A while ago I designed the Circe family; it is quite elegant and fine. This new version, based on Circe1, has thicker lines without being bold. This meant changing a few letter shapes and lines. While it can be used with the others I would discourage mixing the normal weight versions with this one due to the structural changes to many letters.
This is a cloneInspired by a lace edged table cloth. Good for a word of greeting on a card for Easter (or Ostara, but you're a day late ;) so you best grab it for next year... ) It would be great to use on cards, labels, book bindings, for someone doing needlework, crochet, knitting, tatting, macramé, sewing, stencil work and similar paper or thread based crafts.
This is a clone of Kerbe2For my weaving website I wanted a novel font. So here is FRIVOLITE, the shape is based on the beautifully shaped shuttle used for hand weaving. Indeed the O and 0 and @ show perfectly the shuttle shape. The other glyphs were made to fit (as far as reasonable) into this specific shape. I know that frivolité is knotting rather than weaving, but this shuttle shape can be found in weaving, too. An alternate N and Z is on 'extended Latin B'.
Decorative font in 'basic' and 'more' Latin. It's crisp and spacious, allowing easy reading at smaller point sizes from 10 upwards. I have not checked how large it can get before the building bricks become disturbing in the flow of the edges. It can be used in conjuction with my "Ritual Minutes" which has no descenders on the UC and LC. Not sure if this is more of an 'Art Nouveau' design or points more towards a generalised 'Victorian-ish'. It doesn't really matter, someone will find the perfect text to show its visual qualities ;) NOTE: the space is reduced to something like 1/2 letter width. To get a 'good' space between words you need to hit the space key twice. Do you think this is acceptable? Or should I increase the space?
For the goddess Circe ... Elegant, feminine, joyful, rounded, with a positive swing to it. Working with shapes and 'frames' I made this for the "mix-and-match" set of decorative fonts called CIRCE. The caps can be used as a "majuscle" but might overload visually if used exclusively in a text? The LC are quite legible in smaller sizes. This font is part of a 5-font style set
Inspired by a Blackletter font in which I saw Art Deco qualities. The name comes from Norse/Viking mythology. It's great for headlines/titles and works nicely as majuscles for slab sans serif fonts.
No DL for this particular design but the initial font design will be tidied (has Latin & MoreLatin only) and made available before the end of next week.
This had the look of the original reverse-comp entry. Then the save ignored me, as you can see. Another of my basic fonts died in silence.
Covering the Unicode "Runic" letter set (from U+16a0 to U+16f0), except for the subsets "Tolkienian extensions" and "Cryptogrammic letters". Including Scandinavian runic numerals (number keys, U+0030 to U+0039). Additional runic punctuation marks, alternative glyphs, and private-use characters have been ascribed to free slots in "Latin Extended-D" (U+a7d0 to U+a7de), such as the magical ligature rune Alu or frequent (or, frankly, more aesthetic) alloglyphs for e.g. Kauna, Jeran, Sigel, Ehwaz, Mannaz, Ingwaz, Dagaz/Dæg, Stan, and others. +++ This font has been designed to meet the highest standards of runic aesthetics, glyph regularity and harmony, as well as scientific usefulness. As a specific advantage over other available non-FontStruct runic fonts, this font will always be equal in height to letters of other popular fonts at the same point size (Times New Roman, Linux Libertine), so as not to cause trouble with line height e.g. when writing a scientific paper.
This is a cloneAn "almost sans serif" text font with an alternate g on the § because I couldn't decide which g was nicer. I have made all Latin sets. This replaces one of my computer's sans-serif fonts.
The Santa in the sample is one of the christmas-sy fonts I made.