a spooky little art deco font

ink's just a bit too heavy for it's own glyphs~

A fractured art deco font, crumbling under its own weight

Please enjoy~

 Voron means Raven in Russian. Alternative A H K M in russian А Н К М.

See more:

https://fontstruct.com/fontstructions/show/141323/kenaz_cyr

https://fontstruct.com/fontstructions/show/1694938/cryostasis-vempire-1

https://fontstruct.com/fontstructions/show/604263/viking-younger-space-viking-runes-bold

https://fontstruct.com/fontstructions/show/44785/greif_bleit

https://fontstruct.com/fontstructions/show/2138878/rockfest

https://fontstruct.com/fontstructions/show/2011132/lofty-2-1

https://fontstruct.com/fontstructions/show/1460015/kuliboni-punk

https://fontstruct.com/fontstructions/show/1594082/satana-1

https://fontstruct.com/fontstructions/show/2197826/goth-44

https://fontstruct.com/fontstructions/show/1018353/knossos

A font i have been working on for a while, but with some characters removed, because it seemed like it was not going to be finished in a while. I just wanted to publish this first

Berlin, Moscow, Paris in the 1920s... Bauhaus, Konstruktivizm, Art Deco... Effervescent people! This font is for Stefan, the cameraman in the picture, and for all the people who together built the world. Alternative M and N in the { and } glyphs. See also zergei and zandrine.

When Bauhaus met Art Deco

A few spoonfuls each of elegance and grit. Hand carved and kerned.

Asterisk = Checkerboard

STF_STROOMLIJN - A tall condensed and streamlined art deco typeface.

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Glyph alternatives and non-lining numerals are located in Halfwidth And Fullwidth unicode block.

I hope you like it,

Cheers

What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.

Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.

Upgrade your gray matter cuz one day it may matter.

FutureComp entry

Urban inspired characters and visuals, reminiscent of graffiti and other street art practices.

This display font was created with the rising sea levels in mind; as David Wallace-Wells says: "Miami and Bangladesh will not survive". It is too late for them. The font is a bold display sans serif with the intention to be used in combination with messages about global warming and rising sea levels. The letters contain structures intended for people which have been submerged underwater, the reality of Atlantis that we will face in the next few years. 

I wanted to create a font with big circles and arcs that ascended and descended, and what became of that experiment was this Art Deco font.

The at sign and registered trademark symbol were inspired by Roadway's unique at sign. 

Been working on this for a while. I though now it's time to publish it and see what you think...

STF_Littera Textualis Emergo - A formal Gothic minuscule script.

It is finally done!

It took me around 3 full days of design work and polishing.

The major character design part is about done, and I probably will only add some additional extra ligatures and special characters.

The design approach is a large grid Faux Bezier style to get the most out of custom shaping Top/bottom grid scale is a total of 71 bricks with ascenders and descenders included.

I have done a whole lot of finalizing background work already, and many pairs have been kerned already, but not everything was done yet, this is going to be completed within the next few days.

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- Littera Textualis Emergo -

A formal Gothic minuscule that was inspired by Latin bookhand script, better known as 'Textualis'. This script was popular between the 12th & 16th century. Basically Those that would have been used for the main text of Latin books.

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A more detailed description is has been written down in a sample image posted in the comment section bellow.

I hope y'all like it as much as I do.

Cheers

GOSPEL ANGLOS

A insular half-uncial or insular majuscule script style typeface project that is inspired by ancient celtic bookhand & manuscripts.

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The project is aiming at solidifying a number of different insular script styles. The main goal is to create a single typeface that includes about everything required to replicate the decorative writing style seen in ancient celtic manuscripts.(except for the ornamental decoratives)

The font, though essentially a bi-linear or majuscule insular half-incial script, in reality is a combination of different styles and complementary lettersets. Each carefully designed for specific purpose.

For example, it includes a more decorative Anglo-Saxon-script capital letter, perfect for headline text or book bindings. These actually include a small number of short ascending / descending letters, but it remains mainly a majuscule. Then there is a complete insular style lowercase set, but which resembles a more traditional style lowercase letterform. And instead of being proportional sized, these reflect the cap-height, remaining faithful to the bi-linear nature of the script.

Besides all that, there is a set of glyph-alternates for most of the Anglo-Saxon capitals, as well as numerous random stylistic glyph alternates scattered througout some other various unicode blocks.  Providing more than enough options to make variations.

To top it all off, I started making a set of more decorative lombardic initial letters, perfect for decorating paragraphs.

(This remains a WIP for now, as I am still experimenting aound with different styles and bits to narrow down the right one that suits this total package)

I like how some of these characters turned out, but many are jiust ideas and not yet reached their definitive forms. But this set proved a lot more difficult than I had anticipated. So,

Any suggestions helping me to complete the full set are very much welcome..

The major recources and guidelines for the creation of this project mainly evolved around the two medieval celtic manuscripts: 

"Book of kells" and "Liɴdisfarne Gospels"

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It has grown quite a bit already so far, but remains a WIP.

So beware of very little overall polishing or kerning.

The overall design has quite some rough character, even more so with the insular lowercase set, that obviously was not aimed at smooth edges. Actually the oposite, sort of trying to replicate that rough look seen with many scribes from that era.

But I would love to hear your opinions (or suggestions for that matter) on the work so far. I can really use a little refreshing vibes for this at this point.

;)

Cheers.

The idea is to read other alphabets as if they were Roman.

This is an unofficial forum I have made for FontStruct tutorials and educational materials. Want to know how to do something, or how to make a certain style or effect? This is the place to ask. I am not part of staff, and am far from being the most advanced user on here, but will pass on whatever I can. 

I have been writing an FS video series for some time, but it has proven very time-consuming to make the series as comprehensive (and as high-quality) as I would like. It has also occurred to me that I can teach a lot through simple text and graphics. This is my attempt to create a knowledge hub for FS where all the good stuff is in one place. If you make a tutorial or expand on mine in some way, you're welcome to post those here as well.

Please keep the discussion topical. This page is about tutorials, requests and discussions for them, etc. Idea Soup is more of a free-for-all and anything FS-related is accepted there. Idea Soup is also a good place to discuss tutorial ideas, since we can work out exactly what needs to be taught there without clogging the comment section here. (There is a limit on the number of comments this page can have, right?)

This page is open to users of all languages, but we may have to use Google Translate to answer you. Sorry in advance for any bad translations :D

*

Related Forum:FontStruct Idea Soup

The font used for these forums is Tangereen 2.

A cursive pixel font.

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Series title: Essentia

Type: Cursive Script

Properties: Bold & Italic, 5.7pt

Currently Available in:English and Dutch, Welsh, Irish, Scots Gaelic, Italian, French, Albanian, Spanish, Portuguese, German, Hungarian, Swedish, Danish and Norwegian, Faroese, Icelandic, Greek, Belarussian (Latin and Cyrillic), Bosnian (Latin and Cyrillic), and Russian.

Soon to be available in:Polish, Czech, Slovak, Croatian, Finnish, Estonian, Latvian, Lithuanian, Esperanto (potentially), Turkish, Vietnamese (Latin).

Possible future additions: Hebrew, Arabic, Persian (Farsi), Hindi.

Any Suggestions?

Gothica Medieval was inspired by a font called Horde.  That said, although the style is from Horde, this font is designed differently. 

Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).

Type: Modern Gothic.
Classifications: Angled, Old Style, Medieval.
Weight: Regular.
Web font: Yes.
Commercial use: Yes.
Redistribution: Yes.
Derivatives: Yes (see license).

Donations are super-appreciated.  Credit for my contribution to this work IS also greatly appreciated. 

PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

P.S.:
Font-Journal (Freeware fonts for designers):
https://www.Font-Journal.com
Heavy Duty Web Hosting (Genuine cloud web hosting solution):
https://HDWebHosting.com
Domain Name registration:
https://www.DomainHostmaster.com (Wild West Domain Registry)
https://www.Domainance.com   (Directi's 'Public Domain Registry')
Fonts and graphics blog:
https://Worthful.com

Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP

My first fonstruction is based around the theme of malnutrition, but focuses on lesser acknowledged end of the spectrum, over-nutrition. I took inspiration from nature of skin and fat on overweight or obese bodies, putting emphasis on the folds and bulges you might typically see on the skin of a larger frame.