designed with as much 1x1 space and as little 2x2 space as possible

edit 4/22/2026: OMG THX FOR THE STAFF PICK

inspired by those tube light signs except more

some letters arent very legible, feel free to comment suggestions or improvements for it

Unfinished, experimenting with halftone

[For best results set to Pixel View.]

Gob Pixi is an amalgamation of different experiments with colour, display type and visual effects throughout the years of working with a comfortable, personal design palette.

Having been obsessed with grain textures and primary + secondary colours throughout the start of 2020s, I was moved to translate that into typography after seeing Kilotype's Lofi Forest "fizzy-fying" an otherwise sharp-looking Roman/Serif.

Also, I have worked on a type project that got me to layer different coloured shadows and highlights above each other, so this is my attempt at translating that effect onto another typeface that I've shelved for quite a while now. (I happened to come up with something similar to Get Yourself Connected by chance and didn't know what to make do with it.)

Inspired by the superb Schaar by four, in a pixelated mood. It is also an optical experiment. The diacritics needs some extra work.

Discoshar means Discoball

colorcomp entry #1, might make another entry soon

See more:

https://fontstruct.com/fontstructions/show/989729/fraktur_refined

Chrysalide Old Face | FontStruct

https://fontstruct.com/fontstructions/show/2629304/echo-pixel-garalde-cyrillic

Garamond Italic SP | FontStruct

fs Fermat | FontStruct

RuneScape Large | FontStruct

made this using my drawing tablet

i tried mimicking real ink as closely as possible

An old project put a day.

Initially inspired by SB Standard font (2013, Craig Staiton) with many modifications and recreated glyphs... And made to saving half the ink when you print your text with it, which is very important in today's times, you know :))

A nonogram font. Some variation between uppercase/lowercase letters, alternative 2/7 on < >, and an extra Y on ^. I originally made this in a 5x5 grid, but there were too many glyphs with multiple solutions, so I had to remake the whole thing. (You can still see the original style in the small numbers)

this was more a concept than a style Idk

also this is like the only thing I could come up with that was remotely related to the competition. 

A - 4     C - ©     E - 3     G - &     I - 1     O - 0     R - ®     S - $     Y - ¥     Z - 2    a - @     b - 6     c - ¢     g - 9     s - 5     t - +

a bit late but since this is an extended version of my entry for numbercomp i added the tag :)

EDIT: OMG THANK YOU FOR THE STAFF PICK :D

 I was bored with the flu at home and then...  

zerotime pixelized. Uppercase added.

A version of "Western Traintop" with more characters. (Work In Progress.)

fi=Regular $ symbol

Third font in a series of three colour pixel experiments, made after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari. This one has a double shadow, which gives an extruded 3D effect at a smaller scale.

GunFight 8 Bit font originally made for my video game "Honcho Poncho" (8x8 pixels grid), ported to Fontstruct for quick prototyping.

Feeling inspired after reading Arcade Game Typography: The Art of Pixel Type by Toshi Omagari, I set out to make my own 8x8 pixel font. I worked with a similar approach to the one I used in the larger grid font offstruct rgb.

First started in Adobe Illustrator, each character consists of three iterations of the same 6x6 pixel letter: in RGB Red, Green and Blue. These were layered, offset by one pixel diagonally, filling the 8x8 box. To achieve additive blending, I applied the "Lighten" transparancy setting. Combinations of overlaying these three primary RGB colours result in the secondary RGB coloured pixels Yellow, Cyan and Magenta. In the additive mixing of coloured lights, the equal blending of all three primary colours results in White. All pixels were then entered manually into the fontstructor and black pixels were added for display purposes.

Boost! is runic yet futuristic. I took inspiration from racetracks, traffic signs and vertical scrolling marquis. Caps only to keep the shapes consistent within the pixel art limitations.

Lux Aeterna: Eternal Light

Umbriel is a moon of Uranus. It is named after a character in Alexander Pope's poem "Rape of the Lock." DS = dotted serif