Reload your brain, ask about everything. Our Future begins in... 3... 2... 1... NOW! NB: Better writing with uppercase. Three alternatives (B, F, T) to improve readability in certain cases are in the lowercase.
What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.
Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.
Upgrade your gray matter cuz one day it may matter.
WIP
See more:
https://fontstruct.com/fontstructions/show/675519/berate_the_elementary
https://fontstruct.com/fontstructions/show/1697288/silverhand
https://fontstruct.com/fontstructions/show/1706067/partiya-1
https://www.fontstruct.com/fontstructions/show/615451/galaxsea_darkmatter_normal_a
https://www.fontstruct.com/fontstructions/show/1399455/ff8-untalic
https://www.fontstruct.com/fontstructions/show/738825/structures_light_1
https://www.youworkforthem.com/font/T10888/space-oddity
Partiya - Part of you. WIP
See more:
https://fontstruct.com/fontstructions/show/1703651/sosna-1
https://fontstruct.com/fontstructions/show/1697714/gorbun-1
https://www.fontstruct.com/fontstructions/show/1676158/halo-23
https://fontstruct.com/fontstructions/show/1715675/goblin-19
Glyphs for indigenous language Kichwa
A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.
Eclipse of humanity.
This is a clone of TLoF Nature"A cell is merely 7 feet long and barely 5 feet wide." A poor translation of the famous lines of the Dutch poet Jan Campert. The same measurements hold for glyphs in Metafontstruct. Metafontstruct is not really a font, it is a concept. It is a fontstruct within fontstruct, one could say; or it is a new fontstruct, with even more constraints than the one we're all so font of. You can use it in your word processor to create the glyph you like on the spot. When you're finished you press the spacebar to create the next glyph. The keys QWER ASD ZXCV contain possibilities for the left side of the glyph, TYUIOP GHJKL BNM for the right side, and F;',./ for the middle. The capitals and numerals are just some examples of glyphs you can create. There's freedom within these boundaries, as we're all experiencing in these covidiotic times. If I may give another poor translation of a Dutch poem, by Jules Deelder, a famous poet from my home town who died last year: "Within the bounds the possibilities are just as unbounded as beyond." Not enough freedom for you, looking for another brick? Feel free to clone!
Made for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.
ASCII + Cyrillic.
This is finished as far as I see useful for this competition. Based on Spheretta 5.7 by arseniiv from 2011 which I cloned quite a while ago as the uneven spacing-positioning of the dots on the ring could be improved with new fontstructor's features. I sent him a message about my clone but assume he hasn' frequented FS for a while, so he doesn't know about how I developed his idea and won't see that I've used part of his design in my "future comp" submission.
Remember that time in the future, when those mean, hyper-aggressive, sarcastic aliens tried to take over the planet? Those guys were jerks. But I did like the font that they used to communicate with us measly humans. Alternate extraterrestrial realities are the future.
This is a clone