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Version 1 of the Lucarian script font is out!
View the original script here: https://www.omniglot.com/conscripts/lucarian.htm
HERE'S HOW TO USE THE FONT:
d, h, j, l, m, n, r, s, t and z will give you the corresponding letters in full form.
b, f, g, k, p and q give you the truncated form of those letters. Uppercase versions send out their full forms.
Type c, S and Z for ch, sh and zh respectively.
a, o, e, i, y and u give you the corresponding vowels, while A, O and U give you ae, oe and uu respectively.
Type ' for the glottal stop letter with both sides truncated, use < and > for that letter with just the left side and the right side respectively, and = gives you the full letter.
The comma, period, question mark and exclamation mark gives you the corresponding punctuation.
BACK TO THE FRAKTUR - Modular geometric calligraphic blackletter
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Calligraphy inspired design, that even though it's name can be deceptive, suggesting one in thinking it is a Fraktur derivative. Which is actually quite not the case, and as far as being a calligraphic Blackletter inspired work, the similarities between the two stop.
This is a heavily simplified and geometric take on the calligraphic style, with much more modernized letterforms as well.
It remains a WIP, but I'd love to hear what u think so far.
Cheers
A cursive pixel font.
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Series title: Essentia
Type: Cursive Script
Properties: Bold & Italic, 5.7pt
Currently Available in:English and Dutch, Welsh, Irish, Scots Gaelic, Italian, French, Albanian, Spanish, Portuguese, German, Hungarian, Swedish, Danish and Norwegian, Faroese, Icelandic, Greek, Belarussian (Latin and Cyrillic), Bosnian (Latin and Cyrillic), and Russian.
Soon to be available in:Polish, Czech, Slovak, Croatian, Finnish, Estonian, Latvian, Lithuanian, Esperanto (potentially), Turkish, Vietnamese (Latin).
Possible future additions: Hebrew, Arabic, Persian (Farsi), Hindi.
Any Suggestions?
ORIENTFAHRTEN - A semi connected script style font design.
It is losely based in the lettering seen on a poster design by German designer/painter Ottomar Carl Joseph Anton. (original shown in comments)
When completing the full alphabet I tried to incorporate the features from the provided letters the best I could while creating the remaining missing characters.
SInce its a semi connected style lettering, certain characters were deliboratly disconnect and some weren't. For example the Uppercase string is almost completelty disconnected, whereas most of the lowercase characters connect.
This can also be seen in the original Ottomar poster.
For the connected lowercase characters there has been made a alternative glyph that disconnects to make more pleasing looking breaks, and are located in the Unicode Block “Halfwidth and Fullwidth Forms”.
It contains both proportional oldstyle (default) & lining numerals, with the lining located in the Unicode Block “Halfwidth and Fullwidth Forms” as well.
I hope you like it!
cheers
A cloned and semi connected variation to to SCHOLTEMEIJER (CONTIUOUS)
This is a clone of STF_SCHOLTEMEIJER (CONTINUOUS)It took me so long damn it
original work by Sed4tives
This is a clone of STF_BLACKPAPERThis is a font I made that's inspired by the minuscule form of the insular script used by the Anglo-Saxons in Medieval England. It includes all of the special medieval characters, and features the character "wynn (Ƿ)" as the letter "W". Happy Typing! :-)
Links:
Folder strips of paper style blackletter attempt. I wish I had better solutions for some charaters, but I had some tough struggles getting good looking glyphs for this style, for example uppercase T took me like 60 attemps and none ever really pleased. So I ended up with choosing the best of them en just went on with the rest. BUT, Zephram came to the rescue and delivered me a propper T, Arrrrr thanks matey!!!
Enjoy
This is a cloneVersion 1.1: More Latin added.
*
Haven't done anything like this in a long while. This is a form of pseudocursive script, and it's termed this because many forms deviate from the cursive standards. I had to find my own solutions to account for different types of loops and to add details.
Torcan is inspired by the Georgian Nuskhuri alphabet, but upside down. It is written latinically, rather than phonetically. Double letters can be achieved by adding a dot above or under the letter. Numerals are made with corrosponding letter with dots above and under it. A semicolon is used as a question mark, while the exclamation mark is an upside-down version of it. Torcan comes from an Irish word meaning "porcupine".
WIP! - A new experiment into handwriting fonts.
I was inspired to do a handwriting script font of my own after I saw the recently submitted couple here at fontstruct by ecluniverso. This member's work is very good and unique, check it out here: https://fontstruct.com/fontstructors/1376510/ecluniverso
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The design concept for my font is handwriting with a broad-tip permanent marker.
I completed the LC string and numerals, plus some punctuations so far. UC (hopefully) coming soon.
GOSPEL ANGLOS
A insular half-uncial or insular majuscule script style typeface project that is inspired by ancient celtic bookhand & manuscripts.
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The project is aiming at solidifying a number of different insular script styles. The main goal is to create a single typeface that includes about everything required to replicate the decorative writing style seen in ancient celtic manuscripts.(except for the ornamental decoratives)
The font, though essentially a bi-linear or majuscule insular half-incial script, in reality is a combination of different styles and complementary lettersets. Each carefully designed for specific purpose.
For example, it includes a more decorative Anglo-Saxon-script capital letter, perfect for headline text or book bindings. These actually include a small number of short ascending / descending letters, but it remains mainly a majuscule. Then there is a complete insular style lowercase set, but which resembles a more traditional style lowercase letterform. And instead of being proportional sized, these reflect the cap-height, remaining faithful to the bi-linear nature of the script.
Besides all that, there is a set of glyph-alternates for most of the Anglo-Saxon capitals, as well as numerous random stylistic glyph alternates scattered througout some other various unicode blocks. Providing more than enough options to make variations.
To top it all off, I started making a set of more decorative lombardic initial letters, perfect for decorating paragraphs.
(This remains a WIP for now, as I am still experimenting aound with different styles and bits to narrow down the right one that suits this total package)
I like how some of these characters turned out, but many are jiust ideas and not yet reached their definitive forms. But this set proved a lot more difficult than I had anticipated. So,
Any suggestions helping me to complete the full set are very much welcome..
The major recources and guidelines for the creation of this project mainly evolved around the two medieval celtic manuscripts:
"Book of kells" and "Liɴdisfarne Gospels"
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It has grown quite a bit already so far, but remains a WIP.
So beware of very little overall polishing or kerning.
The overall design has quite some rough character, even more so with the insular lowercase set, that obviously was not aimed at smooth edges. Actually the oposite, sort of trying to replicate that rough look seen with many scribes from that era.
But I would love to hear your opinions (or suggestions for that matter) on the work so far. I can really use a little refreshing vibes for this at this point.
;)
Cheers.
Stern from GEOS FontPack PLUS on the Commodore 64. Script font with joins. I haven't done more than basic kerning on this so it may be a bit "rough" in places. Still, it's the full basic ASCII set, and it's easier to read than Mistral.
It's finally done, it took me nearly 2 days to get the kerning done and balance this baby, but here she is!
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SCRIPTORIUM - A Gothic script/Blackletter typeface design with drop shadow.
Corded modernist minimalism script typeface design.
It is trying to mimmic letters written with a bend metal wire or a chord.
It is only in lowercase letters at the moment no numerals and only very limited punctuations. But It is still very fun to play around with.
And my apologies for putting a sting of glyphs with only a line showing in the numeral block but I did this to make the pangram for the font show up in when viewed from the gallery
Mostly for wall or border decoration (you can read letters, but probably not the numbers). Every vertical line column is a letter(plus connection to previous column)! Have fun!
For dozenal counting system, " ' " serves as "0", "0" is "10", "-" is "11", "_" is "-", ":" is division, "*" is multiplication, ";" is for roots (as the opposite of powers, "^")
A project I've been working on for some time that combines a readable writing system with a means of creating decorative streams of symbols, allowing for practical or artistic use. It is designed to be writable in the same way as English, with a couple key differences:
end of sentence within a thought:
. = SPACEBARx2
? = ?SPACEBAR
! = !SPACEBAR
end of thought:
. =SPACEBAR-
? = ?-
! = !-
end of paragraph:
. = .
? = ?-
! = !-
numbers:
numbers at the beginning of a sentence = ###-SPACEBARtext
numbers at end of sentence = textSPACEBAR-###SPACEBAR-
Use as applicable to avoid numbers and letters bleeding into each other.
For purely artistic streams of writing, Start every sentence with a capital, skip spaces, and use '-' as a period. This allows for a smooth bar of symbols without any random bits jutting out that can be used for framing or backgrounds.