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This is a clone of zeronda eYe/FSA Unicode version of "7:12 Serif". I am going to finish the font as soon as possible.
This is a clone of 7:12 SerifTHIS FONT IS A COPY OF "FORMAL ROMAN"
I want to try to expand this font so it can have more characters and supports more varieties of languages
Expansions :
- Latin Extended-A
- Cyrillic
- Greek
- Added more letters and symbols in More Latin
If there are any mistakes, please inform me, and I will fix it asap
This is a cloneTranslator needed to get SH, ZH, CH, and TH characters:
Added some new Characters for vowels, Silent Ts and Rolled Rs.
https://lingojam.com/EnglishtoTranslatorEnglish%28TM%29
Or if you want to use an imperial font on ACTUAL IMPERIAL go here:
https://lingojam.com/ENGLISHTOIMPERIAL%28ROMTE%29
This is a clone of Formal RomanI decided to be laynecom for a day, and this is the result. Didn't have time for numbers and punctuation though, unfortunately...
Some alternates available in Extended Latin A. Suggestions and critiques encouraged, as always. Thanks and enjoy!
More of an experiment than an attempt at an amazing typeface, but I thought it'd be a fun entry nonetheless. Don't let the creation date fool you: I started this design in early 2014. There were many issues that had to be remedied before publishing, most notably the lack of characters and major discrepancies between the shapes of serifs (some were entirely triangular, others entirely curved). It's still heavily a work in progress. Suggestions are encouraged, especially for the Q and punctuation. Thanks and enjoy!
This is a cloneAnother version of My own created font Purple Haze. Submitted for Seriff Competition.
This is a clone of purple hazeInspired by a font I saw in a children's book. The artist had drawn a map of the world on canvas and used a tiny serif font to label important points on the map. The letters had such a cute hand-made feel to them that I just had to recreate it in FS.
Uppercase letters are 6 grid squares (3 bricks) tall; lowercase are 4.5 (2.25 bricks). IIRC nudging had recently been introduced; this definitely would have been impossible without it.
What began nearly 8 years ago as an experiment in multi-stage, multi-resolution pixel serif type drafting (starting smallish then manually upscaling x4), took on the robust character you see here after countless edits and some tricky lessons learned along the way.
The initial weight was on the light side (cloned privately for posterity), so I took a leap into this bookish weight by fattening each glyph copy-pasted 1 pixel shifted both up and to the right. A rudimentary technique, by no means novel, yet almost wholly effective. I saw fit from here to only make a handful of corrections, keeping the slightly rounded and slanted serif shape that resulted as well as the subtle reenforcing of a pen-nib construction.
More intriguing is the 1-bit “anti-aliasing” scheme I found myself progressively guided toward while finding the lines of these curves developing the initial light weight. Implied diagonals and said curves – as well as refinement of contrast – are substantially more granular and specific than had I taken a black-and-white posterized, or stairstepped approach.
At half-resolution, the resulting smoothness is acceptible. This type of hinting will be useful in developing a substitution rule set consisting of subpixel slanted or curved bricks to produce a “vectorized” version.
Indeed, such a process could be purely automated by a proficient developer or properly trained neural network (this would be a really interesting future feature for fontstruct pro – rather than hinting a font after painstaking vector construction, why not reverse the process by way of en vogue ai-assisted upscaling?).
Basic accented charaters and numerals are being added as I churn through the extended character set...