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This font is a Serif font. It means that there a little hooks on the end of most characters, similar to the Times New Roman font. For more information, visit this Wikipedia article on the difference between Serif and Sans-Serif fonts.
Font specifications: Average character size: 8x5, largest character size: 11x5; 7x7, smallest character size: 1x1. Avaliable versions: Regular, Not avaliable (yet) versions: Bold, Italic, Italicised bold
Enjoy!
A Unicode version of "7:12 Serif". I am going to finish the font as soon as possible.
This is a clone of 7:12 SerifTHIS FONT IS A COPY OF "FORMAL ROMAN"
I want to try to expand this font so it can have more characters and supports more varieties of languages
Expansions :
- Latin Extended-A
- Cyrillic
- Greek
- Added more letters and symbols in More Latin
If there are any mistakes, please inform me, and I will fix it asap
This is a cloneEasier to read and use than the origional
This is a clone of Oblivion3081All cap bold serif
kerned : Russian, Latin Basic, More Latin
I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either
I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough
THIS IS BASED ON MY HANDWRITING. NOT MY REGULAR HANDWRITING — THAT DOESN’T ALLOW FOR LOWER-CASE LETTERS; SO WHENEVER I NEED TO WRITE SOMETHING WITH LOWER-CASE LETTERS (SUCH AS IN EXAMS.), I USE THIS STYLE.
I KNOW THAT IN PLACES IT LOOKS A BIT BROKEN. BUT AT THE SMALL SIZES OF BULK TEXT, IT SHOULDN’T BE TOO NOTICEABLE; IT’S NOT REALLY DESIGNED AS A DISPLAY FONT.
AND I ALSO KNOW THAT SOME SERIFS AND STROKES AREN’T EXACTLY COMMONPLACE (SEE THE UPPER SERIFS ON THE LETTER: “u”). IT’S JUST HOW MY HANDWRITING TURNED OUT.
INTENDED LANGAUGE SUPPORT
• ENGLISH
• RUSSIAN
• TE REO MĀORI
“WHAKAITI” IS A MĀORI WORD MEANING “TO MAKE SMALL”. IT’S ROUGHLY PRONOUNCED: “ɸɑkɑiti”.
See more:
https://www.fontstruct.com/fontstructions/show/898234/nfs_attic
https://www.fontstruct.com/fontstructions/show/204251/legality
https://www.fontstruct.com/fontstructions/show/894584/ds_blacky_serif
https://www.fontstruct.com/fontstructions/show/322284/indiglo
https://www.fontstruct.com/fontstructions/show/894584/ds_blacky_serif
This is a clone of zircus eYe/FSAn avantgarde serif with a mild horror theme. It takes advantage of the properties of antialiasing/text smoothing algorithms to render a convincingly handmade aesthetic.
Making attractive, consistent, nonpixel serif designs at this grid size is quite a challenge. Making them look handmade is even moreso. I've tried that many times, but this design is the first such one I felt was truly usable. It doesn't quite look typewriter-esque, but blends well with other designs that are.
For this I used many different serif shapes, with each one depending on how the line it was attached to wanted to bend or terminate. This is in contrast to most other serif designs I've seen, in which the serifs themselves are more consistent in shape. I decided against faux-bezier curves for this, because they all looked way too polygonal. I think this is one of few cases where a rectangular O and S enhance the overall design rather than weakening it.
Version 0.5
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A font made for a LuneKnight, a Terraria mod by yours truly. It gets its name because parts of it remind me of halberd, partisan, and/or axe heads. I designed this to have the vaguely authoritation look of a Didone as well as a borderline-gaudy look that prevents this from being taken too seriously. These changes lent some much-needed character to the prototypical Didone from which this design evolved. The uppercase letters are more heavily ornamented, as if to suggest that they are letters from an illuminated manuscript.
The main texture is a diamond pattern inspired by vent holes in medieval armor. These were often made with a square punch, and help the font look more handmade. Actually, most of the quirks this font possesses are present to help present a handmade look.
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Notes
The wider letters are incised, which seems to lessen their perceived wideness by breaking up the shapes. For me this effect lent a more natural flow to the reading.
The ornamentation rules are complicated and factor in lettershapes, English letter frequency, and the existing design parameters. One thing I can concisely explain is that glyphs which normally look fairly plain are ornamented to such an extent that they make others look plain instead (CGJLT1 among others).