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Fontstructions tagged with “Alternative”

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Standard Galactic Alphabet 1.0.0 

by Genche Fonts
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40720 Published: 14th July, 2025
Last edited: 15th July, 2025
Created: 22nd November, 2024
        • Standard (22)
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        Saturnian 

        by ThatDawgMurray
        8.30 Click on the stars to rate this FontStruction.
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        Average Rating: 9.00
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        432621 Published: 27th April, 2025
        Last edited: 25th April, 2025
        Created: 25th April, 2025

        Saturnian is an alternative alphabet for English and Italian designed by Murray Callahan. More info on the script is available here: https://www.omniglot.com/conscripts/saturnian.htm
        Before using this font, please take note of the keymaps as seen in the comments below.

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              FontStruct License

              Deep Rage 

              by Kewtastic88
              8.83 Click on the stars to rate this FontStruction.
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              64523 Published: 1st March, 2024
              Last edited: 4th March, 2024
              Created: 21st February, 2024

              What is more fun than showing your rage though a font! Introducing Deep Rage! Co worker steals your lunch? Use deep rage to send the message! Mother in Law got you stress out because she wants you to stop playing video games, stick it to the old woman and type this font up! Deep Rage is the font that gets the job done!

              Deep Rage © 2024 by Koren Burner is licensed under CC BY-ND 4.0

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                    Introvert 

                    by lbrookp
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                    190600 Published: 12th November, 2018
                    Last edited: 12th November, 2018
                    Created: 8th November, 2018

                    I based this typeface off the theme of introversion, and so went about creating a font that worked from the idea of the unseen, less obvious shadows of the letterforms, using arrows and angles to continue the theme of what is internal and not what the eye sees immediately. 

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                          Reimagined Characters 

                          by jonrgrover
                          8.20 Click on the stars to rate this FontStruction.
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                          317374 Published: 22nd December, 2017
                          Last edited: 19th January, 2018
                          Created: 21st December, 2017
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                                Shepherd, I shall not Font -2 

                                by Martin Worrall (CitizenMMM)
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                                80481 Published: 12th February, 2017
                                Last edited: 12th February, 2017
                                Created: 12th February, 2017
                                This is a clone
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                                      Decorative 

                                      by m8-bartlett
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                                      300300 Published: 26th October, 2015
                                      Last edited: 26th October, 2015
                                      Created: 20th October, 2015
                                      This ornamental typeface was based around the word 'DECORATIVE.' I have tried to make this style of type and lettering artistic and eye-catching. It was first inspired by the movement and aesthetic look of ribbon and scrolls. With further research I started to look at old fashioned fairytale typography and classic art nouveau artwork and posters. The typeface itself is very pattern based and every letter has a different element to them which has been inspired by something different.
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                                            Alternapixel 

                                            by Tomsilitis
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                                            80980 Published: 28th September, 2014
                                            Last edited: 27th September, 2014
                                            Created: 27th September, 2014
                                            A font which I made for the sole purpose of being on a t shirt. Pixelated, but stylised, sort of resembles the font used in the Scott Pilgrim logo.
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                                                  Angst  

                                                  by abbigaylerashae
                                                  8.36 Click on the stars to rate this FontStruction.
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                                                  Average Rating: 10.00
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                                                   1 vote
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                                                  122420 Published: 24th February, 2014
                                                  Last edited: 24th February, 2014
                                                  Created: 10th February, 2014
                                                  Angst was inspired by simplistic and alternative typefaces from multiple artists around the globe. I wanted to create something that was nice and clean, but still had it's own distinct style. Punk rock music also helped inspire me with the formation of each individual letter in this typeface.
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                                                        HandiSkript 

                                                        by RockBrown
                                                        8.28 Click on the stars to rate this FontStruction.
                                                        Balanced Rating: 8.28
                                                        Average Rating: 8.50
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                                                         6 votes
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                                                        585983 Published: 5th February, 2014
                                                        Last edited: 14th January, 2015
                                                        Created: 29th January, 2014

                                                        Why is it that many of the simplest characters in the world's most common character sets are reserved for rarely used punctuation, etc. Would it not make more sense if these most basic of characters were used for the most commonly needed and frequently used phonemes? What about a phonetic alphabet that groups the simplest of similar morphemes together according to their corresponding phonemes? HandiSkript is exactly that... a fresh new & much simplified phonetic alphabet, built from the ground up using a consistent & logical methodology, that consists of graceful & distinctive glyphs that are designed to be easy & fast to learn, read, type, text, & write… with similar morphemes and phonemes grouped together for easy recognition by the novice or experienced user alike.

                                                        HandiSkript includes a complete dozenal numeral symbology that is in keeping with the overall script design philosophy, one of minimalism and simplicity. The numeral system is especially fun and easy to work with because of its intuitively logical design. Perhaps most incredibly, the HandiSkript numeral system can be easily taught & learned in just a few minutes… and the entire HandiSkript alphabet can be learned by the average student in less than a day! That means it is useable almost immediately!

                                                        HandiSkript was invented by Rock Brown, and is the evolution of Robert Gregg's Gregg Shorthand, along with something called HandyWrite, invented by Eric Lee in the 1970's. It is a simple & elegant script that may be used both as a shorthand for note taking like the two systems mentioned above, or as a stand-alone, fully functional phonetic alphabet & numeral system. Although designed to be quick to write or type, HandiSkript is not an abbreviated shorthand, but rather a complete alphabet and writing system. And while not as quick to write as a shorthand, it is much more comprehensive, and in many ways, simpler and easier to learn. Because of its simple flowing letters & a direct one-to-one phonetic correspondence of sound, symbol, and meaning, HandiSkript is much easier & faster to write than traditional alphabets from around the world, & can be used as a quick script for journaling, note-taking, or even sending secret messages to cohorts!

                                                        Originally designed to be a simple, yet fully functional, script used for a Universal Auxiliary Language, HandiSkript is downloadable for typing and texting, and the series of glyphs have also been designed to maximize optical character recognition by computer software. The philosophy behind HandiSkript is one of minimalism & simplicity. Therefore, HandiSkript does away with the complexity of having to memorize & use redundant capital letters, as these are not necessary to convey meaning.

                                                        Consonants are constructed of open, curved shapes. Unvoiced consonants are generally shorter versions of the glyphs used for voiced consonants. If one or more voiced consonants appear alone and without context, as in initials, license plates, etc... diacritic dots may be added for easier recognition. When voiced consonants appear with vowels or other consonants, these diacritic dots are not necessary and are therefore omitted... since the relatively larger scale of the voiced consonants will be obvious.

                                                        All glyphs representing consonants generally consist of elliptically curved open shapes and all glyphs representing vowels consist of round closed shapes. All alphabetic glyphs can be written in one stroke without lifting pen or stylus, yet are extremely suitable for type fonts as well. Glyphs representing numerals are straight edged vs. curved. In this manner, all glyphs are easily distinguishable by category, and because of the intuitively logical & sequential manner in which they are formed, they can be easily distinguished from one another by the novice. Yet their minimalist simplicity may also be equally appreciated by the expert writer, linguist, language teacher, or missionary in a foreign land.

                                                        HandiSkript consists of a total of 12 vowel glyphs, six long & six short, so that all spoken vowels may be written phonetically with one glyph. As stated above, vowels are represented by circles. The circles are divided into six equal slices. The schwa is represented by the first in the series of vowel glyphs (i.e. with a radial line segment in the six o'clock position dividing the bottom of the circle in half). Subsequent vowels are marked by creating equally sized radial line segments inside the circle or, for long vowels, small circles, attached positionally outside the circle where the corresponding line segments would be inside the larger circle. Each new vowel marker position starts 1/6 the way around the circle in a rotational clockwise fashion from the 1st position, or 6 o'clock position on a standard clock. Each line segment or circle position, represents a unique vowel phoneme, and follows in a rotational clockwise direction around the circle beginning at the first position, or six o'clock position on a standard clock. The first six short vowels are represented by the internal radial line segments, and the last six long vowels are represented by the exterior mini-circles. When consonants stand alone, such as on license plates, or IDs, the open unmarked-circle place holder (same size as the vowels) is used next to them in order to contrast consonant heights, since the relative size of consonants to both vowels and each other is important in distinguishing the voiced from the unvoiced consonants. The idea for the vowel glyphs came from Bill Lauritzen's 'Gravity' numbers. The six short vowels are constructed of closed circles with distinct interior markings, similar to hands on a clock. The six long vowels are formed with small circles attached to the outside of the vowel marker circle in the same positions as the line segments would be for short vowels. Dipthongs can be formed with a combination of vowel markers attached to one circle. A small slash distinguishes the first vowel in the dipthong.

                                                        All glyphs representing vowels, consonants, and numbers are easy to memorize & recognize. When typing, all the glyphs appear at the same height on a given line of type. When writing the glyphs by hand, however, the letters that make up a word, at writer discretion, can be connected in an elegant fashion similar to cursive, whereby each glyph begins where the last ends, moving from left to right. This can create interesting word shapes that may freely flow above or below any given line of text.

                                                        Since HandiSkript is a complete phonetic alphabet, glyphs for Consonant sounds have been necessarily added for the two |th| sounds (e.g. the & think), as well as |sh| (e.g. she) & |zhe| (e.g. pleasure). Each different sound is represented by just one corresponding glyph. This makes spelling errors a thing of the past! The letters q, j, & c are not used as in English and are replaced by |k-w| (e.g. quick), |d-zh| (e.g. judge), & k (e.g. corner), respectively.

                                                        The unique duodecimal numerals of the HandiSkript system were also designed by Rock Brown to be extremely simple & intuitive. The classification type of this number system is identified by the Dozenal Society of America as a Separate Identity, Improvised, Rationalized, Indexed Value Symbology, with inspiration from Bruce Martin & D. Vlieger’s ‘Acylin’. The Handiskript numeral symbology consists of logically ordered line segments representing powers of two, combined with symbols for multiples of three and four. Each numeral glyph has built in symbolism consisting of components that, when added together, identify the number it represents from 0 through 11. All odd numbers have a horizontal line segment on the bottom. See if you can observe any patterns and clues to figure out how it works!

                                                        The HandiSkript system was invented by Rock Brown who, after an exhaustive study of the world’s existing scripts -both in and out of current use, determined that the vast majority of them were unneccessarily arbitrary & complex, creating a burden to the both the student and user. The less complex ones were not comprehensive enough to offer a way to represent a minimum desired number of sounds in a one to one correspondence. He realized that a better, more intuitive, and logically derived system, or featural system, could be produced, and he completed that system, HandiSkript, in 2012, upon deciding that a variation of a simple & logically derived shorthand was the closest to ideal.

                                                        The featural elements of Hangul, a contribution from the dynasty of Emporer Sejong of Korea, along with elements of Bell’s Visible Speech & George Kingsley Reed’s Shavian & Quickscript made a big impact. The criteria set by Rock Brown for the new script were that it be simple, fast, easy to write & learn, logical, featural, easy to differentiate characters, capable of being written by hand or typed, & capable of OCR for machine use. Much credit is given to Robert Gregg for his creation of flowing, sequential, phonetic, elliptical patterns, & Eric Lee for fine-tuning Gregg Shorthand into an even more complete writing system through the invention of Handywrite, which is applicable to everyday handwriting use. Also, credit must be given to Bruce Martin & D. Vlieger for their innovative contributions to duodecimal number symbologies. All of these works have been inspirational in the creation of the series of the HandiSkript glyphs.

                                                        Punctuation may take the form of the commonly used symbols in use throughout the world, as long as these remain easily distinguishable from the HandiSkript Characters.

                                                        HandiSkript was intended for writing the Universal Language of a fictional culture which, thus far, only resides in the mind of Rock Brown.

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                                                              Thinger 

                                                              by Vincenzo512
                                                              8.14 Click on the stars to rate this FontStruction.
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                                                              Average Rating: 8.50
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                                                               2 votes
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                                                              200782 Published: 10th May, 2013
                                                              Last edited: 15th May, 2013
                                                              Created: 3rd May, 2013
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                                                                    Ollmannisch Raunstaefs 

                                                                    by runesmithy
                                                                    8.36 Click on the stars to rate this FontStruction.
                                                                    Balanced Rating: 8.36
                                                                    Average Rating: 10.00
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                                                                     1 vote
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                                                                    191826 Published: 19th May, 2012
                                                                    Last edited: 19th May, 2012
                                                                    Created: 18th May, 2012
                                                                    W.I.P: Sans-serif Runic Alphabet. My first real attempt at upper AND lower case. The ampersand is a creation of my own (derived from letters U N T). It is in this font that I have pretty much nailed the glyph shapes (I've been evolving them steadily for over a year now). It may appear that I ditched the question and exclamation marks I devised, although this is just a happy coincidence (I reduced them from bindrunes originally - using conventions seen in the evolution of typography). Enough waffle. Enjoy the font ;) thanks x
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                                                                          FF2 Runization 

                                                                          by Christian Munk (CMunk)
                                                                          8.83 Click on the stars to rate this FontStruction.
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                                                                          Average Rating: 10.00
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                                                                           3 votes
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                                                                          2845410 Published: 20th January, 2012
                                                                          Last edited: 6th November, 2011
                                                                          Created: 3rd November, 2011
                                                                          Forgotten Fonts 2 Runization // I'm looking through my font library at my many Forgotten Fonts to see how many should have been released.
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                                                                                diacritical 

                                                                                by Christian Munk (CMunk)
                                                                                7.61 Click on the stars to rate this FontStruction.
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                                                                                Average Rating: 7.25
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                                                                                 4 votes
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                                                                                115527 Published: 17th March, 2011
                                                                                Last edited: 17th March, 2011
                                                                                Created: 25th April, 2010
                                                                                In this font every letter is represented by a diacritic that I associate with that letter.
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                                                                                      HaxrCorp 4089 Cyrillic AltGr 

                                                                                      by sahwar
                                                                                      8.36 Click on the stars to rate this FontStruction.
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                                                                                      Average Rating: 10.00
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                                                                                       1 vote
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                                                                                      11302486 Published: 26th May, 2010
                                                                                      Last edited: 7th August, 2014
                                                                                      Created: 26th May, 2010

                                                                                      Clone of PIXELA CYR featuring some changes of the Cyrillic letters along with even more additional (extra) characters for Cyrillic and Latin. Note: it's a work-in-progress... more letters will be added in the future... this typeset may also receive a slightly differing derivative one day... EDIT1: I added support for the Finnish letters "å (Å)", "ä (Ä)" and "ö (Ö)".

                                                                                      This is a clone of PIXELA CYR
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                                                                                            Upside down 

                                                                                            by Christian Munk (CMunk)
                                                                                            7.92 Click on the stars to rate this FontStruction.
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                                                                                             11 votes
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                                                                                            461115710 Published: 4th April, 2010
                                                                                            Last edited: 30th October, 2011
                                                                                            Created: 28th August, 2009
                                                                                            Inspired by this: http://vectortuts.s3.amazonaws.com/articles/linkb_20weirdlogos/15.png I suppose it could be used for secret messages. When printed on paper you would never guess that it should be read upside down.
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                                                                                                  Butterfly 

                                                                                                  by Christian Munk (CMunk)
                                                                                                  8.44 Click on the stars to rate this FontStruction.
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                                                                                                   16 votes
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                                                                                                  5657122 Published: 4th March, 2010
                                                                                                  Last edited: 5th March, 2010
                                                                                                  Created: 2nd March, 2010
                                                                                                  I suppose catching butterflies is a sport. And it's also a swimming discipline ;) Use <>, (), [] and {} for wings in the beginning and end of words.
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                                                                                                      MikronX 

                                                                                                      by sahwar
                                                                                                      6.82 Click on the stars to rate this FontStruction.
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                                                                                                       2 votes
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                                                                                                      23801681 Published: 12th August, 2008
                                                                                                      Last edited: 1st April, 2010
                                                                                                      Created: 12th August, 2008
                                                                                                      Clone of my MikronF-5x5 pixel/bitmap font. The only differences are the slight changes in the "cubic lowercase" A, E, F, J, L, R, Y, Q glyphs and the numbers. Literally, MikronX is just a small deviation/alternative to MikronF-5x5 for the old-school lovers among us... Best used at font sizes 3, 6, 9 and so on (multiples of 3) or alternatively at multiples of 12 (12, 24, 48 and so on).
                                                                                                      This is a clone of MikronF-5x5
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                                                                                                          Freeman Industrial 2 

                                                                                                          by Raymie
                                                                                                          6.33 Click on the stars to rate this FontStruction.
                                                                                                          Balanced Rating: 6.33
                                                                                                          Average Rating: 3.00
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                                                                                                          210190 Published: 21st May, 2026
                                                                                                          Last edited: 29th July, 2008
                                                                                                          Created: 18th July, 2008
                                                                                                          Freeman Industrial is a FontStruction. Like every other FontStruction, it's bound to the limitations of FontStruct. Thus, things like the copyleft symbol, alternative character styles, and other things aren't supported. Enter Freeman Industrial 2. Much like Dragon of the Seas 2 adds more than 100 characters to the 450 of Dragon of the Seas, Freeman Industrial 2 adds 19 extra characters to the 150 already in the parent typeface. Only Raymie's typefaces have full public domain symbol, copyleft symbol, AND Creative Commons symbol support!
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