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F.F.M. (ANGEL DUST) — Futurist constructivism style lettering
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Digitization of a typeface for one of my all-time favorite record labels, the German (Frankfurt) based "Planet Core Productions". The typeface was seen on many of their vinyls and cds as well as various other stuff. It originated back in 1992 and was custom made by Paul Nicholson for Planet Core Productions.
This is the ANGEL DUST style variation for F.F.M. and this version features an entirely different font, but sourced from that same record label.
The main purpose for the digital recreation of the label's typefaces is to supplement in the creation of Planet Core Productions related literary scribings. The typefaces are the property of Planet Core Productions and were originally designed by P. Nicholson.
Cheers
See Plutonium Regular.
This is a clone of Plutonium BookSee Plutonium.
This is a clone of Plutonium RegularSee Plutonium.
This is a clone of Plutonium RegularA heavy, wide display font with high stroke contrast, high x-height rectangular proportions, large counters, low-medium legibility, and minimal curves. Suitable for sci-fi-styled titling. May also be suitable for retro styles.
Part of the Plutonium font family.
THE MILLENNIUM NEVER ENDS WITH THIS FONT!
Yep! That's right, Y2K is not that bad with this font! It's a celebration of the era that started a whole new generation of early internet goop!
This whole font are free to use, cause it's my first font to use for this site. Feel free to modify, share or fix it. But CREDIT THE AUTHOR, PLEASE! Thank You!
This is my font Ionnis (pronounced: eye-ON-iss)! This font currently supports the following languages: English, Spanish (Español), French (Français), German (Deutsch), Portuguese (Português), and Russian (Русский)
¡Esto es mi FontStruction Ionnis! Se pronuncia Ayanes. Este FontStruction actualmente es compatible con Español, Inglés (English), Francés (Français), Alemán (Deutsch), Portugués (Português), y Ruso (Русский). (lo siento si tengo gramática mala, estoy aprendiendo español)
See more:
https://fontstruct.com/fontstructions/show/1121826/mandatetrinkaac60
https://fontstruct.com/fontstructions/show/1027713/seeing-double
https://fontstruct.com/fontstructions/show/675553/double_vision_5
https://fontstruct.com/fontstructions/show/591237/reverb_5
This is a clone of zpaze eYe/FSWIP
This is a clone of VOIDFONTSIVThis Fontstruction is a joint venture between Dmitriy Sychiov and myself, Sed4tives.
A while ago I had the concept basic forms for this design pre-published in an effort to try and reach out to y'all, asking if any of you was interested in joining me in this attempt to create a multi member community collaboration.
The original idea had I invisioned at that time was; presumptuous that most writing systems have two parallel sets of letters that can be used to distinguish between upper- and lowercase. That hypothetically could than be divided in two separate "Half-A-Bets"(oopz, lol). One one for upper- and a second for lowercase. Allowing two Fontstructors to each choose their own designated section within that specific language. But enthusiasm quickly reached critical mass, making a mild gesture go ballistic and somehow sketched this crazy wild idea of having multiple participating parties that each reserved one-half of a language within one of the several designated ranges for the Basic Multilingual Planes (preferably within their native writing system if possible), and in turns to each have them supply the glyph set for their section.
Oh, and "Sweet mother of a blind gekko", boy what was I wrong, as eventually only one Die-Hard going by the name Dmitriy hooked up with the project in the end.
So hereby I proudly present the results of this combined forces:
"Gesamtkunstwerk" — A Futuristic sci-fi stencil sans
The philosophy behind the FontStruction was to publish the completed font with open font license (so that it is clonable). Feel free to redistribute/share, clone, learn or even refurbish mash-up and re-publish your version.
— [The original collaborative project is now closed for any new participating parties, sorry!]
Some small things still need additional work, such as kerning (which is incomplete and remains a WIP for now), Cyriillic script still missing uppercase set. All of this is scheduled to be included soon, so stay tuned..
hope y'all simply enjoy it so far nonetheless!
Cheers
This is a cloneA font I initially created for an album cover but later expanded into a full typeface. Thanks to J.R.'s sci-fi font for the inspiration.
Inspired by the consistency and taking up the same amount of horizontal space as the monospace font, I combined my typeface with the eagerness of youth but still know how to keep within the framework so as not to affect others.