Fontstructions tagged with “Fs Wip”
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undertale deltarune extended (Fixed)
by Viika (Vexian Empire)8.99
Click on the stars to rate this FontStruction.
Balanced Rating: 8.99
Average Rating: 9.33
Click for more information about this rating. 12 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.99
Average Rating: 9.33
Click for more information about this rating. 12 votes You voted ? for this FontStruction. You may change your vote at any time.
4072421244513
Published: 19th October, 2021
Last edited: 31st March, 2026
Created: 13th October, 2021
Last edited: 31st March, 2026
Created: 13th October, 2021
this font has now been FIXED! the alignment is now more accurate to the real games
i take the undertale/deltarune font and add glyphs that are not from basic latin because everyone always forgets to add them
In the private use area U+F000-U+F022 are some chars to help with custom symbols
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fs WIP
by thalamic8.61
Click on the stars to rate this FontStruction.
Balanced Rating: 8.61
Average Rating: 8.72
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
Balanced Rating: 8.61
Average Rating: 8.72
Click for more information about this rating. 25 votes You voted ? for this FontStruction. You may change your vote at any time.
94186840
Published: 5th March, 2011
Last edited: 19th March, 2011
Created: 4th March, 2011
Hi, there!
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
Danke, Merci, Thank you, Shukria.
Last edited: 19th March, 2011
Created: 4th March, 2011
Hi, there!
We (the place where I work) are attempting to brand ourselves because our field is getting a bit too crowded and we don't want to get lost in the clutter. In the process, we are exploring a lot of different styles. Not that we are unsure how we want to proceed or what our positioning will be, we want to ensure nothing obvious is overlooked. In the process, a lot of ideas are generated, some discarded outright while others —as long are they support the planned positioning— are pursued long enough to recognize if they are worth exploring further...or not.
Some letters from this font were developed as part of one of the proposed wordmark. Overall, it works without breaking any of our internally established rules. The problem is one of extensibility and adaptability for unforeseen future needs which this font is prone to cause owing to its personality. The logo work was done in Illustrator, of course. However, to see if the typeface has potential beyond the few glyphs of the wordmark (and not in small part due to its modular nature), I worked out the remainder of the letters here in the fontstructor. :-)
I'd appreciate it if I could have your constructive criticism on each or any of the glyphs and how they could be improved. Specifically, I am trying to avoid awkwardness in the coming together of any two letters. As you can see, it's very much a work-in-progress.
Danke, Merci, Thank you, Shukria.
All Rights Reserved. No download available.