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a typeface inspired by the music of this artist, billboard lettering and brutalism
Could be inspired by db Mangold. Found this in my collection of unfinished fonts and considered to be something worth to publish. Maybe as a motivation to finish at least Basic Latin.
(Name is random typing on keyboard, as always. Seems like it has a meaning in Russian language. If requested, I can change the name…)
A mono code-scripting typeface, was intentionally to be a sequel to my unsuccessful FontStruct launch - Scholten Sans. Most of the characters were modified and reworked comparing to the original font in order to fit the compressed, mono look of some certain characters.
Grid base: 14x9 bricks, I thought that any shorter width would look terrible for already extremely condensed characters such as “W,w,M,m” and others like “A” since it’s a bold font.
Alternative style suggestions for characters are welcome.
A bold, sport and vintage style combination typeface, inspired by Tourney (by Tyler Flinck & ETC). This is an abandoned project so any more suggestions for changes will no longer be done.
The letters like “Q”, “R” (…and more) that has the tails out of the grid base and characters like “t”, “< >”, “{ }” (…and more) that isn’t a full brick width will have its character width fixed and/or adjusted as a feature, which includes kerning.
Unicase font. You can find alternates to "A" & "E" at the lowercase "a" & "e" (and their accents, of course), an additional design for the "Q" at the "q" and a "c" typing the "¢" sign. This font is directly inspired on Nickel created by the cool typographer David Jonathan Ross from DJR Foundry. Why? I don't know if this will happen to any of you, but me, when I stop to look at a font that I like, I find myself evaluating how the author has solved the usual "design problems". There are times when I agree with the chosen solutions (the most), but there are others when I think I would do it differently. This is the case. I wanted to modify a bit the general appearance of some glyphs of the font, especially characters like C, E, F, G, M, Q, R, S, X, Z and more, or the numbers and some secondary others. The differences were extensives and are more or less subtle in each of the complete set... And here you are the final result, I hope you like it. I've learned a lot during this experience, and FontStruct has been shown to be a very valid tool to work at this level. Thanks for read my little explanation and enjoy with this work, please.
Or Urr Ir has the wrong kind of weight. It is a bad, bold, and sans-serif typeface from the differential to 4213 Contacts.