302434
Published: 3rd May, 2024
Last edited: 9th June, 2010
Created: 15th February, 2009
Say hi to a new member of the MULTIVERSE family!
Filled with a fency oldschool couch pattern. Get the taste of grandma's stinky livingroom
:D
There's a pattern sample on "~".This is a clone of FS MULTIVERSE Basic
190303
Published: 3rd May, 2024
Last edited: 27th November, 2011
Created: 19th October, 2011
I am a first year student at the University of the West of England, and our first assignment was to create a font based around a chosen word, mine being repetition. My research involved searching the city of Bristol for any signs of repeated patterns, and as I found, pattern is everywhere. I developed my findings into this bold and detailed font.
240291
Published: 3rd May, 2024
Last edited: 24th October, 2014
Created: 30th September, 2014
This typeface has been designed around the word 'systematic'. And every letter created is from a pattern/grid that I sketched out as a guide.
330262
Published: 18th July, 2009
Last edited: 17th July, 2009
Created: 17th July, 2009
‘Schablonenschrift’ by Albers 1920s.
‘v’, ‘w’, ‘x’, ‘z’ are broken.
I would have made a different ‘s’.
270621
Published: 18th August, 2009
Last edited: 18th August, 2009
Created: 17th August, 2009
Fit with flowers, stars and more, Imagery is a totally fun font! :)
115101852
Published: 5th September, 2009
Last edited: 25th September, 2014
Created: 4th August, 2009
Block02 is the new experimental fontface by BlueTypo inspired in patterns and dotted typography, performs well in large sizes. The principal function is decorative but if you want to use it en large text, maybe nobody can read it. ; )
Download, test and share it.
253592
Published: 13th October, 2009
Last edited: 15th October, 2009
Created: 13th October, 2009
Inspired by perforation patterns; seemed only natural to kern it to within an inch (should be pica en?!) of it's life! alternate z and ampersand under $ and _ respectively). Best viewed with sample text.This is a clone
152680
Published: 16th November, 2009
Last edited: 18th November, 2010
Created: 10th November, 2009
This type face has been derived from order, initially by looking at different types of order in the natural and man-made world. I looked at sequences and patterns, which led me onto numbers and games. after playing with a few ideas i have decided to work on a typeface based around the well known game domino's using solid fonts such as Impact as inspiration for the letter forms.
This font is under construction so let me know what you think and if anything needs changing.
Cheers
180972
Published: 11th September, 2010
Last edited: 11th September, 2010
Created: 9th September, 2010
Finally with alot of help from Thalamic. This is what I call "sn Spores".
352628
Published: 5th November, 2010
Last edited: 5th November, 2010
Created: 15th October, 2010
For my first fontstruct I started with the word Chaos and worked with the idea of pattern or 'anti-pattern'
I looked at artists like Bridget Riley and Josef Muller-Brockman and how I could interpret their kind of work but in a fractured way. I worked with collage before transferring my ideas on to font struct. It is work in progress as I am not happy with it at its current state but am stuck for ideas; every time I alter it it looks worse.
Suggestions and ideas are very much appreciated.
220302
Published: 9th November, 2010
Last edited: 14th December, 2010
Created: 4th November, 2010
I created this typeface for a 'Found Type' project basing my designs around the word ornate. I initially focused on more of a traditional outlook, taking inspiration from classical architecture. However as my work progressed i began to take a more subtle response, studying more natural/organic forms as well as pattern design.
201315
Published: 9th November, 2010
Last edited: 15th November, 2010
Created: 19th October, 2010
Influenced by train station displays, till receipts (dot matrix), Germanic runes, stitched patterns, nomadic decoration, grid-based structures, and Connect 4. Created for a Graphic Design Level 1 project with the chosen theme of 'repetition'.
5912439
Published: 23rd February, 2011
Last edited: 21st February, 2011
Created: 6th April, 2010
A futuristic typeface. Each letter has a different pattern:
A - a bit distorted
B - plaiting
C - thin, straight stripes
D - something...
E - minimalistic, I think it's much more E than R
F - something...
G - G sinking in stripes, water
H - sparkling
I - cut by a knife
J - error
K - look at the shape of K - it's an arrow and it's flying towards itself
L - pixels, glass, pixel glass
M - Sector-ish
N - sunset
O - rectangle test, something like DirectX benchmark
P - sawtooth
Q - accent on the tail
R - blown by wind
S - fizzy
T - tribal
U - pixel art?
V - outline
W - something...
X - a wrench
X - diagonal stripes
Z - shiny
0 - growing diagonal stripes
1 - Chinese window
2 - gradient lightening
3 - retro-striped version of 2
4 - dotty
5 - gradient darkening
6 - sharp thing
7 - checker
8 - blurry
9 - blurry inversed and with squares
? - parquet
! - rounded piano or whatever
.,' and " - the most beautiful - completely black
4860532
Published: 25th February, 2011
Last edited: 25th February, 2011
Created: 25th February, 2011
A capital Basic Latin only font based off of the MIT logo.
170694
Published: 7th October, 2011
Last edited: 7th October, 2011
Created: 7th October, 2011
Created for a conlang. This is an improvement of Atikiu Script.
330312
Published: 25th October, 2011
Last edited: 18th November, 2011
Created: 18th October, 2011
The finished product from the first communicating with words module at UWE in Bristol. My font is based on the word 'Ornate'. At first I started looking at Iron gates, Jewelry, but after spending about a week trying to make curves on fontstruct and failing each time, i decided to look at native american print and aztec design. This is a clone
6121060
Published: 26th October, 2011
Last edited: 12th November, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4.
There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns.
At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
212863
Published: 26th October, 2011
Last edited: 19th September, 2011
Created: 19th September, 2011
The Resolution font is designed as a conceptual piece of work, complementing my research in the cognitive and graphic aspects of type. I began working with this form in the summer of 2011 by creating the symbols which would fit into a certain matrix and consist of as little square pixels as possible, thus approaching the conceptual and peceptual boundaries of legibility. After Resolution 3x4 I went further and designed Resolution 3x3, which is even more closer to the limit of legibility than 3x4.
There is an important aspect in such minimalistic and conceptual approach–-it is the similarity of these types with the weaving patterns, which can be traced back to many archaic European cultures. The Resolution font makes a tribute to these original, pre-alphabetic systems of information encoding through weaving patterns.
At the same time Resolution font is made to emphasize the importance of square pixel as a structural and conceptual limit of digital reality, which comes to an end when a certain resolution is reached. It applies both to visual encoding of information (with pixel as a graphic building block) and the structure of information proper (the true-false logic). Instead of creating the illusion of continuity, Resolution font is about being aware of the media and digital (and thus quantized) nature of an image which is falsely perceived as continuous.
782584
Published: 31st October, 2011
Last edited: 16th November, 2011
Created: 26th October, 2011
Fair Isle by Hannah Wood
Fist year graphics student at UWE
This is my first Fontstruction based on knitting patterns and the Fair Isle knitting of the Shetland Isles. The letterforms are influenced by letters knitted into textiles by hand, made up of 12x12 squares.
140272
Published: 20th January, 2012
Last edited: 8th March, 2009
Created: 6th March, 2009
Forgotten Fonts 13 Racer // I'm looking through my font library at my many Forgotten Fonts to see how many should have been released.