This font is completely free to use in any project.
The aesthetic of this font is part inspired by my own handwriting, and part just wanting to make the smallest font I could. Standard height is 8p.
Unicode Tables: Basic Latin, Latin-1 Supplement, Latin Extended A (mostly), Greek & Coptic, General Punctuation, Superscripts & Subscripts (mostly), Currency Symbols (mostly), Mathematical Operators (mostly), Block Elements, Geometric Shapes, Katakana, and Fullwidth Forms.
If you have suggestions or comments, email me at magicanstar@live.com
Credit is appreciated.
Credit should be to "MagicianSketch".
A miniaturized version of Madufaros with many subtle aesthetic changes.
I may condense it further, by removing certain details (such as the backs of "f" and "t" along with the projecting front part of "l"), but I'm satisfied with it as-is for now... more testing must be done...
This is a clone of MadufarosPixel prototype of a font for an upcoming game being developed by yours truly. This will likely be used, but only for flashbacks and dreams. The normal ingame font may be a high-res version of this, or something different - tests are still being done to determine this.
English only for now, as there are no plans to localize the game myself.
"Madufaros" = "daughter of Madu".
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Original size: 9pt (use multiples of this size for pixel perfect rendering)
Inverted marquee made for a friend. A lot of conversations we had informed this design, but those are best kept between us. Suffice to say that the friend in question wanted this font to embody certain principles of his avant-Daoist beliefs, and he is satisfied that the current form of this font accomplishes the goal.
V1.1: The More Latin is in progress.
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Another doodle... Well, shall I continue this one?
I sort of designed myself into a corner with the uppercase, by not using the same grid size as the lowercase. But, this choice led to an interesting and unique look so I'll keep it.
Semiserif semispur minimalism.
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This design uses a few novel glyph-shapes and techniques to achieve its look. Most notable of these is the serifed a which lets the serif protrude to the right. I avoid this feature in almost all designs, especially pixel fonts, because it adds an unnecessary 1px of spacing - but for this font, the feature can be included without changing anything for the worse. Many other glyphs have this same sort of protruding serif/spur, and the slanted geometry of the serifs/spurs affords them a look that "retreats" from neighboring glyphs, rather than seeming to protrude into them.