2902117082
Published: 3rd May, 2024
Last edited: 9th September, 2009
Created: 8th September, 2009 Hunstruct's taller cousin.This is a clone of Hunstruct
90411
Published: 3rd May, 2024
Last edited: 22nd February, 2012
Created: 8th February, 2012
With a modern feeling, this typeface would meet the need for something clean and simple.
71980
Published: 3rd May, 2024
Last edited: 10th October, 2013
Created: 10th October, 2013
A tall font similar to XPixel. Includes basic Latin characters but lacks accents. Feel free to clone this and add in extra glyphs.
1111733
Published: 3rd May, 2024
Last edited: 26th June, 2015
Created: 22nd July, 2014
The father of Furgatorio. Made for your upcoming Halloween Parties, and your future extra-sized gravestone.This is a clone of Furgatorio
3902913
Published: 5th April, 2008
Last edited: 15th April, 2008
Created: 5th April, 2008
Tall and legible letters. Contains basic/extended latin and cyrillic letters.
384702
Published: 9th April, 2008
Last edited: 18th September, 2009
Created: 9th April, 2008
A Reversed version of Negativistic. I tried a unicase version, but am afraid the lc doesn't really work. Ideas welcome.This is a clone of Negativistic Small
130851
Published: 30th April, 2008
Last edited: 30th April, 2008
Created: 30th April, 2008
Long Mark is a type inspired on straight edged marker writing, with a pinch of curve, still needs some attention...
2331481
Published: 9th May, 2008
Last edited: 13th May, 2008
Created: 9th May, 2008
Now with the full Basic Latin character set. And I'm working my way through the 'More Latin' set.
Any comments are welcome!
7451612
Published: 19th May, 2008
Last edited: 16th June, 2009
Created: 19th May, 2008
caps and small caps... work in progress. You can see a sample poster here.
2611611
Published: 14th July, 2008
Last edited: 18th July, 2008
Created: 14th July, 2008
sans serif version of sexta-feira. caps and small caps, work in progress.
2311110
Published: 29th August, 2008
Last edited: 12th September, 2008
Created: 28th August, 2008
Clone of SumB2B3 by Torpedo. Liked the tall and narrow font created by Torpedo. Every time I came back to the work I found myself going further and further from the original. My first attempt with FontStruct, but certainly won't be my last.This is a clone of SumB2B3
240260
Published: 3rd September, 2008
Last edited: 3rd September, 2008
Created: 2nd September, 2008
SABAS Serif Tall set in caps. Font is a serif font.
632199878
Published: 4th September, 2008
Last edited: 24th June, 2009
Created: 4th September, 2008
Good evening and welcome to the Steeplechase, Fonstruct's premier jazz club. Be-bop on over to the bar and order your favorite libation. The show is about to start.
110980
Published: 14th September, 2008
Last edited: 27th September, 2008
Created: 12th September, 2008
This is my first (Public) font. I choose a nice tall area to work with and started. Due to my schedule, this took about 5 days. Hope you like it!
1371988
Published: 16th September, 2008
Last edited: 3rd October, 2009
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
236720
Published: 27th September, 2008
Last edited: 11th November, 2008
Created: 23rd September, 2008
My first Fontstruction for Typography I at DMACC in Ankeny, Iowa. My initial concept was a thin, tall, Art Deco-ish font. The Wi'gls came about when I was stumped on the "M". I think the Wi'gl adds a unique visual theme to the font. Please provide feedback - both positive and negative. Thanks!
330261
Published: 30th September, 2008
Last edited: 3rd October, 2008
Created: 23rd September, 2008
This font is an attempt to create something that harks back to the 1950's and/or 1920's. I love the differing x heights, the mono weight, and the tall/skinny fromat.
150282
Published: 4th November, 2008
Last edited: 23rd June, 2009
Created: 4th November, 2008
Ok no real description but its tall. If you were wondering why theres only the numbers 007 as I had a moment of James Bond in me.
801940
Published: 7th November, 2008
Last edited: 11th November, 2008
Created: 7th November, 2008
Been wanting to make a pixel font, here it is. The name is Factoryville - y. (Factoryville is the town I grew up in.)
Going to be more sizes & weights, and multilingual.