Searching for more “Geometric” fonts?
Buy and download “Geometric” fonts at MyFonts.
Swiss Int’l - a typeface with faux Bézier curves, straight lines and the most of the Swiss typefaces.
'Sacred Textura', by Studio Sampersand, blends medieval Textura blackletter with contemporary design. Crafted with precision, it balances tradition and innovation. Its structured forms and intricate details convey strength and authority. The font follows a precise wide pen stroke-width that follows the hexagonal grid lines; creating a consistent neo-traditional textura font design.
DALLIANCE GROTESK — Geometric gothic grotesque
═══════════════════════════════════
Dalliance Grotesk is a solid sans-serif lettering concept that builds on the ‘core’-lettering concept of frongile's amazing work called Liaison Grotesk
Liaison is a renegade take on the gothic grotesque sans-serif style. A wonderful mix of early egyptian styles that get blended with subtle neo-grotesque hints, held firmly together by a rigid condensed geometric letter-backbone. The crude design of Liaison provides a very distinctive and unpolished appearance, that breaths a lot of visual character.
Its geometric quirkiness and rather irregular letter widths, just the slight imperfect overall lettering simply came together perfectly in frongile's original design. Making this a text-book example as for whyback in the day this style became known as ‘Grotesque’.
Yes, Ugly.. Obnoxious.. and... ‘Always in your face’
— Exactly how we like them best...
Dalliance Grotesk is the result of harvesting some of that original soul personality as was seen in Liaison and borrows it for extrapolation into a different font.
While Dalliance tried to preserve much of the overall letter-backbone structures from the original source, its primary aim was, to push towards a more polished finishing touch.
Simplified letters that were stripped of most quirks and bits, keeping only their rough shape intact.
In addition, all curved letter-parts were fully re-build with smoother contours and more natural flowing curve transitions. The spurred top and bottom stroke-stops for the lower-case letters had been changed so that the top now slightly differ from the bottom spurs (different tapered angle). Also the top spurs all have been slightly lowered to make them sit a tad bit bellow the x-height of the font.
Main modification revolved more or less around achieving cleaner overall text rendering and better optimization for body copy in small point sizes. In the process of getting there, I carefully adapted each glyph equipped fit, to appropriately accommodate all the ty(pro)graphic goodness one can possibly hope to pull out of a Fontstruct.
Smooth (near)-Bézier contour quality, optical compensating correction adjustments, such as overshoots, small vertical stressed contrast and improved stroke joints. Also the font's proportions for height to weight ratio has drastically changed.
— Utilizing sort-of an attenuate 'knockoff' to frongile's original concept for his Liaison Grotesk.
I would like to thank him for allowing me to harvest the basis of his lettering-concept and letting me re-use that as the stylistic back-bone in the creation of my own font.
FRUNTSTOCT UPPER — FontStruct logotype uppercase reinvention
═══════════════════════════════════
This second font is the next evolution in my take on the Fontstruct logo type.
Its an experimental approach towards the reinvention of its uppercase letters. The first one was a unicase minuscule that was aimed at creating an improved version of the original logo lettering concept. FRUNTSTOCT LOWERremained faithful to the original letters, whereas FRUNTSTOCT UPPER is a complete reimagining.
Motivation behind the complete overhaul came after checking out existing Structurosa entries by other Fontstruct members.
It became evident that only one or two members truly were able to build upon its original concept and could come up with a 'unique' and decent majuscule.
AT Archistruct Outline by Kassymkulov (aka Architaraz) being the clear winner in my opinion. — Which is a true masterpiece !!
Some others 'tried' to be original, and made an attempt at a personalized lettering, but couldn't solidify ideas into a consistent whole. But the majority simply copied rob's original design.
— For that reason I choose to take the alternative road and tried to come up with something new.
I hope you like it..
Cheers
WIP
See more:
https://fontstruct.com/fontstructions/show/1679935/topo-black-1-1-4
https://fontstruct.com/fontstructions/show/1503856/cryostasis-1
https://fontstruct.com/fontstructions/show/1864360/tlof-katana
https://fontstruct.com/fontstructions/show/159996/obsolete_2
https://fontstruct.com/fontstructions/show/2004601/ordnancetm
https://fontstruct.com/fontstructions/show/1518260/fs-phobos-1
This is a clone of Patchy Crypt Robotsvan nelle
ゔぁん ねるるえ
ван нэллэ
GlyphLandyn/Lilly is a sans-serif, pixel optimized with monospace Latin, Greek and Cyrillic letters and PUA (Private Use Area) characters. The  Object Replacement Character is a full square.
This font also includes Thai characters and Linear B Syllabary.
This font is edited with Fontstruct.
Exercise
The alternative of Stf nobuntu
Groutaskk - a humanist/geometric sans serif typeface
Version 1.0.0
- Making more custom smooth rounds, Improving the inktraps & the tapered spurs of some glyphs(M,N,a,b,d,g,m...)
- Making more custom bricks and composites
- completed all the chars in the Unicode block "Basic Latin"
Version 1.0.1
- added more accents and finish the Unicode block “Latin 1 supp.” & some chars in “Latin extended a”
Art-Day-Co. — Decorative geometric futurist sans
═══════════════════════════════════
A more experimental and fururistic take on a standard geometric grotesque that started out as "All-Caps" lettering concept. The innitial first idea was to create capital letters only and to provide these with additional capital letter alternate forms, Now, things not always go as they were invisioned, as was the case during this project..
After creating a couple of capital letters, and just when I was thinking I had this new brainchild for a cool looking font, I ren out of ideas for more experimental letter solutions; — Inspiration dried up quicker than water droplets evaporate on the surface of the sun!
But honestly imo things especially got interresting when I unintentionally started doodling lowercase letters for this font. And I don't know what happeded here, but it somehow completely changed the mood of this font (To understand what I mean just cross-compare 2 lines of text, one with all lowercase text and the other all caps text).
Both somewhat very different, but mixing effortlessly to create a very distinct and unique looking font. I can't put my finger to it as to what style it is.
Cheers