I Fontstructed my way through a difficult period, the holes have quite a story to tell....... A weird design and not totally necessary, I was told. That'll be OK for me ;) All letters are on Lower Case. There's an alternative 's' on 'S'. No Kerning.
This font has been made for my grandson who adores anything 'computer' although he is only a little over 1 year old :) I hope he'll like the 'technical/electronic' look of "his" font :) when he is old enough to use his dad's computer for homework (or writing to me?) ...
This is the bolder version of INGEROL. Made for my uncle ROLF who is celebrating his birthday on the 28th August. I named the font for him and in loving memory of my aunt INGE who I miss very much. Love, Holli and Ninzi.
The width of the letters spelling out each number is different after the first 2 letters (but the "i" is always 4px wide)
Four numbes added : "10" is on the "K" , "11" on the "L" , "ZEHN" on the underscore , "ELF" is on the "$"
For the goddess Circe ... Elegant, feminine, joyful, rounded, with a positive swing to it. Working with shapes and 'frames' I made this for the "mix-and-match" set of decorative fonts called CIRCE. The caps can be used as a "majuscle" but might overload visually if used exclusively in a text? The LC are quite legible in smaller sizes. This font is part of a 5-font style set
My 'serious' entry for the LoveComp 2016. The dents and hollows in the lines are intentional, the unevennes is an illustration. Love is not a "simple straight-edged neatly tidied" feeling nor a life-long dream-manufactured perfect experience. Every Love has those swirling and rambling sensations and discoveries as well as some uneven blinks-of-an-eye like those dents and bumps in this font, when things and feelings are more like each person involved: complexity needing learning and understanding, uncertainty requiring thoughtfulness and cooperation to smooth things out. Over the years of learning about each other we discover that those uneven areas are part of Nature's magick called Love. We discover that there is only one person like this unique one we love because of what and how they are ......... The name is Spanish ;)
Artsy kind of font. The name comes from: 1 thick line, 2 thin ones, another thick one, and letters are all lower case. One of these days I'll add Czech and Polish. There were a few challenges regarding heights but I think the balance is fine now and the glyphs legible.
For the moment this is the final version of Syngrapheis, reasonably extended. I'll add basic Greek and basic Cyrillic later because I think that the glyph shapes will look good in those writing systems. I've changed the 'g' since the sampler. I wish to offer this version to Google later so if you see any mistakes, strays or breaks etc please let me know.
This is a cloneDecorative font in 'basic' and 'more' Latin. It's crisp and spacious, allowing easy reading at smaller point sizes from 10 upwards. I have not checked how large it can get before the building bricks become disturbing in the flow of the edges. It can be used in conjuction with my "Ritual Minutes" which has no descenders on the UC and LC. Not sure if this is more of an 'Art Nouveau' design or points more towards a generalised 'Victorian-ish'. It doesn't really matter, someone will find the perfect text to show its visual qualities ;) NOTE: the space is reduced to something like 1/2 letter width. To get a 'good' space between words you need to hit the space key twice. Do you think this is acceptable? Or should I increase the space?
I love the look of this style. The name is self explanatory ;) if you know French.........
UC, numerals and some symbols have one line thicker than the others, LC only has the thinner lines. LC can be used on its own if even thickness of lines is desired but it is 3 px shorter than UC which will show clearly when using Basic Latin LC in combination with Hebrew, numerals, some symbols and some punctuation marks. Cyrillic and Hebrew added. Latin1 will come eventually ;)
A decorative font to celebrate my birthday month :) Inspired by Art Deco elements I saw on a shop window and one of my early designer-cizes (did I just invent this word??lol) which thankfully I had kept private ;) because it was too muddle-messy to show.
I think that this version looks good enough to offer as my June freebee :D
I'll add further diacritics to complete the 'More Latin' band if somebody needs them
Not just a tad thicker lines but additionally I have changed quite a few glyphs' edges and even shapes. But I've maintained the original width of letters (exeptions: l, m, t, r, w, @) and numerals to allow using glyps of this clone as a kind of majuscule with Melusine.
This is a clone of MelusineI wanted to try some 'deformation' of the perspective used for italic glyphs. It was fun to try, the font looks amusing and the slants are irreverent enough. I know that a word processor could change Raysan into an italic style but a word processed Raysan would be too predictable and without creative spark.
Despite the purposeful changing of lines specially the curved sections which don't follow any "perspective rule" this font looks italic. It has a pleasant rythm in longer headlines etc, and gives eye catching 'splash' text when used with the parent font.
It took quite a while to finish, I constantly fought the wish to make composites and stacks to get the correct shape and directions into the curves.
This is a clone of Raysan