architect - @ for full house, _ for empty house.

This started out as a joke, but it just kept getting more interesting to me as it was developed. 
Completed countertops can contain at least two pieces: an uppercase and lowercase letter. The left side of the counter starts with a capital letter, which has a corresponding right side piece in the same lower case letter. Numbers and Shifted Numbers contain center pieces that can be typed in multiples. 
The <>, [], and {} make special faux perspective counter pairs. Use sparingly. 

G1 Recoil. It's like a vibrating pixel font. It's got like one strand most of the time. 

G1 Counterfade. Its got faded halftoned counters. Who would've thought.

The counters in breach overlap the outlines of their glyphs and extend beyond them. x-height: 3 bricks

My most recent  debacle is no longer a tragedy thanks to Sed4tives (Thanks!). ;)

I made an extra long space in Specials so that the line height and/or leading would work out with the 2x2 blocks (at least, in Fontstruct previews).

The idea is to have a spinning ying-yang symbol as the pattern to qualify it as a counter.  Plus, it's a container, using the negative space where the pattern is broken-up, to define the characters.  I also used mini ying-yang symbols to round some of the edges, or perhaps to define a boundry that required it.

The idea is to represent counters with arrows. Letters with closed counters (e.g. D,P ) were first opened and only afterwards were represented by arrows.

LOREM IPSUM EXITANTUM EST

serifia la printe the name is just trying to pretend like French. It's not French i guess?

So this font is basically serif + filled counter.

it is also for the counter competition.

Inspired by the Maze Set. A technical fontstruction showing the usage for thinner macaroni bricks. The logic for possible counter relation: 

1) Every letter is filled with thinner version of itself (self-pattern fill).

2) Outline vs Inline, emphasizing the "opposite" meaning of counter.

Day Five. A spin off of Sinaloa. Very I Love the 70's.

Another leap toward the elusive subtractive Boolean.
Each character consists of nine bricks arranged in a 3 x 3, filtered and scaled, composite-stack matrix. Insane levels of smooth detail result.
This filtered, subtractive stacking technique extends those first published here.
Enjoy a private clone to grok my unknown approach. The possibilities are endless...