This is the digital font used on Family Feud during the Combs (1988-1994) and Dawson 2.0 (1994-1995) eras.
This is a clone of Fast Money (Dawson 1.0 Era B)This is an alternate version of the digital font used throughout the Richard Dawson era from 1976 until 1985; this version is used for the Fast Money bonus round, with the "0", "3", "6" and "9" looking different compared to how the appeared in the main game rounds.
This is a clone of Fast Money (Dawson 1.0 Era A)This is the main game version of the digital font used on Family Feud throughout Richard Dawson's run from 1976 until 1985; the numbers are used on the left and right sides of the board to display families' scores (or banks, since they played for dollars at the time).
A dot-matrix version of "Official-Ish", and a test of the Filters. :^)
The author recommends using this font at sizes that are multiples of 13, starting with 26, to ensure perfect pixel size/placement. 26, 39, 52, etc. were tested and looked perfect to my eye.
TIP: Size 13 looks like regular "Official-Ish"! You can treat this as two fonts in one for art purposes.
This is a clone of Official-IshThe font of computers of the VGA generation, well known from DOS and WordPerfect 5.1 in the late 80's and early 90's, now in a 5x7 matrix (with some descenders). Set your word processor to bold.
This is a clone"Gardenia...my sweet darling, in your sweet childlike eyes I see..."
Gardenia DMG is a clone of my other pixel font, Gardenia Sans. It aims to emulate the look of dot-matrix displays, specifically at small sizes.
It is a 9px bitmap font with full support for English, Spanish, and Portuguese.
Feel free to use this font in commercial and non-commercial projects, as well as modify it however you may please, but a shout-out would be much appreciated. :)
You are also free to reupload this font to other websites, BUT ONLY IF YOU CREDIT ME, PLEASE!!
This is a clone of Gardenia SansThis typeface was concevied two years ago and later shelved. Thought that it was still worth finishing so here it is. It's another take on the square dot matrix style that I did with the MinSha typeface back in 2010.
Recreated character set of the Brother EP-20/22 Electronic Thermal Typewriter (1983).
Square-pixel variation also available.
This is the screen font from the IBM 5100 Portable Computer. It is uppercase-only, and has a large repertory of APL-related characters as well. Of note is that no two adjacent horizontal dots are ever both active, because the font might have also been intended to be used with a dot-matrix printer.
This font is a recreation of Richard Wisan's "ELITEQ.LQN" font file (c) 1990 for use with the program LQMATRIX. From Mr. Wisan's comment in the LQMATRIX documentation file: "ELITEQ.LQN: resembles Epson's resident Roman font, but slightly reduced to suit elite spacing."
LQMATRIX was a font design program for use with Epson LQ [Letter Quality] 24-pin dot matrix printers and compatibles. Created by noted linguist, anthropologist, and photographer J. David Sapir, the program had its beginnings in 1985 and was published by Jimmy Paris Software; the last known version that I have been able to find is version 4.44 (1991). Mr. Sapir included font set submissions from LQMATRIX users in some of the later updates; my version includes Mr. Wisan's file. A screenshot of the program is included in the comments section below.
While the graphics mode of dot matrix printers could print rather complex pictures, it remained extremely slow for large amounts of specialized text. By uploading an LQMATRIX font file into the printer's RAM, the temporary font could be used interchangeablely with the printer's resident ROM fonts. The result was a much faster print speed with little sacrifice in quality -- plus, one could design their own special glyphs or characters to suit their needs!
This was accomplish by a sophisticated design program included with LQMATRIX, whereby users could create and save characters or symbols on a 24 vertical by 15 horizontal grid for the ASCII locations 032–126 (although 001-127 were permitted). One could even place dots in the 14 half-positions along the horizontal.
I have cleaned-up some of the curvatures and harmonized a number of glyphs (along with outright modification of a few, like W and w), yet they still adhere to the same 24 x 15 grid. The original designs can be found beginning in the "More Latin" section. Because the characters for "left single quotation mark" and "right single quotation mark" were not present in DOS, I have "created" them here for sake of completion.
ELEKTRON AR-LCD 1_6×6 - Re-creation of the 6×6 dot matrix font that is used in the "WinstarWG12232A" 122×32 graphic LCD display module on the "Analog Rytm"drum machine by Elektron
====================================================
I used filters to mimic the original module's dot size and dot pitch:
Horizontal brick size: 0,89
Vertical brick size: 0,91
Horizontal grid scale: 0,8
Vertical grid scale: 0,94
====================================================
This is just one of the fonts that is used in the "Analog Rytm", there is number of different font size and designs used throughout the device's OS. Used together to create clear hierarchy and structure in the individual components.
I will try to provide the remaining others as seporate fontstructions as well soon.
The other fonts:
ELEKTRON AR-LCD 2_5×8
ELEKTRON AR-LCD 3_6×6
Enjoy!
ELEKTRON AR-LCD 3_6×6 - Re-creation of the 6×6 dot matrix font that is used in the "Winstar WG12232A" 122×32 graphic LCD display module on the "Analog Rytm" drum machine by Elektron
====================================================
I used filters to mimic the original module's dot size and dot pitch:
Horizontal brick size:0,89
Vertical brick size:0,91
Horizontal grid scale:0,8
Vertical grid scale: 0,94
====================================================
This is just one of the fonts that is used in the "Analog Rytm", there is number of different font size and designs used throughout the device's OS. Used together to create clear hierarchy and structure in the individual components.
The other fonts:
ELEKTRON AR-LCD 1_6×6
ELEKTRON AR-LCD 2_5×8
Enjoy
This is a clone of STF_ELEKTRON AR-LCD 1_6×6more arrows, and some fractions!
This is a clone of ElevatorInd 5.0Lettering based on the London Underground 1986 Stock Passenger Information System, specifically, the 'red' train.
This is a another recreation of an LCD design concept by Posy
This time it's the 3x5 Matrix Display, with all glyphs of Basic Latin supported
Also available without rounded corners
This is a clone of LCD 3x5 Matrix