Offstruct RGB is a pixel colour font made using Adobe Illustrator and Fontstruct's new layers feature. It is inspired by the additive colour model in which Red, Green, and Blue light are mixed together. More samples here: Behance
This is a clone of offstructRemember that time in the future, when there was a deadly global virus, then they tried to force everyone to take a mandatory untested vaccine, along with an implanted GPS chip that is cryptocurrency controlled and could track you worldwide, along with embedding additional restritions on civil liberties and personal freedom? Oh wait, thats now. Silly humans.
Future technology, like nanoimplants, will be magically rendered invisible with the use of nanotechnology utilizing atomic sized processors enabled through ferro electrics in conjunction with nanowires and carbon nanotubes operating from a ternary extradimensional mathematical framework. Or something like that.
Ironically, this font works best in macro sizes, not micro or nano.
This is a cloneThis is a tribute reworking of an experimental design of Rod Cavazos of PsyOps Type foundry. His Spanner font design from 1995 has always been a favorite of mine with its unexpected curves and serifs, making it similar to a Picasso portrait with letters. This fonstructivized version was a test to see if it would be possible to make an accurate reproduction. The answer was 'sort of.'
~Type an uppercase letter and type the corresponding (or some other) lowercase letter to fill in the shape.
You can use the uppercase letters to form one word and type the lowercase fill letters to form the same or another word, or fill with a blanking glyph to complete the letter with no center letter. So, two types of letters are possible with this one font.
The letters had to be designed such that the uppercase could read as a letter without a center fill on it's own, or filled with blank glyph, or with a center letter. In doing so, the font turned auto-stencil and auto-monospaced. Also, since the unfilled uppercase read as the correct letter with the hole in it, this fs can be said to have three fonts in it.
The gaps are 1/8 brick; the thickness of the inner letter strokes is 2/8 brick. Therefore, this limitation meant that the glyphs with a stroke in the horizontal center can either be lined up with the left side blocks or the right side one. Therefore, 3/8 brick thickness I and T are provided on { and }.
Letter couples are as follows: Aa Bb Cc Dd Ee Ff Gg Hh Ii or I{ Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt or T} Uu Vv Ww Xx Yy Zz
Number couples are: !1 @2 #3 $4 %5 ^6 &7 *8 (9 )0
Blanks: ~, space
Center blank: `
Pipe: = (which will offset the monospacing)
Others; ? is at ?/ ! is at |\
Punctuations are where they are supposed to be: . , ; : ' " ’ ” ‘ “ -
Sample: Type the following in User Input to see the font as it is supposed to be: A`AaB`BbC`CcD`DdE`EeF`FfG`GgH`HhI`IiI{J`JjK`KkL`LlM`MmN`NnO`OoP`PpQ`QqR`RrS`SsT`TtT}U`UuV`VvW`WwX`XxY`YyZ`Zz!`!1@`@2#`#3$`$4%`%5^`^6&`&7*`*8(`(9)`)0?`?/|`|\)-)+~_<>=
6 bricks tall.
The sample is a font pun: TWO in ONE.
PS: Not sure how future it is.
See more:
https://fontstruct.com/fontstructions/show/1111886/fs_squangular_square
https://www.fontstruct.com/fontstructions/show/1441909/tm-build
https://www.fontstruct.com/fontstructions/show/217981/medical_station_alpha
https://www.fontstruct.com/fontstructions/show/1262563/lattis-1
See more:
https://www.fontstruct.com/fontstructions/show/1677460/garry-3
https://www.fontstruct.com/fontstructions/show/1633313/detour-3
https://www.fontstruct.com/fontstructions/show/1742956/transom-hoog-1
https://fontstruct.com/fontstructions/show/853542/at_liena
ultra grooves. these letters connect to each-other. you can use the '-' to connect letters from the top, and '_' to connect letters from the bottom. not all letters will connect, so try experimenting with the upper/lower cases to see which alts will connect to each other. i did my best to come up with as many combinations as possible, but if i missed any that you think could work, please let me know.
See more:
https://fontstruct.com/fontstructions/show/2231576/circ-14
https://www.fontstruct.com/fontstructions/show/1721148/lr-syche
https://www.fontstruct.com/fontstructions/show/851715/dolphin_sans_3
https://www.fontstruct.com/fontstructions/show/787470/fs_semi_circle
Custom bold, beveled and fixed width font for the homemade handheld console MAD×DOG by INSANUS
https://twitter.com/LupusInsanus/status/1145113251027542017
This font started offline. It wasn't even supposed to be a font. I was just showing some students the value of a grid, even as tiny as 5×5 and the thousands of possibilities it generates. It led to making an 'a'. Of course, once that exercise was over, I had to continue making other letters. It's a compulsion. Sorry. The offline idea was slightly different. Compromises had to be made due to the limitation in place by the bricks available.
First version, lowercase is a mixture of uppercase and what-not, all limitations considered.
Rossiya Origin Font Family © Vienna Binders. All rights reserved.
The FontStructions that are created and/or made available on this Site are the copyrighted work, of the respective creator.
Make the letters any width desired.
Type the uppercase letter for the left half of the letter, type an extender (or not), then type the same lowercase letter for the right half of the letter. The more extenders are inserted between the left and the right halves, the wider the letter becomes.
I and T are the exceptions where the extenders are typed before and after the left and right halves and not inbetween.
The other exceptions are M and W which have been split into 3 and extenders are added between the left, middle and right thirds.
? is split between ? and /
Extenders are located at @ # $ % ^ & * ( ) and _
How to extend:
A@@a, B##b, C$$c, D$$d, E##e, F%%f, G$$g, H^^h, &&Ii&&, J**j or J**$$j, K^^k, L**l, M(({((m, N((n, O$$o, P@@p, Q$$q, R%%r, S##s, (((Tt))), U**u, V**v, W**}**w, X^^x, Y^^y, Z__z, ?@@/
Outline part of KD Hachure for layering.
This is a clone of KD HachureTen years ago, a StumbleUpon Fontstruct on April 8, 2008 has been one of the highlights of my life. Few things have provided so much joy and fewer things have kept my interest for so long. Type design has always been a fascination for me and the simplicity of the UI/UX of fontstruct has allowed me to explore all that I can imagine without getting in the way while letting me do as I please for the most part. In times of creativity, fontstruct was there to let it flow, and in times of personal lows, fontstruct was there to allow me to ignore that which was beyond my control. Furthermore, the overall civility and helpful nature of the fontstruct community is still one of the best on the internet. I have been using the fontstruct website almost daily for 10 years now and rarely do I not see something new that is amazing and awe inspiring. The creativity of the designers past and present is incredible.
I wish to thank FontShop for sponsoring fontstruct for so long allowing it to grow. Most importantly, I wish to thank Mr. Meek for creating and constantly enhancing this incredible gift of creativity and a calming haven for over-active minds.
Thank you.
Thank you for this incredible gift that is fontstruct, Rob. Always a joy.
Congratulation on achieving the first ten years today (April 1, 2018).
Best wishes, as ever.
This is a clone of tm Fest