See more:
https://fontstruct.com/fontstructions/show/1621174/pinnu
https://fontstruct.com/fontstructions/show/808707/analogly
https://fontstruct.com/fontstructions/show/1927675/worm-flat-2
This is a clone of RoubdedInspired by Dry Heat Medials and English cursive, named Atlantico because it's similar to Pacifico.
Capitals - Low connectors
Lowercase - High connectors
!"#$%&'()*+,-./0123456789: - Initials
;<=>?@[\]^_`{|}~¤¥¦§¨©ª«¬ - Low Finals
®¯°±²³´µ¶·¸¹º»¼½¾¿ÀÁÂÃÄÅÆÇ - High Finals
ÔÕÖ×ØÙÚÛÜÝÞßàáâãäåæçèéêëìí - Capitals
Low low space: [No-Break Space]
Low High space: ¡
High Low space: ¢
High High space: £
Low final z at the soft hyphen glyph ()
ÈÉÊËÌÍÎÏÐÑ - Numbers
ÒÓ - Period and Comma
Ô4LANTIC} ìÖ Ùæ
à!D? "Æ á!THA| ×/uGLA¦
This is a stylized version of Block Morse. Each letter has roughly the same outline, but several liberties are taken with the proportions and formatting. For example, filled 3x3 squares are indicated with a diagonal slash and "E"s are marked with an extra stroke.
This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.
Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .
When each column of 4 pixels is read from top to bottom, they form letters in Morse code.
This font is not meant to be used with ordinary letter case. Start each word with a capital letter. As you type, use a lowercase letter if the previous letter touches the bottom of the cursor, and an uppercase letter otherwise.
Example text: ACcOrDiNG To ALL KNOwn LAWS Of AVIatIoN , ThERe Is NO WAY A BEE SHoUld BE ABLE To FLY . ItS WIngs ARe ToO SMall To GET ItS FAT LItTle BOdY Off ThE GRoUnd .
See more:
https://fontstruct.com/fontstructions/show/2385180/vcr-multiline
https://fontstruct.com/fontstructions/show/1924523/hydrocycle
https://fontstruct.com/fontstructions/show/1509517/volga-1
https://fontstruct.com/fontstructions/show/1926014/squidward-4
https://fontstruct.com/fontstructions/show/2240805/shodan-5
https://fontstruct.com/fontstructions/show/1933790/two-souls
https://rentafont.com/fonts/dr-refunk
https://fontstruct.com/fontstructions/show/1904474/sanding
cloned from Christian Munk (Spitzchtruct)
this is a cursive "workshop" to be improved upon
it seems to me that there is not really much of a choice on fontstruct for cursive letters, most are connecting at the bottom which does not look natural in my opinion.
i thought i'd give it a try despite my being a beginner at this
Christian Munk had the right idea to make the connectors from the bottom on the right side of each letter and up to the middle of the left side of each letter above the baseline. it looks more natural that way.
however, some of the original creator's letters did not make sense to me, maybe it is a different language or a constructed language?
i liked some of the basic composited bits and pieces made by the originator
I moved most of Christian Munk's original created letters over to the empty punctuation spaces. the originals that i thought were okay i moved to the empty capital spaces. (there are no capitals in the original script). i'm not sure why some of the letters are strange looking, such as the letter D which looked like a capital V so i put it there instead.
then i recreated most of the lowercase letters using their bits and pieces
i think the only letters i kept the same were b, l, i, j & z
i may finish it later, the capitals need to be finished
but i thought i'd share what i got done ... it might be useful for ideas for an improved cursive script
This is a cloneThis typeface was created on the main theme of 'Protection' that i later explored in the idea of fences and how they can protect us from the outside world. I wanted my letters to connect with one another creating the illusion of a fence and potraying unity.
See more:
https://fontstruct.com/fontstructions/show/524596/candy_56
https://fontstruct.com/fontstructions/show/829881/fs_neon
https://fontstruct.com/fontstructions/show/1501556/dx-minima-rounded
https://fontstruct.com/fontstructions/show/1695748/all-together-now
https://fontstruct.com/fontstructions/show/445209/arancito_1
https://fontstruct.com/fontstructions/show/796901/fs_slate
ELEVATED (PRINT) - A 3D outline display typeface design with shadow effect.
It's inspired by the lettering from a sketch by great Dutch graphical designer "Jurriaan Schrofer".
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This is the long overdue shadow style variant which was requested by Goatmeal and elmoyenique. It has diagonal shading lines included (as was also presented in the original sketch by Jurriaan Schrofer)
This rework has one major difference compared to all previous versions, once more it was constructed with a different size to grid ratio, one that corrects the size distribution, enabling the recreation of the original sketch with high accuracy.
The stroke weight in this "PRINT" version more accuratly mimics the original sketch and therefor is not optimized for digital display use.
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The shadow effect is the default style for this font, this also includes all numerals, punctuation marks and other symbols that make up the full font, these occupy the uppercase. The outline style A-Z glyphs occupy the lowercase.
Enjoy!
This is a cloneA cloned and semi connected variation to to SCHOLTEMEIJER (CONTIUOUS)
This is a clone of STF_SCHOLTEMEIJER (CONTINUOUS)