An experiment based on: "What if an 8 color wheel was a letter O?" A work in progress just to bring up the potential of the new update. These colors are just rainbow colors and were not inspired from LGBT flag.
What better way to celebrate our bright future than pushing a whole creative medium forward? Introducing Brick Patching – a combinatoric approach to constructing hyper-tunable curved and angular modular forms.
Stay tuned to this space; *eventually I will describe this highly useful hack and fully document the technique.
Upgrade your gray matter cuz one day it may matter.
Made for FontStruct's Future Competition. This display typeface was designed with a little influence from stencil, this font has rounded corners intermixed with angular corners, and gaps in unusual places. It also uses the “two-storey” lowercase g, which was a challenge to fit cohesively within the restrictions I gave myself.
ASCII + Cyrillic.
A FutureComp entry. Emphasis on the balance between future/past with a theme of: "There is no future without a past". Counter-clockwise (inner arrow) direction is for the past while the clockwise (outside arrow) direction is for the future.
The look of this font was inspired by the pin (https://www.pinterest.nz/pin/713820609674479341/) from Pinterest. Also, I got some inspiration from Scandinavian runes.
This font could be used in various ways. Try inputting these lines to see what I mean:
|E|X|A|M|P|L|E
e|x|a|m|p|l|e
ExAmPlE
eXaMpLe
A|N|O|T|H|E|R
e|x|a|m|p|l|e
|a|n|o|t|h|e|r
E|X|A|M|P|L|E
E|x|A|m|P|l|E
AnD_tHiS_iS_An eXaMpLe oF_A_TeXt iN_ThE_FoRm tHaT_It wAs oRiGiNaLlY_InTeNdEd tO_Be.
This is a cloneI based this tyepface on the theme of 'Systematic'. Each letter was constructed based on a certain set of rules and was later altered. It is named after my previous attempt to create this font that was too big to save on fontstruct.
Argh, this was horrible to make .. well, getting it slightly balanced was a nightmare. The missing segments of the glyphs constantly caused my brain to correct what I was looking at by means of general logic and my knowledge about the way in which letter spacing usually works. This effect was worst with the letters T, U, Y. And I am convinced that it still contains the necessary disproportionate irregularities with regard to the metrics. I tried kerning it as best as I could. It has only uppercase letters, no numerals and very limited punctuations. I am not sure if I will ever complete this.
enjoy!
This is a cloneInspired be the "a" in "MOS 2018" by Pabloariel2004, and how it seems to be made of itself in Morse Code: ".-" .
Only one other font seems to have its letters formed by their corresponding Morse Code, which is "Learn morse code" by Christian Munk (CMunk).
Letters like E,I,N and W are visibly affected by the constraint, but still look sorta cool I guess
EDIT August 30, 2018: The I looks better now.