Nothing Phone font inspired
See more:
https://fontstruct.com/fontstructions/show/2142870/dover-led-v2-4
https://fontstruct.com/fontstructions/show/1406099/nanopixel
https://fontstruct.com/fontstructions/show/2147398/pixel-sans-13-63
This is what an edited 35A-digit 5x7 matrix display looks like.
It is what's known as a LED/LCD display.
This is a clone of 35-Digit 5x7 Matrix DisplayThis is what an edited 31-digit 5x7 matrix display looks like.
This is a clone of 24-Digit 5x7 Matrix DisplayThis is what an edited 35-digit 5x7 matrix display looks like.
It is what's known as a LED/LCD display.
This is a clone of 31-Digit 5x7 Matrix DisplayThis is what an edited 24-digit 5x7 matrix display looks like.
This is a clone of 13-Digit 5x7 Matrix DisplayThis is what an edited 9-digit 5x7 matrix display looks like.
This is a clone of 7-Digit 5x7 Matrix DisplayThis is what an edited 13-digit 5x7 matrix display looks like.
This is a clone of 9-Digit 5x7 Matrix DisplaySee more:
https://velvetyne.fr/fonts/tiny/
https://fontstruct.com/fontstructions/show/2133172/penoplast-1
https://fontstruct.com/fontstructions/show/1680452/lcd-dot-c
https://fontstruct.com/fontstructions/show/1967683/brut-rings-1
https://fontstruct.com/fontstructions/show/1701780/minimallow-1
This is a clone of Nothing FontThis is a another recreation of an LCD design concept by Posy
This time it's the 3x5 Matrix Display, with all glyphs of Basic Latin supported
Also available without rounded corners
This is a clone of LCD 3x5 MatrixThe RomByte font when displayed on a matrix display in real life.
Comes with the feature that when you look far away / when the font is small, you don't notice the small gaps. However, when you up look closely, you can spot the tiny gaps between the pixels.
Can be used as a grey-colored version of RomByte if displayed correctly.
This is a clone of RomByteNOTE: This project was previously privated and has already been done/left unfinished a long time ago.
I'm only making this project public and open-source it to clean out my dumpster of (complete, incomplete and discontinued) privated fonts.
(Side note: It's so nostalgic looking back at this project that I started more than a year ago. Gosh, reminds me of how bad I used to draw bold pixel fonts like this one. Please don't actually use this though, I swear it looks so bad when you try the font out.)
===============================
A bold matrix font, inspired by Helvetica and MS Sans Serif. Also can be known as my Pixel-Optimzed version of Helvetica Bold.
The original font from the dynamic highway signposts / variable-message signs (dWiSta) in Hesse, Germany!
Many non-alphanumeric characters which aren't used on the signs, are replaced with icons used on the signs, e.g.:
§ (paragraph) = Autobahn A3
% (percent) = Autobahn A5
$ (dollar) = Autobahn A67
| (vertical bar) = traffic jam
@ (at-sign) = construction
= (equal sign) = airport
# (hashtag) = stadium
etc. etc.
Clone of Dot24Pin Sans Outline.
Still dreaming of 24-pin printers...
This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s. Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.
(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)
This is a clone of Dot24Pin Sans OutlineStill dreaming of 24-pin printers...
This original 24×15 typeface is designed around the limitations presented by the near letter quality (NLQ) output of dot matrix printers (DMPs) during the '80s & '90s. Partially inspired by J. David Sapir's DOS font design program, LQMATRIX, it could have easily been created using that program back in the day.
(The "smart phone"-looking character in the À position is simply a placeholder, used as a quick reference to set vertical height lines while FontStructing.)
It's got more "okayer" detail than the other one. Just as okay as the other one. Really.
This is a clone of 8x8 Okay Screen SolidThis font is a recreation of Richard Wisan's "ELITEQ.LQN" font file (c) 1990 for use with the program LQMATRIX. From Mr. Wisan's comment in the LQMATRIX documentation file: "ELITEQ.LQN: resembles Epson's resident Roman font, but slightly reduced to suit elite spacing."
LQMATRIX was a font design program for use with Epson LQ [Letter Quality] 24-pin dot matrix printers and compatibles. Created by noted linguist, anthropologist, and photographer J. David Sapir, the program had its beginnings in 1985 and was published by Jimmy Paris Software; the last known version that I have been able to find is version 4.44 (1991). Mr. Sapir included font set submissions from LQMATRIX users in some of the later updates; my version includes Mr. Wisan's file. A screenshot of the program is included in the comments section below.
While the graphics mode of dot matrix printers could print rather complex pictures, it remained extremely slow for large amounts of specialized text. By uploading an LQMATRIX font file into the printer's RAM, the temporary font could be used interchangeablely with the printer's resident ROM fonts. The result was a much faster print speed with little sacrifice in quality -- plus, one could design their own special glyphs or characters to suit their needs!
This was accomplish by a sophisticated design program included with LQMATRIX, whereby users could create and save characters or symbols on a 24 vertical by 15 horizontal grid for the ASCII locations 032–126 (although 001-127 were permitted). One could even place dots in the 14 half-positions along the horizontal.
I have cleaned-up some of the curvatures and harmonized a number of glyphs (along with outright modification of a few, like W and w), yet they still adhere to the same 24 x 15 grid. The original designs can be found beginning in the "More Latin" section. Because the characters for "left single quotation mark" and "right single quotation mark" were not present in DOS, I have "created" them here for sake of completion.
A dot-matrix version of "Official-Ish", and a test of the Filters. :^)
The author recommends using this font at sizes that are multiples of 13, starting with 26, to ensure perfect pixel size/placement. 26, 39, 52, etc. were tested and looked perfect to my eye.
TIP: Size 13 looks like regular "Official-Ish"! You can treat this as two fonts in one for art purposes.
This is a clone of Official-Ish