WORK IN PROGRESS
See more:
https://fontstruct.com/fontstructions/show/461817/intrinsic_1
https://fontstruct.com/fontstructions/show/1428187/elegant-16
https://www.myfonts.com/fonts/typodermic/fledgling/
https://www.myfonts.com/fonts/paratype/journal-sans-new/display/
This is a clone of Ternellesminuto was a tall and slim fella to start with, but somehow if not small perhaps somewhat slight in appearance. when paired the original uc, they somehow manage to elevate stature of both.
Based on Romaeo serif which I have not yet published as I'm still having a little problem due to the size of the fonts (but my patience can overcome it once I have the time to rework and finish them).
This is a cloneinspired by old computer fonts
This is a clone of Gamaeo reglrA more 'normal' type of university font, familiar, safe, with only few quirks, and as complete as I want it until summer. All letters are on Lower Case. Alternative "s" is on "S". No kerning.
This is a clone of Me-Knee-Verse-ETI was looking for some "decorative" glyphs to embellish greeting cards' frames; having come across one of my Greek sets I decided to make the whole Greek alphabet rather than stop at the 7 symbols I liked for my project.
WiP. Suggestions? I'm thinking of making a fused stylistic set.
Pusk (russian "Пуск") means Start. Modern sans.
See more: Myriad
Open Sans
Flat Sans
Nokia Sans
Sanz
Blogger Sans
http://www.myfonts.com/fonts/northernblock/hackman/
httpJkds://www.myfonts.com/fonts/fontfont/clan-pro/
http://www.myfonts.com/fonts/adtypo/akceler/
Razer F5
HP Simplified
http://www.myfonts.com/fonts/typemates/urby/
Ubuntu Sans
ff Sanuk
ff Aad
Abstergo Sans
Smarty, DenHaag (A.Tarbeev)
Neo Sans
Redondo
Crassula
Gubia
https://web.archive.org/web/20180402025639/http://davidrudnick.org/Caszius
This is a clone of Antidot SansAn alternate slightly taller "a" is on the "µ" and another "x" on the "\". Kerning of really obvious pairs will be done. I'm showing this only because it's a clone that automatically replaced the compos, stacks and standard bricks with the square brick.
A while ago I mentioned encountering the swapped bricks and weird (=51) brick quantity in another cloned version of this design. At first I felt frustrated but then I thought it might work out as a useable font. Without the surprising swap there'd be no Romaeo as a pixel design!! Now I think the glyph shapes look really good with pixellated edges, I'd not have worked a chunky Romaeo into a pixellated chunky Romaeo. Proof that there might be unexplained and unwanted brick problems which don't deserve to be forgotten or deleted as the design can be used to develop a quite acceptable font.
This is a cloneGildor: A high elf from Tolkien's The Lord of the Rings. He met Frodo, Pippin, Merry, and Sam on their journey to Rivendell. Gildor Grotesk: I considered the alliteration.
Inspired by dpla's comment about an animation showing the transformation of a standard font into the shattered look of "Bruch 01". Such animation will be easier to comprehend if the non-Bruch design is reasonably close to the Bruch design; however the transformations won't be spectacular ;)
Although rather 'basic' this design would work well for such a presentation. Sadly I don't have an animation program to show this.
This is a clone of Bruch 01@This is an extended version of Ostara Aria and more elaborate than the "Kerbe" designs. I changed the look of the LC and adjusted some of the UC.
Now the UC lace is better structured and distributed; glyphs A,N,M,U,V,X,Yand their LC, and @,7 and quotation marks have changed shape slightly; missing glyphs on the More Latin set (and the entire ExtendedLatin1 for my family, friends and aquaintances across Europe) needed quite some work due to the ornate sections - I hadn't planned on making this many glyphs, the ornate look was just intended for display UC of English, German and French and not for any other glyphs. Getting diacritics to look good with the decorated UC glyphs was a challenge but I think the ones I've decided to use don't overdo the ornateness nor distract from the glyph's shape.
Due to the new glyphs and diacritics I should have added 1 pixel height to accommodate the decorative lace element more obviously. Instead I changed some shape-rules ever so slightly to have an easier time adding the lace brick.
The LC is now solid black; diacritics have some added lace to integrate better in the design. The LC gives a separate font which might be of interest for headlines, advertising, on signs, cut to sew on fabric etc.
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Note that there are still some adjustments/spacing needed; the kerning isn't finished yet either. I'm publishing this to get constructive comments -- and praise ;)
[youmoor]I plead for an algorythm that allows one strange/incomplete comment or (psychosocial) pinaillage for every 1 or 2 sincere (++explained) praises :D Applicable not every minute of the year you understand, only from GMT 0:001h Mondays to GMT 23:599h Sundays [/yoomoor].
The font's name is Malagache.
Upgraded version of Aenvidere (which is the original 'normal weight' version) made for one of my grandsons. The glyphs in this version have lines of different thicknesses which seems to make them and any text more interesting to look at, yet it continues to be elegant.
Numerals are taller than other glyphs, I wonder if a larger letter space might 'integrate' them more when used in a line of text?
Kerning has been done where necessary = on very few pairs: T+some LCs and F+some LCs but not yet on T and F with the corresponding diacritics; also done are TJ and LT. The "f" has been moved in the grid, and "f" and "l" have adjusted letter space. I think that the shape of the glyphs (with and without adjusting their positions/letter space) reduces greatly the need for kerning. Having said all that I'll print some text to check and will adjust kerning where necessary ---at a later date.
This is the most advanced version of Aenvidere (due to kerning), the other published versions will be kerned at a later date. I'm showing them nevertheless so that you can compare versions.
This is a clone of Aenvidere