basic Latin kerning finished.
*
DOODLE DOODLE DOODLE!
*
Design Rules:
1. Letters with spurs will have the spur begin at the baseline. This provides the distinctive "high heeled" look.
2. Any letter whose traditional design has a straight vertical line on its left side will keep the line, no matter how the lines of the actual letter travel.
My attempt to do something different with Structurosa.
With such a small grid and such a distinctive look, it was hard to alter the concept without turning it into something else. The fact that I didn't bother looking at any references save for the FS logo itself probably didn't help. Out of all my experiments, I thought this one looked the best and most original, so here it is.
Experimental cloud flower doodle thing.
While this looks bizarre, it creates some unique effects. It is also visible at FAR smaller sizes than any other font I have seen. Check out the Pixel view to see. Interestingly, this superb readability is lost once the font is enlarged from this size.
I haven't figured out what to do with the numerals yet, and only put the placeholders there so I could get a better preview on my page.
Mechanical Horse resembles the engravings which might be found on a mechanical horse such as the one from Vampire Hunter D. What qualifies me to say this? Well, I watched Vampire Hunter D a couple of times and have been speculating wildly for decades, which is more than enough time to get good at it.
Please exercise caution when handling Mechanical Horse. Its edges can be pointy.
An experimental take on Laconica with Celtic knotwork. I'm not sure how to balance it better than this... any ideas? I'll do all the glyphs once I have a complete set of solutions for them.
This is a clone of LaconicaA quirky Pseudostencil design with a central horizontal slot going through it. The "slot" is 1 brick tall for lowercase and 2 for uppercase, and becomes a vertical slot for numerals and certain symbols.
This is named for the cowboy and lasagna emojis. These were repeatedly added to then removed from several popular chat clients and websites. Changing emoji standardization or government conspiracy? YOU DECIDE.
A serif font wherein almost every glyph has serifs and the serifs determine a glyph's shape. All lines that are not serifs or forming a vertex with a serif are isolated. This is a different technique than I used for Lonewolves Guild and Nurvusystem.
This is a borderline IVO design, not because of its appearance, but because it requires the same set of visual considerations to interpret.
Part of a multistyle typeface family "ALIENSTRA".
This is the first one that got finished for this project, a buch more will follow in this same family.
This is a decorated variation on the solid style (one that will follow soon as well).
Enjoy!