240260
Published: 3rd September, 2008
Last edited: 3rd September, 2008
Created: 2nd September, 2008
SABAS Serif Tall set in caps. Font is a serif font.
632199878
Published: 4th September, 2008
Last edited: 24th June, 2009
Created: 4th September, 2008
Good evening and welcome to the Steeplechase, Fonstruct's premier jazz club. Be-bop on over to the bar and order your favorite libation. The show is about to start.
1371988
Published: 16th September, 2008
Last edited: 3rd October, 2009
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
16119814
Published: 16th September, 2008
Last edited: 3rd November, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
222101618
Published: 16th September, 2008
Last edited: 16th December, 2008
Created: 14th September, 2008
The Chesterfield Royal Family was formed from my desire to add new weights to the original Chesterfield typeface. In the process of drawing these new weights, I began modifying some of the forms of the new glyphs away from the original Chesterfield glyphs in order to build a more flexible brick/grid structure for the development of various weights. The most noticeable difference between these three new faces and the original is the lowered x-height. That said, there are still some compromises between the different weights and because of that I've given them these royalty names instead of the normal practice of light, regular, and bold weight names. One of the biggest compromises occurs in the Prince weight, where I was unable to add the notch where bowls and shoulders meet stems (see King and Queen weights) without adding too much extra black weight to those parts of the glyph.
A work in progress for sure. Any help/thoughts/repulsions/bile appreciated.
1271420039
Published: 3rd October, 2009
Last edited: 3rd October, 2009
Created: 25th January, 2009
Cleaning out the queue. I can't believe this one has been sitting in here for *gulp* eight months! I figure if I don't kick it out now, then it will sit here sequestered for another eight.
The title is inspired by my struggles to space this one properly.
A work in progress. Taking any and all feedback - especially for spacing.
Works best at specific sizes. Enjoy.This is a clone
120990
Published: 15th November, 2009
Last edited: 15th November, 2009
Created: 15th November, 2009
Very long ascenders with rounded terminals. Perfect for headers.
70530
Published: 1st February, 2010
Last edited: 1st February, 2010
Created: 1st February, 2010
Basically the opposite of "Lie Low" but has less punctuation.
3331525559
Published: 6th October, 2010
Last edited: 17th October, 2010
Created: 5th October, 2010
Loosely based on the custom lettering I did for my DINOSAUR logo (http://www.thedinosaur.ca).
I wanted to make an old-school compressed gothic that didn't look like it was made in fontstruct.
Could be good for movie poster credits.
2592417549
Published: 16th October, 2010
Last edited: 27th October, 2010
Created: 3rd October, 2010
a 2x2 brick size font./////////////////
I had fun playing around with this font, espacialy small details which are hardly noticeable: diatrics, odd lenght angles, compromise the design itself of a glyph with kerning and aspect ration with the rest of the alphabet. well fell free to spot me anything non-harmonized.
//////////////////////////////////////
2x2 brick size VS 67.5° angles... I create bricks which can overlape the regular one on half of it... so it offer the possibilities to make odd size angle glyphs like v y, etc. Dont' know if somebody else did it before there is so many fonts now in FS, so it's hard top follow everything.This is a clone
1001551
Published: 29th November, 2010
Last edited: 29th November, 2010
Created: 29th November, 2010
Clone of Condensed Milk Can. Even more simplified with added rows.This is a clone of Condensed Milk Experiment
1101550
Published: 29th November, 2010
Last edited: 29th November, 2010
Created: 29th November, 2010
Clone of Condensed Milk Can, but just striped.This is a clone of Condensed Milk Can
150991
Published: 13th February, 2011
Last edited: 28th February, 2011
Created: 13th February, 2011
Randstand with fewer curves, particularly in intersections (main changes are in the capitals).This is a clone of Randstand
130991
Published: 23rd February, 2011
Last edited: 28th February, 2011
Created: 23rd February, 2011
Randstand Practical with slab serifs.This is a clone of Randstand Practical
110521
Published: 2nd October, 2012
Last edited: 1st October, 2012
Created: 27th September, 2012
A font made for a music company's logo. They rejected my concept so I thought I'd make this available for everyone else to use.
1101990
Published: 27th December, 2012
Last edited: 8th October, 2013
Created: 26th December, 2012
The Net Gain video game font!
www.levelzerogames.com
60481
Published: 18th February, 2014
Last edited: 18th February, 2014
Created: 11th February, 2014
This fonts main idea was having tall letters with serifs and an ongoing design on the letters stem.
250431
Published: 18th February, 2014
Last edited: 4th March, 2014
Created: 11th February, 2014
The design was inspired by the Art Deco era typefaces and architecture. While constructed with simple shapes, it is strong, bold, stylistic, and commands attention. Created in Des Moines, this is Des Deco.
50590
Published: 23rd May, 2014
Last edited: 23rd May, 2014
Created: 23rd May, 2014
eady to cut out , good for stencil yet elegant, most recommended for headlines
180992
Published: 5th March, 2015
Last edited: 14th November, 2016
Created: 26th February, 2015
A sharp modern styled font. It is sort of a Blackletter typeface.
2014998
Published: 3rd April, 2015
Last edited: 1st April, 2016
Created: 8th March, 2015
This is my take on a modern version of a medieval black letter kind of typeface.This is a clone of TERRONEZ
91992
Published: 5th April, 2015
Last edited: 13th November, 2015
Created: 3rd April, 2015
A light typeface with rounded, square letterforms complimented by sharper, angular counterparts. Use of serifs as well as having a variety of letter shape increase readability creating a very versatile font.