1001541
Published: 17th July, 2008
Last edited: 28th July, 2008
Created: 17th July, 2008
The inherent contradiction of this hybrid font is that part of each character is firmly octagonal, while the remainder has been made with normal lines and curves. Actually, I just like the name.This is a clone of OctagonoMonoA
170260
Published: 20th August, 2008
Last edited: 22nd August, 2008
Created: 13th August, 2008
Little experimental fontstruction. Quarterback uses only half bricks and three quarter bricks (or straight corners if you like). I started with a four block x-height, which proved not enough for the B, E, Q, S and Y. So I cheated and went below the baseline, making titles look like a clothes line. There must be some use for this. Window dressing? Mosaic lettering? You tell me.
More on my blog: http://typerider.wordpress.com/
202265
Published: 21st August, 2008
Last edited: 22nd August, 2008
Created: 17th August, 2008
Experimental font, working with the inside space of the characters. More on my blog: http://typerider.wordpress.com/This is a clone
230521
Published: 4th March, 2009
Last edited: 13th March, 2009
Created: 29th August, 2008
Influenciado pelo grafite, criei essa fonte e chamei de experimental, pois não segue um padrão, como a maioria dos projetos de fontes tipográficas.
Gostaria de quem usar a fonte mandar imagens dos trabalhos onde a fonte foi usada.
2921035
Published: 19th January, 2009
Last edited: 16th June, 2010
Created: 15th January, 2009
Clone of NCD Amoeba.
Probably the most usable of the five Amoeba Family Fonts. I've already used it on three projects so far.
I wanted a true (ish) slanted A. So I balanced the rest of the NCD Amoeba font to fit. It's more of an extended version of NCD Amoeba.This is a clone of NCD Amoeba
225264
Published: 28th December, 2009
Last edited: 28th December, 2009
Created: 28th December, 2009
another experiment.
using a hexagon with rounded edges as the base of every glyph. i try to break the grid and achive new forms by using odd filter settings.
144982
Published: 16th January, 2010
Last edited: 16th January, 2010
Created: 15th January, 2010
This font is an experiment in anti-aliasing, or more, and attempt to make things that look like distortions actually enhance the font. Try looking at it pixel size, and large size. At large size, compare far away and close up. If you download it, it will have an even better effect if you have font smoothing enabled.
This is a very old unreleased experiment. It's not very good, but I still consider it a successful experiment.
90511
Published: 11th March, 2010
Last edited: 11th March, 2010
Created: 11th March, 2010
Use this display font with a heavy constructive flavour for typographic experiments. Block for block. This is a clone
3141297
Published: 1st April, 2010
Last edited: 19th September, 2010
Created: 1st April, 2010
My new experiment in making a pixel font using a larger grid of blocks (13x11 px).
I was aiming at a look that matches the retro feel of pixel fonts used in console games.
It's still in development, so expect to see some minor changes, as well as the addition of new glyphs. I'm also still trying to come up with better versions of the punctuation glyphs. Minuscule lowercase letters are also planned.
NOTES:
For use at sizes which are multiples of 12px (12, 24, 48 and so on). For Flash usage, use multiples of 4. Derivative fonts are allowed, just respect the license.
CHANGELOG:
*26 May 2010 - changed the long W letter to an inverted M letter for consistency of font length and width.
*14 August 2010 - added even more Basic Latin glyphs (only the lower case letters are still missing there), changed some symbols a bit, also added some More Latin typography, as well as partial Basic Cyrillic support. :)
P.S. I might add more glyphs to this font in the future. Comments and suggestions are greatly appreciated! :)
171315
Published: 3rd August, 2010
Last edited: 3rd August, 2010
Created: 3rd August, 2010
This is pretty much the same, but with the decorational endings(However they're called) removed.
It looks more technological this way.This is a clone of Jeffness
109264
Published: 4th August, 2010
Last edited: 4th August, 2010
Created: 4th August, 2010
This is a work in progress to produce a font capable of printing common katakana characters from Japanese. Because Katakana are usually romanized to two English letters, IE "ka","se","te" I made a "subtractive font". When one types the letter "k", the characters for "ka","ki","ku","ke", and "ko" appear. Then, when one types a vowel, a,e,i,o or u, a mask is applied that blocks out opposing vowel combinations. For the Katakana representing a i u e or o, just type the capital vowel.
132276
Published: 29th September, 2010
Last edited: 29th September, 2010
Created: 27th September, 2010
I wanted to create something that was somehow consistent but without any set rules on structure, aside from basic things like letter height. Kind of industrial/mechanical, but mostly random.
122983
Published: 7th January, 2011
Last edited: 19th October, 2010
Created: 9th October, 2010
Inspired by "Micro", created by Syniphas, which is mostly composed of characters measuring 1x2 tiles (using composites), I decided to go for 2x2 tiles (no composites).
This is the result.
Possibly still in need of extra work.
Was considering turning each character into composites, thus making the palette composed of the font itself, but that seemed a little pointless since it would still look the same in the end.
121991
Published: 3rd December, 2010
Last edited: 3rd December, 2010
Created: 3rd December, 2010
My first fontstruct, hurray!
A real quicky, imperfect and lacking in every concievable way. But it has a certain charm I think.
Tried to make a displaytype influenced by bitmap fonts, but without any stair-stepping. So it's more something amond the lines of De Stijl.
271997
Published: 12th February, 2011
Last edited: 28th February, 2011
Created: 11th February, 2011
Simple typeface modeled after the letterforms I cut out of paper, with suitably erratic sizing and tracking. Display; highly illegible.
220982
Published: 21st February, 2011
Last edited: 21st February, 2011
Created: 21st February, 2011
My take on a typeface based on the type on the cover of the first issue of the De Stijl magazine by Theo van Doesburg. I tried to utilize the clever tricks from the magazine, but of course it still has it's weak spots and could never be anything but a display typeface. Most glyphs are 8x8 blocks, simple as can be. One great thing about this font is that it never needs kerning. The tracking is set at 1.5 blocks, feel free to clone and change if you don't find it a suitable default.
272983
Published: 23rd February, 2011
Last edited: 23rd February, 2011
Created: 22nd February, 2011
De Stijl Mag with rounded corners.This is a clone of De Stijl Mag
153657
Published: 7th March, 2011
Last edited: 7th March, 2011
Created: 2nd March, 2011
A quick little experiment building an alphabet from exactly six bricks for each letter. Some letters are more difficult than others.
Obviously experimental, but I figured I'd go ahead and share it.
3312763
Published: 23rd May, 2011
Last edited: 15th April, 2014
Created: 20th May, 2011
A typeface inspired by arabic kashida, including latin and cyrillic character set. Glyphs are designed for fluent connection in text strings.
Features:
"·" (middle dot)- you may use it for filling spaces between glyphs;
"_" (low line) - ending with a small space;
"|" (bar) - initial triangle, improves appearance at the beginning of lines;