11679724
Published: 12th July, 2009
Last edited: 11th February, 2012
Created: 17th May, 2009
This is a Fontstruct adaptation of an earlier work. The main point was to construct a font using exclusively one shape: the triangle. It was like creating a pixel font for a screen with triangular pixels. Of course, the original has equilateral triangles, and looks slightly different. It is also in the same vein as Legolas Codex. This is a clone of Legolas Stencil
239174337
Published: 22nd July, 2009
Last edited: 23rd July, 2009
Created: 25th June, 2009
This is a Sessions flavored remix of Saberrider's wonderful Poff font.This is a clone of poff
1881012
Published: 16th September, 2009
Last edited: 17th September, 2009
Created: 13th September, 2009
Inspired by the lettering from a skylight filter on my old praktica film camera. Hope you like it!
252814
Published: 29th September, 2009
Last edited: 4th October, 2009
Created: 29th September, 2009
No matter how played out big, heavy, chunky, blocky types are, I still love them.
Heavily inspired by (or maybe more like an extension of) MinusBabys CD cover type designs.
*Still a work in progress*
-Fernando Javier Martínez
141264
Published: 30th September, 2009
Last edited: 30th September, 2009
Created: 30th September, 2009
Just CAPS at the moment....This is a clone of Calculate
1274146257
Published: 26th October, 2009
Last edited: 2nd October, 2009
Created: 1st October, 2009
The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer.
Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design.
Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.
“Schrofer made several attempts to create complete typefaces - one of which was wittily calledSans serious- but this was never his goal. ‘Is it necessary’, he wrote, ‘to make complete alphabets with upper- and lowercase, figures, diacritics and seriously adorned with a name, when the aim is merely a formal investigation into basic recipes’ Schrofer's domain was never the design of typographic alphabets, to be used by other designers, but always the creation of letterforms ‘made to measure’ as part of his own designs of - mainly - book covers and postage stamps. He created a rectangular alphabet as the basic element of his ever-changing covers - each based of the same grid but colored differently - for a series of scientific books, ‘Les textes sociologiques’ from Mouton Publishers. He made sophisticated pixel-based letters, all drawn by hand, and experimented with photographic screens as a means of distinguishing simplified letterforms from the background. He created logotypes built from custom-made letterforms, based on rectangular grids.”
“In his booklet ‘Letters op maat’ (‘Type made to measure’, 1987), Schrofer presented many of his experimental alphabets from the 1960s and '70s. The booklet was part of a series of goodwill publications edited by Wim Crouwel for Lecturis Printers, Eindhoven.”
65776221
Published: 26th October, 2009
Last edited: 4th November, 2009
Created: 1st October, 2009
For a full description see Sans Serious IThis is a clone
59476218
Published: 28th October, 2009
Last edited: 27th October, 2009
Created: 27th October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious I
101434
Published: 30th October, 2009
Last edited: 30th October, 2009
Created: 30th October, 2009
Checkout evolved and with ascii countersThis is a clone of Checkout
3251628
Published: 30th October, 2009
Last edited: 2nd October, 2009
Created: 2nd October, 2009
For a full description see Sans Serious IThis is a clone of Sans Serious III
347513
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 1st November, 2009
Yet another version that came while modifying AUGHT One to AUGHT To. And believe it or not, in the process of doing these three fonts, enough additional glyphs were created and deleted to fill at least two more variants. This is why the Clone is enabled again so someone else might experiment some more, if they so choose.This is a clone
423621
Published: 4th November, 2009
Last edited: 4th November, 2009
Created: 14th October, 2009
Although build from scratch, AUGHT should really appear as a clone of ought because the idea is the same, just a different execution. Some glyphs came together fairly easy (A B C etc.), others took some doing (T Y S), some just don't work out well (G P Q Z), and some worked too well (I J).
184415235
Published: 16th November, 2009
Last edited: 14th November, 2009
Created: 17th September, 2009
A play on brickstacking, 'Brutal' is an experiment in creating a one brick fontstruction for multilayered screen printing. To use this font, you simply need to layer the uppercase alphabet on top of (or underneath) the lowercase alphabet (see below for a sample).
Obviously, it doesn't look like much in the Fontstruct preview.
The inspiration for this typeface came about when I was putting together this Flickr gallery of modular multi-colored lettering.
The first 25 downloads are all mine. It was a hard one to test.
18718211
Published: 6th December, 2009
Last edited: 19th May, 2011
Created: 5th December, 2009
Heavy modular font for logo and t-shirt design. This is a remake of my older work with few modifications.
Note the preview does not provide faithful rendering of the details at small magnifications.
1501012
Published: 10th January, 2010
Last edited: 31st May, 2017
Created: 16th November, 2009
This is based on a type design seen on some of the new signage for Space Mountain at Walt Disney World, which re-opened in November 2009 after a seven-month renovation.This is a clone
842680
Published: 1st February, 2010
Last edited: 11th February, 2010
Created: 27th December, 2009
Fuente inspirada en los ornamentos gráficos de la cultura azteca/Inspired by azteca graphic ornaments of prehispanic mexican culture.
177167550
Published: 17th February, 2010
Last edited: 19th February, 2010
Created: 16th February, 2010
Prog is a condensed, geometric, modular display typeface with a contemporary sci-fi aesthetic. The design draws from a multitude of influences. Specifically I was inspired by: mathematics, Japanese space-rock, the movie MOON (directed by David Bowie's kid), and the Funk King's wonderful molecular work here on FontStruct.
The principle building block for the design is an obtuse angle segment that's cloned, reflected, and rotated to create an entire letter. Mapping the technique to the whole typeface was a challenge and there are some compromises (see D and U). As is frequently the case with these strict modular exercises the T is the stand out ugly duckling.This is a clone