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STF_VINDALOO (Regular Condensed) - Style variation in the 'VINDALOO' font family
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Cheers
This is a clone of STF_VINDALOO (Regular)Another variant on Derpberd, this time with the alphabets condensed to a 3x5 grid while maintaining the constant height. This is made to allow a great density of text in a small space while still being readable and somewhat stylish. Useful for webcomic authors, pixel artists, etc.
This is a clone of DerpberdIrix was inspired by a font I lost track of, so I wound-up doing something else.
Copyright Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) 2019. This quirky, wacky font is released as CC0 Freeware. Donations are super appreciated (but not required to use this font). Credit for my original work IS also greatly appreciated.
Style: Rounded.
Classified: Condensed.
Type: Sans-Serif.
Weight: Bold.
Web font: Yes.
Commercial use: Yes!
Derivatives: Yes.
Redistribution: You betcha.
P.S.:
Font-Journal:
https://www.Font-Journal.com
My best web hosting solution:
https://HDWebHosting.com
Blog:
https://Worthful.com
PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner
THIS FONT IS KERNED.
THIS CONTAINS THE LATIN AND GREEK ALPHABETS.
CHANGELOG
• 2018:02:08 — FIRST RELEASE WITH ONE HUNDRED AND FORTY-EIGHT CHARACTERS.
This is a clone of ASTRO-DYNAMICS-ULTRA-COMPRESSEDTHIS FONT IS KERNED.
THIS CONTAINS THE LATIN AND GREEK ALPHABETS.
CHANGELOG
• 2018:02:06 — FIRST RELEASE WITH ONE HUNDRED AND FORTY-EIGHT CHARACTERS.
This is a clone of ASTRO-DYNAMICS-ULTRA-COMPRESSEDTHIS FONT IS KERNED.
THIS CONTAINS THE LATIN AND GREEK ALPHABETS.
SEE THIS FONT ON MY WEBSITE AT http://www.parallax.net.nz
CHANGELOG:
• 2018:02:06 — FIRST RELEASE WITH ONE HUNDRED AND FORTY-EIGHT CHARACTERS.
STF_VINDALOO (Extra Bold Condensed) - An extra bold and condensed Art-Deco display sans
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This initially had already been a published work from my early days of Fontstructing and the original had a lot that was less than desirable. For a start, the obvious rookie mistakes, that were due to the lack of typographic education as well as insufficiant knowledge about the overall Fontstruct-Editor Expert-mode features.
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Now several years later, fully acustomed to the physiology of Fontstructing (composite bricks, filters, behaviour) but above all, to be able to visualize ahead and to conceive imaginary conceptual thinking for new ideas or solutions within the FS-Editor limitations. And in return to bounce back from these restrains and make them work in my favour.
So now I feel like I have to give some of my older Fontstructions a serious reassessment, and perhaps do some revisions here and there.
There are numerous hidden gems and potentials within these works, for which back in the day I remained unable to accomplish to their full glory and complete satisfactorily successful end result and design objectives.
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To get back at this particular font:
There was some unsolidified hidden beauty in certain forms that had yet to 'truly' be revealing itself. I completely overhauled a clone but basically ended up with more of a new font instead.
And I really like it
B-)
This is a clone