Inspired by a video showing a hairdresser creating a wig for a play........
Many LC glyphs are an alternate to corresponding UC.
I haven't mastered creating good joints between FS bricks and the compos I need to make ""to join"" the two types of brick. Trying to get them to flow into each other produces more or less untidy joining in many places which I find frustrating. Maybe I have to sketch out simpler designs for easy Fontstructing.
Looking at the caron I wonder if the center cross-over brick needs replacing with the one that dips downwards? See the two different bricks in the caron of E and e.
This is a cloneAtticus is a sophisticated, linear typeface that is versatile in its use. The lack of curves gives it a sleek, angular feel, yet its 3-dimensional look makes it bold and fun. Atticus is a headliner type and is guaranteed to grab your reader's attention.
Inspired by the starting point 'elegant' , this font was developed looking at the structure of constellations, and how a number of different points can be interpreted into images. The fine, interconnected lines of the typeface reflect the delicate and subtle connotations of the word 'elegant', and it is designed to be used as a display face. the name 'Cassiopeia' is taken from an existing constellation, initially listed in the 2nd century.
A series from Electron Sans, inspired from GS Unicode 2.0 by Greenstar967
Under development, Beta 1.0.16
Glyphs: 733 Char
Recent changes
Changing oblique assets like X, Y, etc. and reverted back font styles to mono.
Sans Serif font, inspired by GS Unicode 2.0 by Greenstar967
Discontinued Font, Alpha 1.1
This font have a series, click here to check it out. For now and so on, i'll working at the font series of this font.
This geometric font was built up from the theme of a continuous typeface. After developing sketched ideas and experimenting on fontsrtuct I became aware or a continuous theme throughout my font design of continuous lines and geometric shapes. This led me to research type designers and artists such as El Lissitsky's use of shapes to portray political messages, Herbert Bayer's rounded font style, Paul Renner's original architype fonts's unusual abstract designs and finally Matt W Moore's modern geometric typefaces which heavily influenced my designs. This can be seen through the abstract use of shapes inspired by El Lissitsky which can be seen in the letter M, H and V. Aspects of Matt W Moore can also be seen in my designs from his Alphafont 2 and 3 on the use of lines for the letters M, H and Z, and his use of shapes which are seen in the letters A and V. With inspiration coming from a range of times, artists and typographers this gives the font a feel of old and new. As it looks like it could be inscriptions on tombs and pyramids but also has a futuristic sci-fi appearance. Therefore the use of this font could be used for film posters and books of a setting in the future or ancient Egyptian or Greek past.
This is a clone of Continuous1An experiment with propellers. It seems to me like something four would make. Suggestions are welcome. Thanks.
02/08/17: Thanks to the new Kerning feature, a separate "r" is no longer required. Also made the rings a little rounder and fixed the rings on U and u.
This is a font inspired by the word 'systematic'. My main influence when creating this font was archiecture and the form of buildings. I focused strongly on lines and the grid system as I felt this really fit the theme of 'systematic' and archiecture as both remind me of acting according to a fixed plan or system; methodical.
This is a clone