Интересно, что бы сказал Эрик Гилл, если бы просто увидел, как быстро и просто мы можем создавать шрифты с возможностями fontstruct.
I wonder what Eric Gill would say if he just saw how fast and simple we can create fonts with fontstruct capabilities.This is a clone of Caramba
This was inspired by the masthead typeface for the Dutch journal De Stijl, designed by Vilmos Huszar, and published 1917-1931.This is a clone
https://www.fontstruct.com/fontstructions/show/365145/treliofThis is a clone of gyroscope
It's a font based on a image (That I searched the font of it and cound't find)
The source/image is disponible on Pinterest in https://br.pinterest.com/pin/588704982520233092/
[As you can see the font is not the same as the original]
I made the thickest font I could. Then slathered the damn thing in butter and deep-fried it.
Will make more characters.
A modernized geometric monoline gothic script design in progress.
Its a all caps design but with a double sized uppercase.
The style of design metrics made it tough to allign the punctuations so that they all fit both upper & lowercase strings, but I did it the best I could.
No numerals done yet, I might do them soon.
I hope you like it so farThis is a clone
Custom bold, beveled and fixed width font for the homemade handheld console MAD×DOG by INSANUS
Experimental endeavor into avant-garde, reversed-contrast inspired letterforms.
I will explain the font in more detail bellow in the comment section.
I've moved from Russia to Germany, here. We have a classic, 70s inspired design, which could still be a futuristic-looking one in the right lights.
A contemporary geometric grotesque with some advanced typographic features included.
Its packing not one, but three different styles into a single typeface. These are divided over the basic upper-/ lowercase and "Halfwidth and Fullwidth Forms" Unicode block.
It is a bold weight typeface that suits best for headlines, posters and display purpose.
See the provided sample image bellow for more detailed info on its various features.
I hope you like it!This is a clone
Imagine a "font designed in 1999 to show what fonts would look like in 2019". It's half right, at least. Totally the sort of thing you would find in an early PS2 space shooter or something.
Experimented as I usually do with a half-thickness version of the font which looked good enough to do the entire thing over.
Naturally this is more of a body text font than the default Gemini.This is a clone of Gemini
Contemporary geometric gothic typeface.
The idea was to make a typeface design that would suit small point size body style typography.
The fontstruction is a faux Bezier style approach, this allowed me the most freedom in shaping the different letterforms and curves. Capital height is 36 bricks height.
Font sample is best viewed at 2x pixel size or above for a sharp result.
I hope you like it!
A texture font with its own convoluted logic. The design rules and techniques are similar to those of Esperhand, but with different priorities assigned to them.
Monospace version of Dangerism Minor
Also check out the other fonts in the Dangerism collectionThis is a clone of Dangerism Minor Condensed
WORK IN PROGRESS
This time I did a attempt to make a typical contemporary super rounded geometric grotesque typeface. Which is a very popular style for headline and display text. Although I tried to make a contemporary looking typeface, I kind of remained faithful to plain geometry. The design can be slightly compared with that of typefaces such as HAUS Sans, TT Norms and LL Circular (3 great commercial pro fonts that were made by some great other designers!)
One of the most important rules for this was to have near perfect circular letterforms in both upper and lowercase. (So to pull this off propperly it required a large grid faux Bezier approach.) Everything else just enfolded along the way. The design (obviously) geometric grotesque, but also has a neo-grotesque feel as well. The almost quirky looking letter widths give this a very strong early 1900s feel.
While many letters mostly have even stroke widths, upclose you'll notice some stroke width variation is going on after all. This to bring more conttract into certain area's.
It's still a work that is heavily in devellopment, and only the basic character design is completed for now. Next time I will get into its functionality such as multi-language support.
I hope you like it so far
All caps geometric gothic sans-serif project. Its a semi bold display design that looks a little like those early grotesque types.
The uppercase O has a distinctive circular shape and has a unusual 3x3 grid square dimension. A number of glyphs still need modifications to achieve better solutions. Also is the character set far from complete yet.
I hope you like it so far