180972
Published: 11th September, 2010
Last edited: 11th September, 2010
Created: 9th September, 2010
Finally with alot of help from Thalamic. This is what I call "sn Spores".
30980
Published: 8th June, 2014
Last edited: 7th June, 2014
Created: 7th June, 2014
A font that alternates between squares and circles! Capital and lowercase letters are the same.
Characters That Type Different Things
Character It Types
& AND
^ Unfilled Heart
` Filled Heart
{ 6-Point Star
} 5-Point Star
~ 4-Point Star
190751
Published: 27th April, 2015
Last edited: 27th April, 2015
Created: 27th April, 2015
A font based on a fantasyworld lettering, used for a template for handwriten scrolls…
i'm currently working on a better flowing version: OldEstragonian (was lost in the far away past of the Old Realms)
260300
Published: 26th October, 2015
Last edited: 26th October, 2015
Created: 20th October, 2015
This ornamental typeface was based around the word 'DECORATIVE.' I have tried to make this style of type and lettering artistic and eye-catching. It was first inspired by the movement and aesthetic look of ribbon and scrolls. With further research I started to look at old fashioned fairytale typography and classic art nouveau artwork and posters. The typeface itself is very pattern based and every letter has a different element to them which has been inspired by something different.
270621
Published: 18th August, 2009
Last edited: 18th August, 2009
Created: 17th August, 2009
Fit with flowers, stars and more, Imagery is a totally fun font! :)
212863
Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4.
There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns.
At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
6121060
Published: 26th October, 2011
Last edited: 12th November, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4.
There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns.
At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
330262
Published: 18th July, 2009
Last edited: 17th July, 2009
Created: 17th July, 2009
‘Schablonenschrift’ by Albers 1920s.
‘v’, ‘w’, ‘x’, ‘z’ are broken.
I would have made a different ‘s’.
352628
Published: 5th November, 2010
Last edited: 5th November, 2010
Created: 15th October, 2010
For my first fontstruct I started with the word Chaos and worked with the idea of pattern or 'anti-pattern'
I looked at artists like Bridget Riley and Josef Muller-Brockman and how I could interpret their kind of work but in a fractured way. I worked with collage before transferring my ideas on to font struct. It is work in progress as I am not happy with it at its current state but am stuck for ideas; every time I alter it it looks worse.
Suggestions and ideas are very much appreciated.
782584
Published: 31st October, 2011
Last edited: 16th November, 2011
Created: 26th October, 2011
Fair Isle by Hannah Wood
Fist year graphics student at UWE
This is my first Fontstruction based on knitting patterns and the Fair Isle knitting of the Shetland Isles. The letterforms are influenced by letters knitted into textiles by hand, made up of 12x12 squares.
302434
Published: 29th April, 2024
Last edited: 9th June, 2010
Created: 15th February, 2009
Say hi to a new member of the MULTIVERSE family!
Filled with a fency oldschool couch pattern. Get the taste of grandma's stinky livingroom
:D
There's a pattern sample on "~".This is a clone of FS MULTIVERSE Basic