50872546
Published: 19th December, 2008
Last edited: 24th June, 2009
Created: 19th December, 2008
Sawhorse Braumarks is a hops & barley flavored family of dingbats I put together to compliment Sawhorse. They were made to be used as label art for beer bottles. The neighbors and I have home brewed up a wicked spicy chocolate beer to bring in the season. I'm not sure which is more difficult, home brewing or fontstructing, but they sure go well together. Cheers & bottoms up.
17712614
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave.This is a clone of Eclat Weave
14512612
Published: 11th September, 2008
Last edited: 3rd November, 2008
Created: 11th September, 2008
Clone of Eclat Weave Rounded White.This is a clone of Eclat Weave Rounded White
30772625
Published: 8th September, 2008
Last edited: 22nd June, 2009
Created: 8th September, 2008
Just a fun one I did last night while watching tennis and reading the latest DWR catalog (see page 72). This is a pattern Fontstruction based entirely on the Anni Albers textile pattern of the same name.
"Anni Albers began a three decades long collaboration with the internationally recognized design company Knoll in 1951. During the course of this partnership, Knoll released five of Anni's designs: Track, Rail, Lattice, Jhet and Eclat. Originally designed in 1974 as an upholstery pattern, Anni Albers' Eclat, was first produced printed on a cotton/ linen ground in various scales and color combinations. Reintroduction into the market as part of Knoll's 60th anniversary archival collection celebration in June 2007, Eclat, renamed Eclat Weave, is now produced as a woven, rather than printed, upholstery."
1102233664
Published: 25th August, 2008
Last edited: 7th June, 2009
Created: 25th August, 2008
I took this epic digger while mountain biking in the rain last Friday. No real damage besides a slightly bruised shoulder. But while kneeling on the ground and collecting my wits, I noticed the impression left by my tire treads in the mud and thought there might be a Fontruction idea in there. Hydroplane is the product of that and represents a desire to stay upright, moving forward, with two wheels firmly gripping the terra.
7431939317
Published: 10th April, 2010
Last edited: 10th April, 2010
Created: 27th December, 2009
Because you can never have enough ball terminals...This is a clone
239174337
Published: 22nd July, 2009
Last edited: 23rd July, 2009
Created: 25th June, 2009
This is a Sessions flavored remix of Saberrider's wonderful Poff font.This is a clone of poff
184415235
Published: 16th November, 2009
Last edited: 14th November, 2009
Created: 17th September, 2009
A play on brickstacking, 'Brutal' is an experiment in creating a one brick fontstruction for multilayered screen printing. To use this font, you simply need to layer the uppercase alphabet on top of (or underneath) the lowercase alphabet (see below for a sample).
Obviously, it doesn't look like much in the Fontstruct preview.
The inspiration for this typeface came about when I was putting together this Flickr gallery of modular multi-colored lettering.
The first 25 downloads are all mine. It was a hard one to test.
412523
Published: 30th June, 2008
Last edited: 22nd March, 2009
Created: 30th June, 2008
Pop and lock. Uppercase and lowercase letters enjoy playing nice with one another. Like loose couples at a swingers club, let them run amuck and get dirty.
3097155346
Published: 29th September, 2008
Last edited: 22nd June, 2009
Created: 3rd August, 2008 The Slurpee Font - Created and fueled by an unhealthy summer obsession with the world's greatest beverage you can drink/eat with a straw. A little interweb research gave some hints at a few more glyphs than the initial six glyphs in the 'Slurpee' logo. In some cases, like with the 'c' glyph, I noticed that it had been drawn differently in different usage. See here and here.
Being that the current Slurpee logo is Unicase, I decided to try and make uppercase and lowercase alternatives that can be mixed and matched for the unicase feel.
See also Chank Diesel's wonderful font Cosmic, which draws from the old school Slurpee branding.
P.S. The Monster Black Ice flavor that came out this summer was ridiculously awesome.
59476218
Published: 28th October, 2009
Last edited: 27th October, 2009
Created: 27th October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious I
65776221
Published: 26th October, 2009
Last edited: 4th November, 2009
Created: 1st October, 2009
For a full description see Sans Serious IThis is a clone
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
20346210
Published: 1st July, 2008
Last edited: 22nd June, 2009
Created: 1st July, 2008
Inspired by the saccharine sounds of the ice cream truck, which has been making the late evening loop around these parts. Upper and lowercase letters enjoy getting all mixed up with one other like a melting Neapolitan ice cream bar. Enjoy.This is a clone of Pop Blox
3251628
Published: 30th October, 2009
Last edited: 2nd October, 2009
Created: 2nd October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious III
187116315
Published: 9th February, 2009
Last edited: 16th June, 2009
Created: 4th January, 2009
Loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation & Space Museum in McMinnville, Oregon. The museum is home of Howard Hughes Flying Boat H-4 Hercules (aka, the Spruce Goose).This is a clone
11896522
Published: 24th June, 2009
Last edited: 29th June, 2009
Created: 23rd June, 2009
Experimenting with reverse glyph building (knockouts) to create a modular monoline font with more fluid, rounded shapes.
A work in progress. I would appreciate any and all feedback, suggestions, etc.This is a clone
84206510
Published: 24th June, 2009
Last edited: 29th June, 2009
Created: 23rd June, 2009
Experimenting with reverse glyph building (knockouts) to create a modular monoline font with more fluid, rounded shapes.
A work in progress. I would appreciate any and all feedback, suggestions, etc.This is a clone of Gaga Stencil
418116630
Published: 18th November, 2008
Last edited: 4th December, 2009
Created: 18th November, 2008
A mash-up of sorts. Microgramma meets Dr. Robert Moog.
144126725
Published: 22nd July, 2009
Last edited: 13th July, 2009
Created: 11th July, 2009
This is a clone/remix of Micromoog. This font should ONLY be used to set the titles for a bad Michael Bay movie where the plot features an alien breed of energy drink swillin' robots that fight against extreme sport celebrities in an attempt to rid the earth of BMX bikes, skateboards, all neon colors & fun.
Lowercase carries a full set of X-TREME alternates. This is a clone of Micromoog
261176717
Published: 2nd March, 2009
Last edited: 1st July, 2009
Created: 17th February, 2009
Inspired by Em42's 'Dioptical' and various other Fontstructions carrier out by fellow Brothers of the Optical Cloth.
16866824
Published: 10th February, 2009
Last edited: 23rd November, 2009
Created: 9th February, 2009
Loosely based on several styles of letter and numeral forms observed on various aircrafts at the Evergreen Aviation & Space Museum in McMinnville, Oregon. The museum is home of Howard Hughes Flying Boat H-4 Hercules (aka, the Spruce Goose).
Jetstream is a clone of Perforate. Jetstream's x-height is higher. The uppercase horizontals are narrower. The lowercase 'a' was made two-story. Without the constraints of the perforations, I was able to better center the crossbar of lowercase 'e', 's' and 'x'. Some numerals have also been modified.This is a clone of Perforate
136256916
Published: 20th April, 2009
Last edited: 4th December, 2009
Created: 17th April, 2009
I bought one of those 3D Pin Art things at a garage sale a couple weeks ago. Turns out making 3D impressions of "The Bird" doesn't hold the same cultural currency now as it did when I was in Junior High, so I decided to cash in another way and make some letters.This is a clone
486737
Published: 23rd September, 2008
Last edited: 7th February, 2009
Created: 23rd September, 2008
Lithe is my attempt to build something modular with a hint of flair.
46757353
Published: 20th June, 2008
Last edited: 14th December, 2009
Created: 20th June, 2008
An experimental face focusing on contrasting shapes and color.
177167550
Published: 17th February, 2010
Last edited: 19th February, 2010
Created: 16th February, 2010
Prog is a condensed, geometric, modular display typeface with a contemporary sci-fi aesthetic. The design draws from a multitude of influences. Specifically I was inspired by: mathematics, Japanese space-rock, the movie MOON (directed by David Bowie's kid), and the Funk King's wonderful molecular work here on FontStruct.
The principle building block for the design is an obtuse angle segment that's cloned, reflected, and rotated to create an entire letter. Mapping the technique to the whole typeface was a challenge and there are some compromises (see D and U). As is frequently the case with these strict modular exercises the T is the stand out ugly duckling.This is a clone