It`s saving unregular and futuristic look of original font with contract forms.
See more:
https://fontstruct.com/fontstructions/show/1727744/tokyo-rumble
This is a clone of Neo-KonstructivizmVersion of Broadband with tighter (narrower) gaps.
This is a clone of Broadband UltrawideТакой агрессивный футуристический стиль стал считаться геймерским. И теперь представьте, что он ещё и светится!
Such an aggressive futuristic style has become considered gaming style. And now imagine that it also glows!
Perhaps this is the limit of my capabilities.
See more:
https://fontstruct.com/fontstructions/show/155561/fs_penmanship
https://fontstruct.com/fontstructions/show/1501135/lazzaro-1
https://fontstruct.com/fontstructions/show/1598518/cryostasis-vempire
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/1735833/logic-16
https://fontstruct.com/fontstructions/show/408191/telamon
https://fontstruct.com/fontstructions/show/477501/largo
https://www.fontstruct.com/fontstructions/show/1334057/bb-corners
See more:
https://fontstruct.com/fontstructions/show/264790/paper_clips
https://fontstruct.com/fontstructions/show/754781/anthologic
https://fontstruct.com/fontstructions/show/332122/sentinel_3
https://fontstruct.com/fontstructions/show/1747945/stepforward-1
https://fontstruct.com/fontstructions/show/795996/chibby
https://fontstruct.com/fontstructions/show/1687576/caramba-1
https://fontstruct.com/fontstructions/show/1404093/blopp-1
https://www.fontstruct.com/fontstructions/show/666067/quinquepuncta
https://fontstruct.com/fontstructions/show/92583/frieda
The font is from primitives, while it is more complicated than it seems. The forms are inspired, among other things, by the graphics of Yves Saint Laurent patterns and sharp shapes (resembling a beak), and the name refers to a bird - magpie - which we consider to be a symbol of greed and greed for shiny jewelry (this is typical of these birds, probably a reflex for searching for prey) .
Шрифт из примитивов, при этом он сложнее, чем кажется. Формы вдохновлены в том числе графикой паттернов Ив Сен Лоран и острых форм(напоминающих клюв), а название отсылает к птице - сороке - которая у нас считается символом жадности и падкости на блестящие украшения (это свойственно этим птицам, вероятно, рефлекс для поисков добычи).
https://fontstruct.com/fontstructions/show/1346731/laser-train-pro
https://fontstruct.com/fontstructions/show/1718422/cheburashka-1
https://fontstruct.com/fontstructions/show/1563492/chokakusankaku
Remember that time in the future, when there was a deadly global virus, then they tried to force everyone to take a mandatory untested vaccine, along with an implanted GPS chip that is cryptocurrency controlled and could track you worldwide, along with embedding additional restritions on civil liberties and personal freedom? Oh wait, thats now. Silly humans.
Future technology, like nanoimplants, will be magically rendered invisible with the use of nanotechnology utilizing atomic sized processors enabled through ferro electrics in conjunction with nanowires and carbon nanotubes operating from a ternary extradimensional mathematical framework. Or something like that.
Ironically, this font works best in macro sizes, not micro or nano.
This is a cloneRemember that time in the future, when those mean, hyper-aggressive, sarcastic aliens tried to take over the planet? Those guys were jerks. But I did like the font that they used to communicate with us measly humans. Alternate extraterrestrial realities are the future.
This is a cloneRemember that time in the future now where we would blame immigrants for taking our jobs, and nobody talked about how robots can now execute many repetitive industrial manufacturing tasks, do gymnastics, disarm bombs, while working 24/7 without breaks, health insurance or labor unions, and how cars/drones could drive themselves with artificial intelligence that improves daily? That was the good ol' day. Now robots can perform surgical procedures. That video of a robot carefully removing the skin off of a grape was awesome. 4 out of 5 medical robots prefer the G1 Prone font for their personal visual linguistic representation due to its surgical precision and linear execution. The future of TeleRobotic medicine, or any laborious human endeavor, will be in the hands of our cold, unfeeling robot overlords. =)
This is a cloneThis is a tribute reworking of an experimental design of Rod Cavazos of PsyOps Type foundry. His Spanner font design from 1995 has always been a favorite of mine with its unexpected curves and serifs, making it similar to a Picasso portrait with letters. This fonstructivized version was a test to see if it would be possible to make an accurate reproduction. The answer was 'sort of.'
Spacero. It is a fontstructed remake of the Linotype Spacera font with an augmented lowercase set and hexagonal serifs all around. Just looked at the creation date, and saw that this has been just sitting around for over a decade. Where did the time go?
Quarantine 2020 allowed for this fontstruction to be born as it provided forced free time.
I'm sure it's true for everyone who designs fonts, there were lots of artistic decisions made in the creation process. Some letters went through a lot of iterations to arrive at their current state. Almost the entire uppercase were designed one way, scrapped and then redesigned this way.
The future is screen. Super high-resolution screen. Resolution so high that it is indistinguishible from printed text. 4K screens are available on mobile devices now. The future is resolution independent then.
What would futuristic type design be without ridiculously wide letters?
Also looks great at narrower widths down to 50%.
(2nd entry to #FutureComp)
This is a clone~Type an uppercase letter and type the corresponding (or some other) lowercase letter to fill in the shape.
You can use the uppercase letters to form one word and type the lowercase fill letters to form the same or another word, or fill with a blanking glyph to complete the letter with no center letter. So, two types of letters are possible with this one font.
The letters had to be designed such that the uppercase could read as a letter without a center fill on it's own, or filled with blank glyph, or with a center letter. In doing so, the font turned auto-stencil and auto-monospaced. Also, since the unfilled uppercase read as the correct letter with the hole in it, this fs can be said to have three fonts in it.
The gaps are 1/8 brick; the thickness of the inner letter strokes is 2/8 brick. Therefore, this limitation meant that the glyphs with a stroke in the horizontal center can either be lined up with the left side blocks or the right side one. Therefore, 3/8 brick thickness I and T are provided on { and }.
Letter couples are as follows: Aa Bb Cc Dd Ee Ff Gg Hh Ii or I{ Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt or T} Uu Vv Ww Xx Yy Zz
Number couples are: !1 @2 #3 $4 %5 ^6 &7 *8 (9 )0
Blanks: ~, space
Center blank: `
Pipe: = (which will offset the monospacing)
Others; ? is at ?/ ! is at |\
Punctuations are where they are supposed to be: . , ; : ' " ’ ” ‘ “ -
Sample: Type the following in User Input to see the font as it is supposed to be: A`AaB`BbC`CcD`DdE`EeF`FfG`GgH`HhI`IiI{J`JjK`KkL`LlM`MmN`NnO`OoP`PpQ`QqR`RrS`SsT`TtT}U`UuV`VvW`WwX`XxY`YyZ`Zz!`!1@`@2#`#3$`$4%`%5^`^6&`&7*`*8(`(9)`)0?`?/|`|\)-)+~_<>=
6 bricks tall.
The sample is a font pun: TWO in ONE.
PS: Not sure how future it is.
This is finished as far as I see useful for this competition. Based on Spheretta 5.7 by arseniiv from 2011 which I cloned quite a while ago as the uneven spacing-positioning of the dots on the ring could be improved with new fontstructor's features. I sent him a message about my clone but assume he hasn' frequented FS for a while, so he doesn't know about how I developed his idea and won't see that I've used part of his design in my "future comp" submission.
Eclipse of humanity.
This is a clone of TLoF Nature