This is Nokia Sans Small Condensed, you might have seen it on your old Nokia phones running with Series 30 or 40 operating systems. Redesigned by ChildishRifty7.
Thanks to ">gtrx<, my E52 good" and Romphonix Club for gathering the font resources of Series 40 3rd Version.
Made under 2 hours at first release.
Changelog:
Nov. 22, 2022 - First Release
Dec. 3, 2022 - Added Indian Rupee letter.
Dec. 25, 2022 - Adjustment and fixes.
Linestrider's two-lined little brother.
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Probably won't update this one again, because it uses a lot of brickswapping and so it is likely to get corrupted by additional editing/saving.
This is a clone of LinestriderA "Connect bricks" font.
It's called linestrider because the outline strides across the inline on both sides. It also reminds me of the courses that are drawn for line-following robots.
The person I made this for requested lowercase. I'll add it as I can.
Semiserif semispur minimalism.
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This design uses a few novel glyph-shapes and techniques to achieve its look. Most notable of these is the serifed a which lets the serif protrude to the right. I avoid this feature in almost all designs, especially pixel fonts, because it adds an unnecessary 1px of spacing - but for this font, the feature can be included without changing anything for the worse. Many other glyphs have this same sort of protruding serif/spur, and the slanted geometry of the serifs/spurs affords them a look that "retreats" from neighboring glyphs, rather than seeming to protrude into them.
An alternate, more asymmetrical & stylized Madmouse.
This could be considered an avantgarde spurless or mixed-spur design. Some letters have spurs and some don't. This is entirely dependent on the diagonal lines, which were placed so that they would slant up and to the right. "s27" are obvious exceptions.
This is a clone of MadmouseAn even smaller and more stylized take on Madcat/Madkitten. It isn't really a Decolike anymore, but it is readable at smaller sizes than almost all my other designs!
This uses some compression/truncation tricks to fit glyphs into a smaller grid. Those tricks are usually used in pixel designs (such as Chlorophyte) but I think they worked out well here, too!
This is a cloneThe new Eyeball Kids™ from Pixel Kitchen® are the best way to get your child interested in experimenting with eyeballs. Color 'em! Italicize 'em! Throw 'em into oncoming traffic! Abuse 'em all you want because EYEBALL KIDS ARE ETERNAL.*
! ! ! DO NOT FEED EYEBALL KIDS AFTER MIDNIGHT ! ! !
* - Eternal under normal use conditions. See the enclosed manual for terms.
An alternate take on Eyeball Kids which has more expressive eyes.
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Making this has given me an idea for an ASCII Roguelike tileset wherein lowercase letters represent juvenile creatures and uppercase letters represent adult ones.
This is a clone of Eyeball KidsA variant of Tangereen 3. Hard to read, but has a certain ornamental appeal.
Lately, I've been busy learning 3D modeling, vector art, and digital art things. So I only envision myself making more FontStructions when I need them for an existing project. I've already done all the designs based on my own past work - or at least, all the ones that are possible to create here.
This is a clone of Tangereen 3An experimental design using 1/8 weight lines alongside 1/16 ones. The 1/8 lines are the smallest that can be accurately nudged. Centering them is still a problem at times, and I need a few impossible composites to perfect the glyphs ABEFHKQRXYijkx34789, but overall I'm quite fond of how this doodle turned out.
I think I could use some intensive compositing to get rid of the central dividing line in glyphs like A and H. I'll give it a try when I can.
thicc and blocky font I tried to fit in a 7x9 grid for each letter
supports Basic Latin and More Latin sets
11.dec.22 hotfix: removed the block in the fi ligature that made it resemble a 6 and removed j descender since it violated the 7x9 grid restriction
First of all let me start by saying this is the longest font name i’ve ever seen and it doesn’t even mean anything. This is because I name my fonts random made-up words that I think look good written in the font. Also no, the uppercase letters are not meant to be alternates, I just liked the idea of a lowercase font, but wanted to be able to use uppercase to make things look less like they were written by someone texting the whole time. Yes I know I made the actual uppercases for the tall letters (sorry I don’t know what it’s actually called), but that’s because I couldn’t just make them taller to show that they were uppercase. This font is compatible with English, Spanish, French, Portuguese, German, Russian, and maybe others I missed. Language compatibility requests are welcome.
This is my first font, Magarith! (pronounced: MAG-uh-rith)
This font currently supports the following languages: English, Spanish (Español), French (Français), German (Deutsch), Portuguese (Português), Russian (Русский), Danish (Dansk), Swedish (Svenska), Norwegian (Norsk)
Esto es mi primer FontStruction, Magarith. Se pronuncia Mégarit
Este FontStruction actualmente
Here we have a filled-counter pseudoserif pseudostencil that is also a borderline IVO design at the same time! It also has a bit of a "double font" look going on if you look at the negative space.
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Design Rules:
1. Internal negative spaces of glyphs will be filled such that a 0.5-brick-wide void exists between the filled space and the glyphs themselves.
2. When a glyph's horizontal line intersects with the filled space created by Rule 1, both the filled space and the line will be broken.
3. Vertical lines will only connect by two tapering curves or by the implied connections created by filled negative space.
4. Filled negative spaces may only join with the outer perimeters of glyphs.
Paradoxy Effect, now with more dots.
This is a clone of Paradoxy EffectParadoxy Effect, without the Effect. Quite a drastic transformation!
This is a clone of Paradoxy EffectIteration 4: Basic Latin kerning finished.
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DOODLE DOODLE DOODLE!
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Design Rules:
1. Letters with spurs will have the spur begin at the baseline. This provides the distinctive "high heeled" look.
2. Any letter whose traditional design has a straight vertical line on its left side will keep the line, no matter how the lines of the actual letter travel.
A design that combines tropes from fantasy, sci-fi, and sports in a subtle and pixel-optimized way.
Structurally, this looks like a high-res version of Marengi Mk2. There are still plenty of differences between the two, but since they seem equally readable to me, I'm tagging this as a chat font.
A quirky Pseudostencil design with a central horizontal slot going through it. The "slot" is 1 brick tall for lowercase and 2 for uppercase, and becomes a vertical slot for numerals and certain symbols.
This is named for the cowboy and lasagna emojis. These were repeatedly added to then removed from several popular chat clients and websites. Changing emoji standardization or government conspiracy? YOU DECIDE.