This font is completely free to use in any project.
The aesthetic of this font is part inspired by my own handwriting, and part just wanting to make the smallest font I could. Standard height is 8p.
Unicode Tables: Basic Latin, Latin-1 Supplement, Latin Extended A (mostly), Greek & Coptic, General Punctuation, Superscripts & Subscripts (mostly), Currency Symbols (mostly), Mathematical Operators (mostly), Block Elements, Geometric Shapes, Katakana, and Fullwidth Forms.
If you have suggestions or comments, email me at magicanstar@live.com
Credit is appreciated.
Credit should be to "MagicianSketch".
A fan request. This is Minecraft's in-game text font, truncated to fit into a smaller grid and then edited for consistency.
Feel free to use this for your fan games / mods / whatever! :D
*
Original size: 6pt (use multiples of this value for pixel perfection)
anything goes in this book-style pixel font. it is for secret project.
maximum of 11 pixels tall (plus 3 px descender below)
====================================
[1.7d] Still working on CJK and Hangul. Still not even halfway there!!!
[beta 1.7c] More CJK, Aboriginal Canadian Syllabics, Bengali
[beta 1.7b] More CJK but still not nearly enough
[beta 1.7a] I found a stray pixel which stretched the font two pixels too high. It's gone now.
[beta 1.7] ??? stuff? korean jamo, like 0.3% more of the CJK, Greek Extended, and one of the East Asian scripts (the name I forgot :<)
[beta 1.6d] assorted CJK and symbols
[beta 1.6c] devanagari (hindi script), thai
[beta 1.6b] thai and other junks. some characters improved
A double-line style with a twist. Named for the Exage Viral Armada (EVA), a mutagenic virus featured in several of my own games and stories. EVA causes rapid limb bifurcation and the spontaneous generation of butterflies, both of which can be seen in various glyphs from this design.
The exact rules for this are somewhat complicated, and based on structural as well as visual analysis. The basic idea can be seen on glyphs like k and x: Closed loops (double line) are joined by single lines which turn back on themselves to create the illusion of more lines. Of course, this idea had to be modified for most of the other glyphs, for the sake of stylistic consistency and visual interest. Particularly, almost all the spurred glyphs have the double-line structures open up to form the spurs.
This is a clone